The Time Is Now

Write a poem that addresses a past or future version of yourself. Write in the second-person singular. Reassure a younger self, send warnings to a future self, or ask questions to which you don’t know the answers.

Using the advice column as your form, write about a problem or challenge you have faced. Addressing a fictional recipient who is facing the same issue, offer your best advice on how to handle the situation. For inspiration, check out the Rumpus's advice column, "Dear Sugar," penned by creative nonfiction writer Cheryl Strayed.

Write a short story in which a museum is the setting for the central conflict. Consider the following questions: What kind of museum is it? Why are the characters there? Do any of the museum's objects trigger a turn in the story? Visit a local museum or peruse one's holdings online to find inspiration.

During the next week, take note of the various flora and fauna you encounter. Look through classification books or search online for the precise names for the animals, birds, and plants you’ve observed. Choose the most sonorous names and include two in your next poem.

The letter is one of the earliest and most widely practiced forms of the personal essay: It tells a story about the author's life; it poses questions; and, perhaps most important, it's a way of connecting to a reader. Write a letter to someone you know, keeping the basic tenants of the personal essay in mind. The letter should be about you, but should also somehow address a larger question or idea. For inspiration, check out Helene Hanff's 84, Charing Cross Road (Grossman, 1970), a collection of letters that documents her years-long correspondence and relationship with the owners of Marks & Co., a bookstore in London.

Write a story in which one of the following objects triggers a flashback: a child’s keyboard, a bag of Werther’s Original Caramels, a taxidermied animal, a bar of lavender soap, or an old travel brochure.

In his poem “Refrigerator, 1957” (originally published in the New Yorker, July 28, 1997), Thomas Lux writes about a jar of “lit-from-within red” maraschino cherries that, as a boy, he never ate from. Write a poem about something that you longed for when you were younger, but was always off-limits.

Write a poem whose title is “Preface to________.” Fill in the blank. Is the poem a preface to a love note? A preface to a confession? Write the poem as if it were an introduction to another written work.

The summers of youth—and the unparalleled magic carried with them—have inspired many great works of literature. In "Once More to the Lake," E. B. White's classic coming-of-age essay about the August when he was twelve, the author writes: "Summertime, oh summertime, pattern of life indelible, the fade proof lake, the woods unshatterable, the pasture with the sweet fern and the juniper forever and ever, summer without end." Write an essay about being a child in the summertime. It may be about one particular moment or one particular summer, or about the season as a whole. For inspiration, read White's essay or Ray Bradbury's semi-autobiographical novel about summer and youth, Dandelion Wine. 

Write a story in which you present no detailed descriptions of the characters, major or minor. The information the reader gleans about the characters in the story—their motivations, their gender, their personalities, even their looks—must be conveyed entirely through what they say. Observe how this reliance on dialogue changes the way you go about structuring the story.