Genre: Poetry

Forty-Three

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Erika L. Sánchez reads her poem “Forty-Three,” which reflects on the 2014 abduction of forty-three students in Guerrero, Mexico, as Ashley Rockwood interprets the poem through dance for this video produced in partnership with Chicago magazine. The poem is from Sánchez’s debut collection, Lessons on Expulsion (Graywolf Press, 2017), and her debut novel, I Am Not Your Perfect Mexican Daughter (Knopf Books for Young Readers, 2017), is a finalist for the 2017 National Book Award in young people’s literature.

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2 Elizabeths Love & Romance Contest

Feeling amorous? Submissions are currently open for the 2017 2 Elizabeths Love & Romance Contest. An award of $1,000 and publication in the inaugural 2 Elizabeths Anthology will be given annually for a group of poems or a work of short fiction with romantic themes.

Using the online submission system, submit 3 to 10 pages of poetry or 1,000 to 6,000 words of short fiction with a $22.50 entry fee by November 1. All entries are considered for publication. The editors will judge.

2 Elizabeths is a mother-daughter-run online literary magazine that publishes short stories, flash fiction, and poetry, as well as interviews, writing prompts, and other practical writing resources for writers.

Visit the contest website for more information, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Banes and Boons

10.17.17

Those inclined toward superstitious beliefs may be relieved that last Friday marked the second and last Friday the thirteenth of this year. Whether you are a believer or not, a study by behavioral scientist Jane Risen reveals that superstitions can affect both believers and nonbelievers. Though it may not be considered rational, the feeling of being cursed can be relieved if some sort of ritual is performed, like throwing salt over one’s shoulder or knocking on wood. Write a poem that begins with the presentation of a mysterious or inexplicable anxiety. Then in the latter half of the poem, present a ritual to reverse the effects, perhaps in the form of a physical ritual, lucky objects, or an incantation. Does the act of creating or poeticizing a ritual to lessen worries of a bad outcome have a soothing effect of its own?

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