The Question of Identity
The daughter of poet Linda Pastan struggles with labeling herself a writer.
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The daughter of poet Linda Pastan struggles with labeling herself a writer.
A writer's childhood memories of growing up with author-parents.
The son of Nobel laureate Saul Bellow talks about distancing himself from publishing.
Staring down a disorder that prevents her from recognizing faces offers ample material for a memoir, but Heather Sellers tackles much more in You Don't Look Like Anyone I Know.
Contributor Jeremiah Chamberlin profiles indie innovator Dzanc Books, which in four short years has gone from a start-up to a publisher with five imprints, three literary magazines, and a list of over fifty titles.
Even before his beloved novel Spartina won the National Book Award in 1989, John Casey had written its sequel. So why was Compass Rose just published—and was it worth the wait?
With his new collection, Every Riven Thing, published this month by Farrar, Straus and Giroux, poet and Poetry editor Christian Wiman has performed a powerful imaginative act of reclamation, reconciliation, and peace that resonates both in his work and in his life.
Moving into new poetic territory, Major Jackson, in his third collection, Holding Company, corrals the ecstatic in a ten-line form.
In a new memoir, best-selling novelist Darin Strauss tackles the tragic event that he has been forced to live with—and learn from—for more than half his life.
In order to write Bitter in the Mouth, the long-awaited follow-up to her debut novel, The Book of Salt, Monique Truong returned to the place she'd sworn never to see again—home.