Submissions are currently open for the Center for Fiction’s third annual Christopher Doheny Award, a $10,000 prize given for a book-length work of fiction or nonfiction on the topic of life-threatening physical illness. The winner of the prize “must demonstrate high literary standards while exploring the impact of illness on the patient, family and friends, and others.”

In addition to the cash prize, the winner will receive production and promotion of the book in an audio format from Audible, Inc., and assistance from Audible to pursue print publication. This year’s judging panel includes writer Charles Bock, previous Doheny Award–winners Michelle Bailat-Jones (2013) and Mike Scalise (2014), and two representatives of Audible.

Fiction and nonfiction writers who have previously published works in literary journals, or have published a book with an independent or traditional publisher, are eligible to apply. Using the online submission system, submit a previously unpublished manuscript along with a list of previous publications, a synopsis of up to two pages, and a one-paragraph bio by December 15. Submissions can be made via postal mail to the Christopher Doheny Award, Center for Fiction, 17 E. 47th Street, New York, NY 10017. Visit the website for complete guidelines.

Supported by Audible, Inc., and the friends and family of Christopher Doheny, who died of cystic fibrosis in 2013, the Center for Fiction’s Christopher Doheny Award recognizes literary excellence “by a writer who has personally dealt or is dealing with life-threatening illness, either his or her own or that of a close relative or friend.”

Photo: Christopher Doheny

This week, write a scene in which your main character has an eye-opening encounter with a wild animal. Perhaps your character stumbles upon a raccoon, skunk, or opossum in an urban or suburban setting, or maybe it’s an unexpected sighting of a bear or wolf in a remote forest. Does the encounter bring to the surface feelings of fear or compassion? Will the animal become symbolic for your character? For inspiration, watch Marsha de la O read her poem “Possum.”

There is the view that all poetry is a translation of feelings and perceptions that are in some ways fundamentally unsayable. Try translating a poem after you’ve read a few different translations of the same poem. Several interesting things may happen: you check one version against another; you’re on high alert for the “prose meaning” of the original, as well as the tone; you see what the translations at once obscure and reveal of the original piece; even if one translation is just a remote account, it offers a particular construal. After reading, try your own translation of the same poem. If it is not in a language you know, you now have an idea of what is there and to be looked for. You may find that you’re creating with a refreshed eye and ear for the true, and any false, notes in the music that is poetry.

This week’s poetry prompt comes from Sandra Lim, author of The Wilderness (Norton, 2014). Read Lim’s installment of Writers Recommend for more inspiration.