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Digital Book World reports e-book revenue growth is slowing; Dwight Garner parses the legacy of the Oxford American; the Millions features useful holiday gifts ideas for writers; and other news.
The BBC will create a six-episode series based on Susanna Clarke's Jonathan Strange & Mr. Norrell; Emma Komlos-Hrobsky writes of attending a Sylvia Plath symposium in Bloomington, Indiana; New York magazine's Kathryn Schulz lists her ten favorite books of 2012; and other news.
In Qatar, poet Muhammad ibn al-Dheeb al-Ajami has been sentenced to life in prison after writing lines inspired by the Arab Spring; GalleyCat offers its last piece of advice for National Novel Writing Month; Nick Hornby will adapt the film version of Cheryl Strayed's Wild for Reese Witherspoon; and other news.
This short film, starring Jason Goddard and directed by James Button, is an experimental take on the tale of Orpheus, the Greek poet who went to the underworld after the death of his wife Eurydice and secured her release from the dead, only to lose her because he failed to obey the condition that he must not look back at her until they had reached the world of the living.
In October, P&W-supported poet April Naoko Heck participated in a group reading at the University of Maryland’s Jimenez-Porter Writers’ House in College Park, Maryland, to celebrate the unique residential program’s tenth anniversary. She blogs about her experience.
“All men want to sleep with supermodels,” reads one poet at the open mic. A fiction writer draws more laughs while describing characters named after A. A. Milne’s “Winnie the Pooh” tales. Another poet talks about a miraculous survivor of bombings at both Hiroshima and Nagasaki. Yet another reader shares a poem about her father, an avid lover of music whose first purchase as a newlywed is a piano—not the proverbial marital bed.
This reading by students, alumni, and staff of the Jimenez-Porter Writers’ House is the culmination of an evening of good eats, speeches, games, and door prizes to celebrate the House’s ten-year anniversary.
Named after Katherine Anne Porter and Juan Ramon Jimenez, two writers whose literary legacies left lasting impressions upon the University of Maryland, the Writers’ House is a unique residential creative writing program. Founded in part by UMD’s Michael Collier and Laura Lauth, the program’s roughly fifty students study, write, and live under a single roof on campus in Dorchester Hall (a.k.a “Dork-chester,” the inevitable moniker). The current faculty and program director Johnna Schmidt also spend their working and teaching hours in Dorchester Hall. The result: an extraordinarily tight-knit community of students and teachers sharing a singleness of purpose and a passion for creative writing.
Imagine a faculty office located beside the dormitory kitchen, which is next to the student TV lounge, which doubles as the reception hall following public readings by visiting authors. Classroom lessons spill over into passing conversations; the queue for the microwave turns into a discussion about Ginsberg. The House can’t help but become a vibrant community of young writers.
That they are often poring over poems and stories while clad in bunny slippers, or business suits, or soccer gear only adds to the feeling that literature is integrated effortlessly into daily life at the Writers’ House. Creative writing is as essential here as so-so cafeteria meals, raucous Terp football games, and Starbucks runs.
As a former assistant director and instructor (2004-‘07), I arrived too late for the crab rangoon and sushi, but I enjoyed a slab of red velvet cake, catching up with old students, meeting new ones, sharing my poetry, and most of all, cheering on the program’s remarkable ten-year run. The House has flourished through the toughest of economic times—a testament to the University’s commitment to educating young writers.
The day after the celebration and reading, I caught one of the last trains before Hurricane Sandy would close down New York City. As the storm approached, thoughts of the Writers House and its ongoing mission kept me warm and brightened the way.
Photos: Top: April Naoko Heck reads (credit: Kyle Bodt). Bottom: alumna Jenna Brager (left) and Assistant Director Vivianne Salgado (credit: Kerry Gantt).
Support for Readings/Workshops events in the Washington, DC, area is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
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American fiction writer Maggie Shipstead was recently named the winner of the 2012 Dylan Thomas Prize for young writers, an annual award of £30,000 (approximately $48,000) given by the University of Wales to a writer under the age of thirty.
Shipstead, twenty-eight, won the prize for her debut novel, Seating Arrangements (Knopf, 2012). A graduate of the Iowa Writers' Workshop and former Wallace Stegner Fellow at Stanford, she lives in Coronado, California.
About Seating Arrangements, which turns a satirical eye toward New England wealth and family, author and prize judge Allison Pearson says, “At the age of twenty-eight, Maggie Shipstead has imagined herself inside the head of a fifty-nine-year-old male in the grip of an erotic infatuation. This is territory that has been covered by the greats of American fiction, including John Updike and Jane Smiley. Maggie Shipstead doesn’t just follow in their footsteps; she beats a distinctive and dazzling path of her own. The world has found a remarkable, humane new voice to explain us to ourselves.”
Established in 2006, the Dylan Thomas Prize, one of the world’s largest literary prizes for young writers, is given internationally for a book written in English and published in the previous year. The shortlist for the prize also included Tom Benn for The Doll Princess (Jonathan Cape), Andrea Eames for The White Shadow (Random House), Chibundu Onuzo for The Spider King’s Daughter (Faber & Faber), and D.W. Wilson for Once You Break A Knuckle (Bloomsbury).
Previous winners include Lucy Caldwell for her novel The Meeting Point (Faber & Faber, 2011), Elyse Fenton for her poetry collection Clamour (Cleveland State University, 2010), Nam Le for his short story collection The Boat (Knopf, 2008), and Rachel Trezise, whose short story collection Fresh Apples (Parthian Books) received the inaugural prize in 2006. For more information on the Dylan Thomas Prize, visit the website.
