Poetry Will Find You
In this silent film by Richard Grunn, a common man discovers "the mysterious power of poetry."
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In this silent film by Richard Grunn, a common man discovers "the mysterious power of poetry."
Poet Kelle Groom's memoir, I Wore the Ocean in the Shape of a Girl, about her recovery from alcoholism following the death of her fourteen-month-old son, is published this month by Free Press. Check out this and other new and noteworthy books in the July/August issue's Page One section.
Virginia's Fall for the Book Festival, sponsors of three annual awards for prose, and its partner the Washington, D.C., poetry haven Busboys and Poets have announced the festival's inaugural poetry award. Yesterday Claudia Rankine, author of Don't Let Me Be Lonely: An American Lyric (Graywolf Press, 2004) and three other collections, was announced winner of the honor, which is accompanied by a five-thousand-dollar prize.
Rankine joins novelists Amy Tan, who is this year's Fairfax Prize winner, and Stephen King, who received the Mason Prize, as a 2011 Fall for the Book honoree. A fourth prize for nonfiction will be announced in the coming weeks. The authors will appear at the festival, which takes place from September 18 to 23, to accept their prizes.
In the video below, Rankine discusses the lure of unknown, but recognizable, worlds in poems, and the hallmark of bad verse.
Set a timer for five minutes and freewrite, putting pen to paper and transcribing everything that comes to mind without stopping until the timer goes off. Review what you’ve written and circle any phrases, images, words that appeal to you. Using those fragments, freewrite again for five minutes. Again, circle anything that appeals to you, and use those fragments as the starting point of a poem.
Kabir Kapoor performed his poem "Evolution," which takes us through the planet's evolution, from dark nothingness to the modern computer, at the second annual Bristol Sign Poetry Festival at the University of Bristol in England in February.
In 1966 Allen Ginsberg wrote the anti-war poem "Wichita Vortex Sutra" (composing it as he spoke into a recorder while travelling across the Midwest.) Twenty-two years later the poet met composer Philip Glass in a bookstore in New York City's East Village, a chance encounter that eventually led to a collaboration that yielded this piece, which is featured on Glass's 1990 album, Hydrogen Jukebox.
For the month of June, poet Kelly Norman Ellis, author of Tougaloo Blues and longtime P&W-supported writer and presenter of literary events, will spotlight Chicago's literary landscape.
I love what I do. I get to talk to smart, talented people about words. I am the director of creative writing at Chicago State University (CSU). But the nature of directing a creative writing program at an underfunded state university tests my creative endurance and that of my colleagues each year. Our MFA program’s sister institution, the Gwendolyn Brooks Center for Black Literature and Creative Writing (GBC), has been the saving grace of our program. The GBC, named in honor of the esteemed Pulitzer Prize winner and Illinois poet laureate, serves as the home of the MFA program, a meeting place for creative writing students, both graduate and undergraduate, and provides literary readings and workshops, mostly famously the Gwendolyn Brooks Conference.
Because of financial constraints, our writing program does not have a formal writers series, but the GBC's programming and physical space have kept our creative writing program thriving. The center and its directors both past and present (Professor Haki R Madhubuti, Dr. Joyce E Joyce, the late Dr. B.J. Bolden and Professor Quraysh Ali Lansana) have provided an important literary environment for the university and Chicago’s south side communities. The center is a world within a world.
This world includes a video archive of literary readings by Sonia Sanchez, Toni Cade Bambara, John Edgar Wideman, bell hooks, Edward P. Jones, Amiri Baraka, Saul Williams, and Lucille Clifton and scholars Houston Baker, Maryemma Graham, Joanne Gabbin, and Cheryl Clarke, among others. The center’s dedication to social justice through the HYPE program, which works to educate young people about AIDS/HIV, has produced two anthologies (Fingernails Across the Chalkboard and Spaces Between Us), co-edited by graduates of our writing program (ML Hunter and Randall Horton).
Centers like the GBC are a cultural and artistic lifeline for a community of black and brown people struggling against oppressive forces. In this small space, contemporary writers have shared their words and expertise with the students of CSU and the surrounding communities with workshops and readings; Martin Espada, Thomas Sayers Ellis, Honoree Fannon Jeffers, Crystal Wilkerson, Frank X Walker, Roger Bonair-Agard, Jessica Care Moore, and Achy Obejas have done this work for little or no financial reward. They serve the community because of their commitment to writing and the right of every person to own her own stories and to craft those stories with the attention they deserve.
It is possible to make a world with what you have. Even though we do not have vast financial resources, we have the commitment of writers around the country who believe in the necessity of art in the lives of every person. Every day I enter our small space and am greeted by the portraits of Lorraine Hansberry, Langston Hughes, Richard Wright, and, of course, Gwendolyn Brooks. I walk into the space where Ms. Brooks taught poetry and where she made a world fashioned from poems... And what a world it is.
Photo: Kelly Norman Ellis. Credit: Natasha Marin.
Support for Readings/Workshops events in Chicago is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
Write a letter to a landscape or scene you pass through today. For example, “Dear Williamsburg Bridge,…”
Didn't like that novel? Disappointed with that poetry collection? Consider turning it into art using the simple steps in this brief how-to video.
Last night in Brooklyn the Moby Awards, sponsored by indie press Melville House, celebrated the best, worst, and weirdest of last year's book trailers. A panel of critics, editors, and other lit types representing the Huffington Post, McNally Jackson Books, the Millions, GoodReads, and more selected the following to receive the honorary golden sperm whale.
Lifetime Achievement Award
Ron Charles for his Totally Hip Video Book Review Series for the Washington Post
Grand Jury/We’re Giving You This Award Because Otherwise You’d Win Too Many Other Awards
Super Sad True Love Story by Gary Shteyngart
Book Trailer as Stand Alone Art Object
How Did You Get This Number? by Sloane Crosley
Best Small House
Tree of Codes by Jonathan Safran Foer
Best Big House
Packing for Mars by Mary Roach
Worst Performance by an Author
Jonathan Franzen in his Freedom trailer
Most Celebtastic Performance
James Franco in the trailer for Shteyngart's Super Sad True Love Story
Worst Small / No House
Pirates: The Midnight Passage by James R. Hannibal
Worst Big House
Savages by Don Winslow
What Are We Doing To Our Children?
It’s A Book by Lane Smith
General Technical Excellence and Courageous Pursuit of Gloriousness
Electric Literature, including the below short "Can a Book Save Your Life?"
Most Monkey Sex
Bonobo Handshake by Vanessa Woods
Worst Soundtrack
Ghostgirl by Tonya Hurley
Most Angelic Angel Falling to Earth
Teen tome Torment by Lauren Kate
Most Conflicted (we published the book but the trailer is sooo good!)
The Beaufort Diaries by T Cooper