The Time Is Now

Our Galactic Neighborhood

If you had the chance to send a poem into space, what would you say? Last week, the Library of Congress announced a collaboration with NASA to send a poem written by U.S. Poet Laureate Ada Limón into space. The poem will be dedicated to NASA’s Europa Clipper mission and engraved on the spacecraft which will travel 1.8 billion miles to Jupiter’s icy moon Europa to gather detailed measurements and determine if the moon has conditions suitable for life. In honor of this momentous occasion, write a poem dedicated to a celestial body of your choice. Explore the galactic neighborhood with NASA’s interactive map of our solar system.

Foretelling

Every year on February 2, thousands of spectators visit Punxsutawney, a small town in Pennsylvania, to watch whether a groundhog sees his shadow or not. The first Groundhog Day celebration at Gobbler’s Knob was held in 1887 and the tradition predicts how long the winter season will last. Similar superstitious traditions connected with animals include the ancient Greek art of ornithomancy, the practice of reading omens from the actions of birds, and the Woollybear Festival in Ohio, in which fuzzy woolly bear caterpillars predict the winter forecast. Do you participate in any superstitious traditions? Write an essay that reflects on your relationship to any rituals or superstitions you believe in.

Reaching in the Dark

“On stage, bodies in motion paired with words deliver both language and emotion. I have that same hope for the novel I’m struggling to write,” writes Kathryn Ma in a recent installment of our Writers Recommend series about the impact watching live theater has on her writing. “Dialogue travels, reaching me in the dark. I’m not taking down notes, but my ear is. If I’m open and lucky, the magic might follow me home.” This week write a story in which your character is moved by watching a live theatrical performance. What is the play about? How does the performance taking place on stage mirror the struggles your character is enduring?

On Place

1.31.23

In Rachel Mannheimer’s debut book, Earth Room (Changes Press, 2022), the book-length narrative takes the reader to places such as Los Angeles, Berlin, the Hudson Valley, and Mars. Some of the settings are used in a straightforward and narrative way, but others act as a sort of emotional backdrop against which intimate relationships and observations on sculpture, performance art, and land art can be examined. Inspired by Mannheimer’s original use of place, write a poem titled after a city. Try to challenge yourself by exploring the emotional and psychological undertones you associate with that place.

Lunar Rabbits

1.26.23

According to the Chinese zodiac, 2023 is the year of the rabbit, which symbolizes longevity, peace, and prosperity. The zodiac is a repeating cycle of twelve years, and each year is represented by a different animal with symbolic traits. Next year will be the year of the dragon, which represents strength and independence; followed by the year of the snake, which represents curiosity and wisdom. Write an essay that reflects on the animal associated with your birth year and how it relates to your personality. Can you find any similarities? As an added challenge, consider the animals associated with your family members and whether these signs hold true to their qualities.

The End of Times

1.25.23

Noah Baumbach’s film adaptation of Don DeLillo’s White Noise, Sam Esmail’s forthcoming film adaptation of Rumaan Alam’s Leave the World Behind, HBO’s miniseries adaptation of Emily St. John Mandel’s Station Eleven—novels with apocalyptic themes are appearing on screen more and more. Whether through satire or stark realism, this suspenseful setting allows writers to explore profound themes of survival, friendship, trust, hope, and resiliency. Inspired by apocalypse novels, write a short story that imagines the end of a modern civilization. Will you lean more toward satire, realism, or another form of expression entirely?

Page as Canvas

1.24.23

In a recent installment of our Agents & Editors Recommend series, Kristina Marie Darling, editor in chief of Tupelo Press, suggests taking risks with form in order to stand out from other poetry manuscripts. “Do something interesting with the space of the page,” writes Darling. “Be creative with how language is laid out on the page. Take risks with typography. Use white space as a unit of composition.” This week approach the page like a canvas. Let the visual element of your poem help tell the story and expand your language.

The Deep Sea

1.19.23

In a recent installment of our Writers Recommend series, Janine Joseph, author of Decade of the Brain (Alice James Books, 2023), writes about finding solace in computer scientist Neal Agarwal’s the Deep Sea website. Scrolling down the website, Joseph discovers animals and plant life at varying depths of the ocean, including the wolf eel, the chain catshark, and the terrible claw lobster. In the ocean’s midnight zone, where “creatures survive by their own light,” she finds inspiration in “what can and might exist at those disappearing depths.” Write an essay that meditates on the mysteries and profundities of the ocean. Does its depth inspire awe and wonder as it does for Joseph, or does it strike fear in you?

Behind the Awards

1.18.23

It’s awards show season for the film and television industry, but behind the camera are all the hardworking folks that make these shows happen. From florists arranging dramatic centerpieces, to chauffeurs driving celebrities from venue to venue, to the graphic designers of the envelopes holding the winners’ names—each individual helps make these one-night-only events possible. Consider what happens behind the scenes at one of these massive events and write a story from the perspective of someone working for an awards show. Imagine the mounting pressure throughout the night, the unexpected responsibilities that may arise, and the difficult celebrities one might encounter for the details in your story.

The Voice at 3 A.M.

1.17.23

Award-winning and former U.S. Poet Laureate Charles Simic, who died last week at the age of eighty-four, was best known for his surrealist and often devastatingly funny poems. His poem “The Voice at 3 A.M.” reads in its entirety: “Who put canned laughter / Into my crucifixion scene?” In “Eyes Fastened With Pins,” Simic depicts a scene in which death is looking for “Someone with a bad cough, / But the address is somehow wrong, / Even death can’t figure it out.” Inspired by Simic, write a poem that mixes dark humor with a serious subject matter. How does integrating humor help balance and enliven the voice in your poem?

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