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Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.
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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
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Nine Chinese authors have filed a lawsuit against Apple, charging the technology giant with illegally selling their work; Film director Tran Anh Hung details how Haruki Murakami's helped with the screen adaptation of Norwegian Wood; publishing veteran Jonathan Galassi discusses the state of contemporary poetry; and other news.
San Diego-based P&W-supported poet Ilya Kaminsky, author of Dancing in Odessa and co-editor of Ecco Anthology of International Poetry, blogs about Southern California's Red Hen Press.
It is impossible to begin a conversation about literary presses and happenings in Southern California without instantly mentioning P&W-supported Red Hen Press, which is a great deal more than just a literary press. Red Hen’s Kate Gale and Mark Cull, both talented authors in their own right, have created something very special with Red Hen—it is a press, a community force, an organization behind several reading series in Southern California, an outreach program for writing in schools, and many other things.
One Red Hen book I read recently moved me, the new novel by P&W-supported writer David Matlin, “A HalfMan Dreaming”—a second installment in his epic trilogy about the beauty and violence of the American landscape. Lupe, a protagonist is taken from the world of rose farms and egg ranchers in post-World War Two America, from a town haunted by the Enola gay and the nuclear Bomb, to prison in Detroit. The book is as terrifying as it is gorgeous, with beautiful, sensuous prose.
Another book of contemporary prose that I have read in recent months that just won’t let me be is Garth Greenwell’s “Mitko”—winner of Miami University Press’s 2011 Novella Contest (one of the very few such novella prizes in the country), this is a book about betrayal, forbidden desire, where sentence structures are as engaging as the plot lines and prose is musical, meditative and evocative; this is the story of an American who finds himself in Sophia, Bulgaria. A new take on Thomas Mann’s “Death in Venice” Greenwell’s novella is able to ask hard questions about loss, sexual desire, and loneliness. In Southern California, where I have heard many a writer complain of loneliness and absence of literary community, this work, somehow, particularly resonates. Garth Greenwell will read from his new workon April 16 at San Diego State University.
“My reading tends toward innovative fiction, especially fiction written by novelists unafraid of exploring the possibilities of language and style—those such as Nathanial Mackey, Percival Everett, Mary Caponegro, Joanna Scott, and Brian Evanson. When I discover authors whose work I admire, I try to find out whose work they admire, then track down their work and so on. I also tend to choose titles from publishers I respect (e.g., Dalkey Archive, New Directions, and Coffee House Press).
Vaddey Ratner discusses In the Shadow of Banyan, a debut novel depicting her family's experience during the Cambodian genocide of the 1970s. "I didn't want to write a memoir," she says. "What I wanted was to honor the lives lost, those who perished, and I wanted to do so through my endeavor to transorm personal pain with art." In the Shadow of Banyan will be published by Simon & Schuster in July.
The Pacific Northwest Booksellers Association has announced the winners of its 2012 book awards, honoring authors from Alaska, Idaho, Oregon, Montana, and Washington. Among the winning titles are a semiautobiographical novel by a Bosnian expat, a memoir by an Olympic hopeful swimmer, and a contender for last year's Booker and Giller prizes.
Patrick deWitt, born in Canada and now living in Oregon, won for his second novel, The Sisters Brothers (Ecco), which was shortlisted for last year's Man Booker Prize and the Scotiabank Giller Prize. Ismet Prcic, who fled war-torn former Yugoslavia in the nineties and now lives in Portland, Oregon, won for his semiautobiographical debut novel, Shards (Black Cat). Prcic's novel was also shortlisted for a major award last year, the Center for Fiction's Flaherty-Dunnan First Novel Award.
Washington author Jonathan Evison, whose first novel, All About Lulu (Soft Skull Press, 2008), received the Washington State Book Award, won for his second novel, West of Here (Algonquin Books). Portland-based graphic novelist Craig Thompson, author of Blankets (Top Shelf, 2003) and Goodbye, Chunky Rice (Top Shelf, 1999), won for Habibi (Pantheon Books).
In nonfiction, memoirist and lifelong swimmer Lidia Yuknavitch of Portland was honored for The Chronology of Water, published by Portland indie press Hawthorne Books. Washington State biologist Thor Hanson won for Feathers: The Evolution of a Natural Miracle (Basic Books).
The book awards have been given annually since 1984 and judged by representatives from regional booksellers. For the 2012 award, the nine-person jury considered more than two hundred ninety nominated titles.
The video below is a book trailer for Yuknavitch's winning memoir.
Barnes & Noble may be considering selling its Nook division; the late Christopher Hitchens's final article for Vanity Fair; New York City independent bookstore McNally Jackson lists its 2011 bestsellers; and other news.
From the founders of Ashland Creek Press comes this public service announcement about the writer's most cherished yet endangered object: the typewriter.
On November 30, 2011, Urban Possibilities held a culminating reading for Dorothy Randall Gray’s nine-week, P&W-supported poetry workshop, which served men and women living at the Los Angeles Mission on Skid Row.
Urban Possibilities, a nonprofit organization that brings inspiration and a variety of services to homeless men and women, held a reading for their Published Writers Program, taught by Dorothy Randall Gray. The event began with a warm reception and an introduction by Eyvette Jones Johnson, founder and executive director of Urban Possibilities.
There is a “sea of untapped potential in the inner-city,” Johnson said. “No matter where you are or what you’ve been through, [you] have gifts and talents to share.”
To write about their struggles, Johnson said, the participants had to have their “hearts wide open.” She asked that audience members reciprocate.
Gray was so proud of her students and the writing they produced that she said, “I feel like I almost gave birth.” She dedicated the piece she read, “You and Me, Me and You,” to her students. She described being “stranded at the corner of walk and don’t walk” and “invisible to those who will not see.” The poem repeated the phrase “they fly.”
All of the workshop participants came to the mission after living on the streets. Many have dealt with substance abuse, gambling, addiction, prison, and abusive relationships. “I felt like I was failing life,” participant Anthony Tate said. Another student said of the workshop: “It just sort of woke up my dream…I had put it on a shelf.”
To close the reading, the students stood together on stage and had the audience participate in an exercise. Each student said one word or phrase, and the audience said it back. After reciting the phrase “carpe diem” back, the whole auditorium burst into laughter when the voice of one young child echoed the phrase back a few moments afterward, provoking a whole new meaning and a sense of hope.
At the reception, participant Michael T. Williams reflected, “I was sleeping in graveyards, ‘cause I thought that was the safest place to be. Now I feel like Pinky and the Brain, and I’m ready to take over the world.”
Photo: Dorothy Randall Gray (center) with workshop participants. Credit: Craig Johnson Photography.
Meghan Daum examines the roots of hateful comment-laden Internet culture; a newly opened archive reveals decisions regarding the Nobel Prize in Literature; Slate lists reasons James Franco's novel may be good; and other news.
"In 2011 my reading list included, as always, primarily poetry. A longtime admirer of Kevin Young’s work, I am excited to report on his latest offering—twenty years in the making, according to interviews—Ardency: A Chronicle of the Amistad Rebels (Knopf, 2011).