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Ruth Rendell speaks about how to get into the mind of a character in a talk at the Center for Fiction in New York City. Rendell, best known for her Chief Inspector Wexford series, passed away on May 2 at the age of eighty-five.
The New York City–based Center for Fiction has announced its 2015 Emerging Writer Fellows. The annual fellowships are given to emerging fiction writers of any age living in New York City “whose work shows promise of excellence.”
This year’s nine fellows are Naomi Feigelson Chase, Lisa Chen, Nicola DeRobertis-Theye, t’ai freedom ford, Anu Jindal, Stephen Langlois, Melissa Rivero, Samantha Storey, and Ruchika Tomar. The fellows were chosen from over five hundred applicants. Rene Denfeld, Patricia Park, and Ted Thompson judged. Visit the Center for Fiction website for bios of each of this year’s fellows.
As part of the fellowship, each writer receives a grant of $4,000; the option of mentorship with an editor; the opportunity to meet with agents who represent new writers; a Center for Fiction membership; free admission to all Center events for one year, including its Craftwork lecture series on writing; and a 30 percent discount on tuition for select writing workshops at the Center. The fellows will also each give two public readings as part of the Center’s annual program of events.
Emerging writers living in one of the five boroughs of New York City are eligible for the fellowship. The Center for Fiction defines “emerging writer” as one of any age who has not yet published a novel or short story collection with a major or independent publisher, and who is also not currently under contract to a publisher for a work of fiction. Eligible applicants may have had works of fiction published in magazines, literary journals, or online, though previous publication is not required. Writers in degree-granting programs are ineligible.
Applications for the 2016 Emerging Writers Fellowship will open in the fall. Visit the Center for Fiction website for more information about the fellowship program.
"What is a girl but this? This obscene and beautiful making, this brilliant imagination inventing meaning." Lidia Yuknavitch's novel The Small Backs of Children is forthcoming from Harper in July.
This morning, PEN American Center announced the winners of the 2015 PEN Literary Awards. The annual awards, which total more than $150,000, honor emerging and established writers in seventeen categories including poetry, debut fiction, science writing, translation, biography, and drama. On June 8, the winners will be honored in a ceremony at the New School in New York City. The shortlists and complete list of winners can be found on PEN’s website. Below are the winners for a select few prizes:
Saeed Jones won the $5,000 PEN/Joyce Osterweil Award for Poetry for his collection Prelude to Bruise (Coffee House). Marie Howe, Mary Szybist, and Craig Morgan Teicher judged. The biennial award recognizes the work of an emerging American poet who shows promise of further literary achievement.
Joshua Horwitz won the $10,000 PEN/E. O. Wilson Literary Science Writing Award for his book War of the Whales: A True Story (Simon & Schuster). Sue Halpern, Marie Myung-Ok Lee, and Carl Zimmer judged. The annual prize is given for a book of literary nonfiction on the subject of the physical or biological sciences published in the previous year.
Sheri Fink won the $10,000 PEN/John Kenneth Galbraith Award for Nonfiction for her book Five Days at Memorial: Life and Death in a Storm-Ravaged Hospital (Crown). Andrew Blechman, Paul Elie, Azadeh Moaveni, Rahna Reiko Rizzuto, and Paul Reyes judged. The biennial award is given to an author of a book of general nonfiction published in the previous two years that possesses notable literary merit and critical perspective.
Denise Newman won the $3,000 PEN Translation Prize for her translation from the Danish of Naja Heather Cleary’s book Baboon (Two Lines). Lucas Klein, Tess Lewis, and Allison Markin Powell judged. The annual award is given for a translation of book-length prose from any language into English published in the previous year.
PEN will announce the winners of the $25,000 Prize for Debut Fiction, the $10,000 Art of the Essay Award, and the $5,000 Open Book Award at the Literary Awards Ceremony on June 8. Visit the PEN website for the shortlists. The winner of the $10,000 PEN/Fusion Emerging Writers Prize and recipients of the $2,000-$4,000 PEN/Heim Translation Fund Grants will be announced later this month.
PEN American Center has administered its literary awards for nearly fifty years. Established in 1922, PEN works globally to defend freedom of expression and to promote international literature and culture.
Did one of your characters have a major turning point in her past? Is this event or decision crucial for this character's development? This week, take a scene you're stuck on and rewrite it as if that turning point had never occurred, and an alternate option was chosen. If your character moved to London because she was transferred by her company instead of moving back to her parents' house in Florida, how would this outcome deepen the evolution of this character? Think about what this character needs to face—what shortcomings, fears, and hindrances she needs to overcome—and force her to come to terms with these obstacles.
"It's not the duty, but it's certainly the pleasure of a novelist to recreate their imagination and the stories that are lost." Kate Atkinson speaks about her latest novel, A God in Ruins (Little, Brown, 2015), which tells the story of a Royal Air Force pilot in World War II and his postwar family life.
In this debut novel by Helen Phillips, a young wife's new job, which consists of entering numbers into something only known as the Database, is linked to a larger mystery.The Beautiful Bureaucrat is forthcoming from Henry Holt in August.
This week, have a character stumble upon an abandoned object that is oddly out of place. Perhaps a wedding ring is spotted dangling from a tree branch on an afternoon hike, or a stack of family photographs is found stuffed in a handbag for sale at a thrift store. Write this scene into one of your stories. Does your character recognize this item? Does he or she keep it, or try to find the owner? Consider how this scene might help develop your character or unexpectedly affect the main plot of your story.
Beth Gorrie volunteers her time as Executive Director of Staten Island OutLOUD. She spearheads the organization’s program planning and has adapted over twenty-five global classics for OutLOUD’s spoken-word performances. As an actor during the first few years of her working life, she performed with the Chicago Theatre of the Deaf and served as an Adjunct Instructor at the University of Chicago. In New York City, she appeared in a variety of Off-Off Broadway productions and in a series of film installations by award-winning filmmaker William Lundberg, a recipient of the Guggenheim Fellowship. Gorrie attended Columbia University Law School where she was an editor of the Journal of Law & Social Problems, and spent a summer in rural India on a human rights fellowship. She is a former partner in a leading New York law firm and has participated in community service in Harlem.
What makes your programs unique?
Staten Island OutLOUD gathers neighbors to explore global literature together, and to share ideas. Our first event took place shortly after September 11, 2001 when we had a deep need to gather together.
Since then, Staten Island OutLOUD has grown and has continued that spirit with a varied series of grassroots gatherings. Throughout the year, we host free events to explore global literature, our diverse backgrounds, our history, and our mutual concerns. OutLOUD is entirely volunteer-driven.
We operate on a small budget, but we’re very productive. Since our establishment in September 2001, we’ve served over 23,000 participants with over six hundred free events, in twenty-one languages.
What recent project have you been especially proud of, and why?
From September 2014 through March 2015, Staten Island OutLOUD hosted a series of forty community events about Harper Lee’s novel To Kill a Mockingbird. When we started planning our series a year earlier, we never guessed how timely it would be, following the July 2014 death of Eric Garner, an African-American neighbor of ours who died in police custody.
Our “Mockingbird” series explored national and local civil rights history, together with music and poems from the Civil Rights Movement, and from the Depression years in which the novel is set.
Tensions ran high during the months after Garner’s death, but our series fostered thoughtful discussions. Staten Islanders talked, listened, and considered the many facets of the crisis.
What’s the most memorable thing that’s happened at an event you’ve hosted?
Adults with special needs sometimes attend Staten Island OutLOUD programs. At one event when we discussed a variety of twentieth-century poems, a woman with mental disabilities gathered her courage to comment on a poem by Dylan Thomas. She had never spoken in public before, and she knew that the audience included teachers, attorneys, and other professionals. Everyone encouraged her, and as she spoke, she began to hold herself more confidently, and her voice grew stronger. Everyone was moved when she read, “Do not go gentle into that good night.”
What are the benefits of writing workshops for special groups?
Staten Island OutLOUD’s work proves that when people have a forum and a stimulating entrée for conversation, they respond thoughtfully. Stereotypes can fade and real communication can begin. Our work with teens and with elders underscores the value of writing workshops for those members of our community. Our writing workshops have enabled people to find their unique voices. For teens who may have manifested behavior problems before they began our workshops, some of those problems began to ebb as they focused their energy on writing and as they gained confidence in their work. Elders who had never done any creative writing before participating in our memoir and poetry workshops have drawn real satisfaction in exploring their writing talent, in reflecting on their life experiences, and in recognizing how powerful their pens can be.
Photo: (top) Beth Gorrie at Huckleberry Finn at High Rock workshop. Photo: (bottom) Cast of Moby Dick marathon reading. Photo Credit: Staten Island OutLOUD.
Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.
This week, think about what types of stories you write most often and the elements you tend to use when building your story. Then, write a story in a genre you've never tried before being sure not to employ any of your usual techniques. If your stories don't often include romantic themes, make romance a main plot point. Instead of always writing in the first person, try third person omniscient. Even if you've already discovered your favorite style of writing, it's good to dust off other instruments in your literary arsenal every now and then.
