Genre: Poetry

Poetry Prize

The Moth
Entry Fee: 
$17
Deadline: 
December 31, 2024
A prize of €6,000 (approximately $6,605) is given annually for a single poem. Three runners-up prizes of €1,000 (approximately $1,101) each are also given. The four shortlisted poets, including the winner, are also published in Irish Times and invited to read at an online awards ceremony in spring 2025. Fiona Benson will judge. Submit any number of poems of any length with a €15 (approximately $17) entry fee per poem by December 31. Visit the website for the required entry form and complete guidelines.

Falling

10.8.24

“One by one, like leaves from a tree, / All my faiths have forsaken me; / But the stars above my head / Burn in white and delicate red, / And beneath my feet the earth / Brings the sturdy grass to birth,” begins Sara Teasdale’s 1915 poem “Leaves.” Write a poem that uses rhythm and meter to evoke the feeling of the autumn season and describes the sights and sounds of the natural environment drying and withering, beginning the descent to decomposition. You might use this as an opportunity to ruminate on the larger themes of slowing down, and cycles of renewal and decay. Pay particular attention to consonance, short and long vowel sounds, and the length of your words and lines to create the desired tone of your poem.

2024 Jackson Poetry Prize Reading: Fady Joudah

Caption: 

In this Poets & Writers event, 2024 Jackson Poetry Prize winner Fady Joudah reads a selection of poems, including from his National Book Award–nominated collection, [...] (Milkweed Editions, 2024), and joins Pádraig Ó Tuama for a conversation about his work and life as a poet.

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Ode to Style

10.1.24

In a recent piece published on Literary Hub highlighting responses from writers and editors on their appreciation for The Chicago Manual of Style, book editor Barbara Clark muses on the poetry found within the guidebook. “When I looked up something in the manual, I saw poems in their purest form. Open to a page at random, and find a poem there,” says Clark. “Fused participles! Who can imagine such a thing?” Taking inspiration from grammar-related terms and phrases, compose a poem that plays with an open interpretation of the words involved, bringing these concepts beyond language usage and into a more personal or philosophical context. Can you locate a sort of soul or lyrical beauty within organization and categorization?

An Evening With the Institute of American Indian Arts

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In this Brooklyn Book Festival Bookend Event at Books Are Magic, the Institute of American Indian Arts presents readings by students, alumni, and faculty of the program, including program director Deborah Jackson Taffa, m.s. RedCherries, Lily Philpott, and Julianne Warren.

Banned Books Week: Ana DuVernay

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In this virtual event, Banned Books Week honorary chair and award-winning filmmaker Ava DuVernay joins youth honorary chair Julia Garnett, a student activist who fought book bans in her home state of Tennessee, for a conversation about advocacy and fighting censorship.

Perfect Day

9.24.24

Wim Wenders’s 2023 Oscar-nominated film Perfect Days follows the life of a man named Hirayama, who cleans public toilets in Tokyo for work. Hirayama adheres to routines in his daily activities, waking to the sound of someone sweeping outside, brushing his teeth, misting his plants, buying a coffee from the vending machine outside of his apartment, playing cassette tapes on his commute, and taking photos with film cameras while on his lunch break. His work tasks are completed with integrity, even using a jerry-rigged mirror to check the undersides of the toilets he cleans. The character speaks very little and the focus remains on the simple beauty of his everyday experiences. Write a poem that chronicles one day in your life, encapsulating both mundane routine and beauty beheld. Consider playing with repetition, line breaks, and spacing, to reflect the regular and irregular rhythms of your day.

2024 Eric Williams Memorial Lecture: Danez Smith

Caption: 

In this event from the 2024 Eric Williams Memorial Lecture, Danez Smith reads from their work and discusses the poetics of resistance and rebellion with Jennifer M. Wilks, director of the John L. Warfield Center for African and African American Studies at the University of Texas at Austin.

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