Two for One
Take a poem you feel is finished, and divide the poem in half. Write two new poems by filling in those two halves.
Jump to navigation Skip to content
Take a poem you feel is finished, and divide the poem in half. Write two new poems by filling in those two halves.
"The first thing that comes to mind when I think about the writing life: space. I just think of space. Time to daydream. Time to notice things," says Natalie Goldberg, author of Writing Down the Bones: Freeing the Writer Within (Shambhala, 1986), Wild Mind: Living the Writer's Life (Bantam, 1990), and other books on writing.
The owners of Type Books in Toronto spent many sleepless nights moving, stacking, and animating books to produce this amazing video featuring music by Grayson Matthews.
"My joy is the same as twelve Ethiopian goats standing silent in the morning light," writes Jack Gilbert in his poem "The Forgotten Dialect of the Heart." His Collected Poems will be published by Knopf in March.
Attend a poetry reading, or listen to a poem from the Academy of American Poets' audio archive or from the Poetry Foundation’s audio files. Write a response to the poem you’ve heard without looking at the poem on the page.
San Diego-based P&W-supported poet Ilya Kaminsky, author of Dancing in Odessa and co-editor of Ecco Anthology of International Poetry, blogs about Southern California's Red Hen Press.
It is impossible to begin a conversation about literary presses and happenings in Southern California without instantly mentioning P&W-supported Red Hen Press, which is a great deal more than just a literary press. Red Hen’s Kate Gale and Mark Cull, both talented authors in their own right, have created something very special with Red Hen—it is a press, a community force, an organization behind several reading series in Southern California, an outreach program for writing in schools, and many other things.
One Red Hen book I read recently moved me, the new novel by P&W-supported writer David Matlin, “A HalfMan Dreaming”—a second installment in his epic trilogy about the beauty and violence of the American landscape. Lupe, a protagonist is taken from the world of rose farms and egg ranchers in post-World War Two America, from a town haunted by the Enola gay and the nuclear Bomb, to prison in Detroit. The book is as terrifying as it is gorgeous, with beautiful, sensuous prose.
Another book of contemporary prose that I have read in recent months that just won’t let me be is Garth Greenwell’s “Mitko”—winner of Miami University Press’s 2011 Novella Contest (one of the very few such novella prizes in the country), this is a book about betrayal, forbidden desire, where sentence structures are as engaging as the plot lines and prose is musical, meditative and evocative; this is the story of an American who finds himself in Sophia, Bulgaria. A new take on Thomas Mann’s “Death in Venice” Greenwell’s novella is able to ask hard questions about loss, sexual desire, and loneliness. In Southern California, where I have heard many a writer complain of loneliness and absence of literary community, this work, somehow, particularly resonates. Garth Greenwell will read from his new workon April 16 at San Diego State University.
Photo: Ilya Kaminsky.
Major support for Readings/Workshops events in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.
From the founders of Ashland Creek Press comes this public service announcement about the writer's most cherished yet endangered object: the typewriter.
On November 30, 2011, Urban Possibilities held a culminating reading for Dorothy Randall Gray’s nine-week, P&W-supported poetry workshop, which served men and women living at the Los Angeles Mission on Skid Row.
Urban Possibilities, a nonprofit organization that brings inspiration and a variety of services to homeless men and women, held a reading for their Published Writers Program, taught by Dorothy Randall Gray. The event began with a warm reception and an introduction by Eyvette Jones Johnson, founder and executive director of Urban Possibilities.
There is a “sea of untapped potential in the inner-city,” Johnson said. “No matter where you are or what you’ve been through, [you] have gifts and talents to share.” To write about their struggles, Johnson said, the participants had to have their “hearts wide open.” She asked that audience members reciprocate.
Gray was so proud of her students and the writing they produced that she said, “I feel like I almost gave birth.” She dedicated the piece she read, “You and Me, Me and You,” to her students. She described being “stranded at the corner of walk and don’t walk” and “invisible to those who will not see.” The poem repeated the phrase “they fly.”
All of the workshop participants came to the mission after living on the streets. Many have dealt with substance abuse, gambling, addiction, prison, and abusive relationships. “I felt like I was failing life,” participant Anthony Tate said. Another student said of the workshop: “It just sort of woke up my dream…I had put it on a shelf.”
To close the reading, the students stood together on stage and had the audience participate in an exercise. Each student said one word or phrase, and the audience said it back. After reciting the phrase “carpe diem” back, the whole auditorium burst into laughter when the voice of one young child echoed the phrase back a few moments afterward, provoking a whole new meaning and a sense of hope.
At the reception, participant Michael T. Williams reflected, “I was sleeping in graveyards, ‘cause I thought that was the safest place to be. Now I feel like Pinky and the Brain, and I’m ready to take over the world.”
Photo: Dorothy Randall Gray (center) with workshop participants. Credit: Craig Johnson Photography.
Major support for Readings/Workshops events in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.
This helpful video from AbeBooks demystifies the terms used to describe the physical parts of a book, including boards, hinge and joint, leaf, endpapers, book block, and plates.
London-born poet Jo Shapcott has been awarded the Queen's Gold Medal for Poetry, an occasional honor given since 1933 for either a single poem by a U.K. writer or a poet's entire oeuvre. Shapcott received the prize for her body of work, the most recent addition to which is Of Mutability (Faber & Faber, 2010), the poet's award-winning chronicle of her battle with cancer.
"The award of the Queen's Gold Medal for Poetry is the true crowning of Jo's career," said U.K. poet laureate Carol Anne Duffy, who headed up the judging panel. "The calm but sparkling Englishness of her poetry manages to combine accessibility with a deeply cerebral engagement with all the facets of being human—alert to art and science, life and death."
Shapcott, who teaches at the University of London, is also the author of Her Book: Poems 1988–1998 (Faber & Faber, 2000); My Life Asleep (Oxford University Press, 1998), which won the Forward Poetry Prize; and Electroplating the Baby (Bloodaxe Books, 1988), which won the Commonwealth Poetry Prize.
In the video below, Shapcott reads from her most recent collection.