Genre: Poetry

Deadline for Paz Poetry Prize Approaches

Submissions are open for the 2014 Paz Poetry Prize, sponsored by the Center for Literature and Theater at Miami Dade College and the National Poetry Series. An award of $2,000 and publication of a bilingual edition by Akashic Books will be given for a poetry collection written in Spanish by a U.S. resident. A translator will translate the winning entry from Spanish to English.

Submit a manuscript of at least 48 pages by June 15. There is no entry fee. Submissions can be sent by mail to the National Poetry Series, Paz Prize for Poetry, 57 Mountain Avenue, Princeton, NJ 08540. Richard Blanco will judge.

The biennial Paz prize was established in 2012 to celebrate the tenth anniversary of the Center for Literature and Theater at Miami Dade College. In response to why the prize was started, Lissette Mendez, the programs director at the center, says, “It’s hard for poets to publish, but poets who write in English have many contests they can enter in the U.S., as well as many independent presses and university presses to which they can submit manuscripts. It’s not quite that easy for poets who write in other languages—most publishers of foreign language books are in other countries. And then there is the issue of translation. The Paz Prize really works as a shortcut—publication in the U.S. by a wonderful, highly respected independent press in a bilingual edition. And our partner, National Poetry Series, is one of the most important poetry organizations in the country. It’s a wonderful thing to help a writer’s work get to the greater world, to help her or him find readers.”

Akashic Books, the Brooklyn-based press that will publish the winning collection, describes itself as committed to publishing work by authors who “are either ignored by the mainstream, or have no interest in working within the ever-consolidating ranks of the major corporate publishers.”

The 2012 winner of the Paz Prize, Dinapiera Di Donato, is a Venezuelan poet living in New York City. She won for her collection Colaterales/Collateral, which was chosen by Victor Hernandez Cruz, and translated by the poet Ricardo Alberto Maldonado.

The prize is named after the Mexican poet, essayist, and diplomat Octavio Paz (1914-1998), who wrote numerous poetry collections in Spanish from 1933 to 1989. He won the Cervantes Award in 1981, the Neustadt Prize in 1982, and the Nobel Prize for Literature in 1990.

Paz: La Jornada

Into the Room of Waiting

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"Patience smiles patiently for a déjà vu spectacle." British poet and artist Dean Pasch's short film "Into the Room of Waiting," based on his poem "To Smile," was recently screened at the 2014 ReVersed Poetry Film Festival in Amsterdam. Through snippets of scenes and recollections pieced together in a video collage of impressions, Pasch attempts to further explore the understanding of existence.

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Book Culture

With the strong support of the Morningside Heights community and the faculty and administration of Columbia University, Book Culture is a true community bookstore. Founded in 1997, the store features new and classic fiction and nonfiction, cookbooks, mystery novels, graphic novels, home and craft books, and travel guides. They host numerous readings and literary events throughout the year. The bookstore has four locations, including two in Manhattan, one in Long Island City, and one in Pittsford, New York.

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Maya Angelou Remembered

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“This is not a rehearsal. This is your life.” Maya Angelou is the author of more than thirty books, including her influential memoir of the Jim Crow South, I Know Why the Caged Bird Sings. She received numerous awards throughout her lifetime, including the Presidential Medal of Freedom, which was presented to her by President Obama in 2011. Angelou died at the age of eighty-six in 2014. A rare figure whose work was both scholarly and accessible, Angelou was undeniably inspiring.

192 Books

192 Books is a general interest bookstore in the Chelsea neighborhood featuring recent titles and past best-sellers, as well as selected rare and out-of-print books, on a variety of subjects, including literary fiction, art and photography, history and biography, natural history and science, works in translation, film, poetry, music, and current affairs. 192 Books hosts art exhibitions and an extensive series of readings by distinguished writers and artists, signings, group readings, discussions, and a weekly story hour for children at eleven each Wednesday.

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Poetry on the Underground

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Judith Chernaik founded Poetry on the Underground for the London Underground public metro system in 1986. This seven-minute documentary explores the project's evolution through poetry readings and an interview with Chernaik, who says the Underground is the perfect place to promote poetry because "you're in a strange place, and it's nice to have the comfort of language which is human and humane."

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Winners on Winning: Paisley Rekdal

For the seventh installment of our Winners on Winning series, we spoke with Paisley Rekdal, the winner of the 2013 University of North Texas Rilke Prize for her poetry collection, Animal Eye, published in 2012 by the University of Pittsburgh Press. The $10,000 prize is given annually to a midcareer poet. Animal Eye was also a finalist for the Kingsley Tufts Poetry Prize and the Balcones Poetry Prize. Rekdal's previous books include an essay collection, The Night My Mother Met Bruce Lee; a hybrid-genre memoir, Intimate; and three previous books of poetry, A Crash of Rhinos, Six Girls Without Pants, and The Invention of the Kaleidoscope. She teaches at the University of Utah. 

What kind of impact has winning the Rilke Prize had on your career?
The Rilke Prize relieved me of certain fears about the current direction of my writing, in particular the kinds of aesthetic interests and experiments with which I was, and am now, engaged. That kind of validation is probably the biggest reward any prize can give, outside of a sudden influx of cash. In terms of connections, the Rilke prize put me in direct contact with Bruce Bond, Corey Marks, and Lisa Vining at UNT, which led to some wonderful conversations over my week there about art and reading, the state of the lyric, and the best place to buy cowboy boots. As for what the prize itself allowed me to do financially, it helped pay for a new roof, which (considering my bathroom ceiling that winter was literally uddered with snowmelt-filled paint balloons) was a true blessing.

Has winning this award, or previous awards, changed the way you approach your work?
Like any good American or egomaniac, I love awards, but I can't write for them. I don’t think anyone does. In terms of the seriousness with which I take my work, however, prizes have certainly given me the confidence to be more ambitious.

Have you ever entered a contest that you didn't win?
I can’t begin to list all the contests that I’ve entered and haven’t won. The upside of being a 95% loser, 5% winner (if I’m lucky that year) is that I’ve learned how to brush off the rejection and continue to write, even within hours of a serious disappointment. Disappointment is, in fact, a great thing for a writer (if by "great" we also mean "getting kicked in the groin"), since it forces you either to learn how to enjoy the writing process itself or give up. Over the years, I’ve also been a judge for small and large contests across the nation, and these experiences have taught me that, once you’ve winnowed the best manuscripts down to a small handful, picking a single winner is frighteningly arbitrary. Being a finalist or semifinalist really is a good sign, as I tell my students: it means that your skills are recognizable, even if they aren’t the ones the judge-of-the-moment loves most.

What advice would you offer to writers thinking of submitting to writing contests?
Gird your loins. And take nothing—whether it’s failure or success--personally.

For more Winners on Winning, read the current issue of Poets & Writers Magazine, and check back here every Wednesday for a new installment.

Underwater

5.27.14

Have you ever thought about what it would be like to live underwater? How would the days be different? Imagine a scenario in which humans have adapted to underwater life, and write a poem about what such a life would be like. Consider the kinds of evolutionary changes that would need to occur (gills, webbed hands and feet, etc.), the new predators to face, and the new scenery to enjoy.

Never Let Go

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"And never let go / never unclench your fist." Adam Ragan filmed this inspirational short film of Nikolas Croker reading his poem "Never Let Go," with music by Tal Wieczorek, on the scenic beaches of West Port, Oregon.

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Folger Shakespeare Library

Folger Shakespeare Library is home to the world's largest collection of Shakespeare materials, as well as major collections of other rare Renaissance books, manuscripts, and works of art. The Folger serves a wide audience of researchers, visitors, teachers, students, families, and theater-and concert-goers.

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