Poetry's Roadshow
Fueled by equal parts biodiesel gas and small press ambition, the Wave Books 2006 Poetry Bus Tour is scheduled to roll through forty-nine cities during the next two months, beginning in Seattle on September 4.
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Fueled by equal parts biodiesel gas and small press ambition, the Wave Books 2006 Poetry Bus Tour is scheduled to roll through forty-nine cities during the next two months, beginning in Seattle on September 4.
Poetry in America, the 2006 report released by the Poetry Foundation, has spurred efforts to revitalize an interest in poetry among the general population, and in doing so, has also sparked a debate among those in the literary community.
Two years after the failure of Zoo Press's fiction contests in 2004, founder Neil Azevedo responds about more controversy surrounding its poetry contests.
Turn up the music, put down the air guitar, and start writing some poetry about rock and roll. That seems to be the message that the sponsors of a new poetry prize are trying to relay.
On a frigid night in early March, a well-dressed crowd of around five hundred people piled into the New School’s Tishman Auditorium to witness the announcement of the winners of the National Book Critics Circle Awards. The membership organization of seven hundred critics and reviewers, founded in 1974, bestows awards annually for poetry, fiction, biography, general nonfiction, and criticism. This year, for the first time, autobiography (or memoir), was added as a separate category—an interesting distinction at a time when the controversy over the genre has dominated literary news.
Among the many poetry collections that have been published in the weeks leading up to National Poetry Month, Jim and Dave Defeat the Masked Man, a collaborative book of sestinas by James Cummins and David Lehman released by Soft Skull Press in February, features perhaps the most prestigious and, simultaneously, zany cast of characters to appear in a book of poems since Alan Kaufman's Outlaw Bible of American Poetry was published by Thunder's Mouth Press seven years ago.
In celebration of National Poetry Month, we present this all-poetry edition of Page One, featuring excerpts from Black Lab by David Young and Drive: The First Quartet by Lorna Dee Cervante.
In the second half of the twentieth century, a number of poets’ theater programs, including the Poets’ Theatre, which was established in Cambridge, Massachusetts, in 1950, and staged plays by John Ashbery, James Merrill, Frank O’Hara, and Richard Wilbur, provided venues for work written by poets for the stage. Now, a new generation of poets’ theater programs are raising their curtains for plays by poets.