The Time Is Now

Confidence

7.24.14

Deep within us, we have desires or goals we might be nervous about bringing out into the open for whatever reason. Maybe we feel embarrassed or that we can't compete with those who have already mastered the skill we seek to learn. You might have felt this way when showing your writing to someone for the first time—or maybe you still haven't shown your writing to anyone yet. This week, think about whether there are any factors that make it difficult for you to share your work. If you've taken the leap and put yourself out there, write about what that felt like. If you have yet to do so, write about what's holding you back.

Seniors

7.23.14

Some people slow down in their golden years, taking it easy and enjoying the family and friends they've gathered around them in the comfort of their community, while others try to continue to live like their younger selves. This week, write a story about an older person who still has the mindset and physical stamina of a twenty-something. How does this affect her interactions with her peers? What are her secrets? Is she one of those people who wishes to live forever, or does she simply make a habit of staying healthy? Think about how a person's biological age and true age are related and what happens when they are in conflict.

Memorize

7.22.14

It's easy to get bogged down by the ideas behind the poem you are writing, losing sight of the harmonic structure of the words themselves and the rhythm of lines and pauses. This week, chose a poem that you love and memorize it. Say it to yourself over and over again, until it escapes the page and makes a home in your body. Try not to think about how the poet would want it to sound—concentrate instead on how it sounds in your voice, how it inhabits you. Once you get comfortable with the process, try this with your own poems.

Hitchhiking

7.17.14

Hitchhiking can seem scary to those who have never done it before. But, as Jack Kerouac famously portrayed in On the Road, it is also a cheap and interesting way to get from one place to another if you don’t have a car. Have you ever hitched a ride, or do you know someone who has? Write about the experience. If you have never hitchhiked, write about your feelings on the subject—whether you’d ever try it, or why you’ve decided it’s something you would never do.

Opposites

7.16.14

We've all heard the advice "write what you know," which encourages us to write characters like ourselves or people who are close to us. This week, write from the perspective of a character that is your complete opposite. First, make a list of all the qualities you identify with yourself, and then make a list of qualities on the other end of the spectrum. For example, if you are a woman who lives in the country, write from the point of view of a man who lives in the city. Try to avoid using stereotypes to describe this character's actions or ideas, and instead try to embody this character—climb inside his or her head and live there a while.

Cliché

7.15.14

Nineteenth-century poet Walter Savage Landor's "On Love, on Grief" packs a punch in its brief simplicity: "On love, on grief, on every human thing, / Time sprinkles Lethe's water with his wing." Not only is the poem sonically beautiful, it also takes a cliché (time flies) and transforms it. As writers, we may occasionally stumble upon phrases or situations we want to write that are considered cliché. This week, take one of the clichés you often feel drawn to and try to refresh it.

Fireworks

7.10.14

This past weekend the sky was filled with sparkling bursts of light. A symbol of celebration, these explosive light shows often bring up unexpected emotions in people viewing them. What do fireworks make you think of while watching them? Do they make you feel nostalgic, excited, or uneasy? Think of a memory or a strong feeling, and write about it.

Tourist Towns

Do you live in a tourist town, or a town that sees a surge in population during a particular season? Maybe there is a town you visit when you're on vacation. Have you ever wondered what it would be like to live there year-round? This week, write a story set in a tourist town, trying to write from the perspective of a local. How does this character, or the locals in general, feel about the tourists? Is this really a friendly town, or does it just seem friendly to vacationers?

Names

In Contre Sainte Beuve, Marcel Proust writes: "In reality, as soon as each hour of one's life has died, it embodies itself in some material object, as do the souls of the dead in certain folk-stories, and hides there. There it remains captive, captive forever unless we should happen on the object, recognize what lies within, call it by its name, and so set it free." This week, practice being a "namer." Recognize what lies deep within the objects you come in contact with, and try to conjure up a name that fits. Write a poem about a name you came up with that you find particularly inspiring.

Influences

German writer and statesman Johan Wolfgang von Goethe insisted that "The greatest genius will never be worth much if he pretends to draw exclusively from his own resources," and that "every one of my writings has been furnished to me by a thousand different persons, a thousand different things." This week, think about the people, ideas, and things that have influenced you throughout your life. What would you say your biggest influence has been? Write an essay reflecting on how your influences have shaped you into the person you are today.

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