Genre: Poetry

Poetry Contest Turns Verse to Verses

Memorious, the six-year-old online literary journal, is open for poetry entries to its annual art song contest. One poet will have her work set to music by composer Luke Gullickson and performed at an event in Chicago, cosponsored by local group Singers on New Ground (SONG). The winning poem, along with a recording of the musical adaptation, will also be published in Memorious.

"The last quarter-century has seen an explosion of American composers writing art songs for our own time and nation," writes SONG director Eric Malmquist in an introduction to the genre of the art song—technically a poem set to music for voice and piano. "Composers are still setting poetry to music, but many are also setting non-poetic works, including newspaper columns, recipes, listings from 'missed connections' on Craigslist, and crazed writings found on a Chicago bus."

Inspired? Poets can submit via e-mail three to six poems, each of no more than thirty lines, or one long poem of no more than one hundred lines along with a brief bio (there is no entry fee). The deadline is February 12.

For more about the project, entry guidelines, and an audio-visual experience of the winning poem from last year—"Blackwater" by Jill McDonough with musical composition by Randall West—visit the Memorious blog.

Spring Creek Project

The Spring Creek Project offers two-week collaborative residencies in August and September to pairs of poets, fiction writers, and creative nonfiction writers at the Cabin at Shotpouch Creek in the Oregon Coast Range. The residency is open to writers who wish to pursue a collaborative project, and whose work takes inspiration from the natural world. Residents are provided with lodging in a two-bedroom cabin and a $250 stipend each.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
May 24, 2025
Rolling Admissions: 
ignore
Application Deadline: 
May 24, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
May 24, 2025
Free Admission: 
yes
Contact Information: 

Spring Creek Project, Oregon State University, 330 Ballard Extension Hall, Corvallis, OR 97331. Carly Lettero, Program Manager.

Carly Lettero
Program Manager
Contact City: 
Corvallis
Contact State: 
OR
Contact Zip / Postal Code: 
97331
Country: 
US
Add Image: 
Cabin at Shotpouch Creek

Protoplasmic Poetry

Caption: 

Michael McClure, whose poetry Allen Ginsberg described as "a blob of protoplasmic energy," performs one of his poems as well as one by Emily Dickinson in this clip from 2007. McClure's Of Indigo and Saffron: New and Selected Poems, which includes an introduction by the late Leslie Scalapino, is out this month from the University of California Press.

Genre: 

New Frost Prize for Formal Poets

The keepers of Robert Frost's family farm in Derry, New Hampshire, where the poet lived from 1900 to 1911, have opened their inaugural formal poetry contest. Sponsored by the trustees of the Robert Frost Farm and the Hyla Brook Poets, a workshop group that holds a reading series at the historic site, the competition is calling for poems written in meter—any metrical form is welcome.

One winner will receive one thousand dollars and an invitation to read in the Hyla Brook series at the Frost Farm, a program that has hosted poets such as Maxine Kumin, Rhina Espaillat, and Wesley McNair. Serving as judge will be William Baer, former editor of the no-longer-published poetry journal the Formalist.

The entry fee is five dollars a poem, and writers may submit as many works as they like—via snail mail—by April 1. Complete guidelines are posted on the Robert Frost Farm Web site.

In the video below, a short film by Doug Williams interprets Frost's poem "Into My Own," originally published as "Into Mine Own" in New England Magazine during the time Frost lived at the Derry farm, in 1909.

January 10

1.10.11

Write an erasure poem: Rip out one or two pages from a magazine or newspaper. Read through them, underlining words and phrases that appeal to you and that relate to each other. Using a marker or Wite-Out, begin to delete the words around those you underlined, leaving words and phrases that you might want to use. Keep deleting the extra language, working to construct poetic lines with the words you’ve chosen to keep.

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