The Time Is Now

“During the day, as I worked, I clarified daydreams, rehearsed thoughts. Phrases rose up, and as I shoveled compost, mulched garlic, or turned over the soil, the phrases turned too…. The world’s margins shrank but also grew luminous. After working outside in my body all day long, my mind felt brightly lit.” In “Turning the Soil” in the November/December issue of Poets & Writers Magazine, Tess Taylor writes about her revelatory experience volunteering at a farm while at a writing residency in southwestern Massachusetts. Try to carve out a few hours this week to spend engaged in an activity that is very different from—and outside of—your usual working environment. Get your hands dirty in a garden or park, sit quietly in a library, or people-watch at an airport or train station. Allow your mind to roam over unexpectedly fresh images and phrases that surface, and then write a series of flash fiction pieces inspired by your time spent “outside.” 

In the early twentieth century, anthropologist Franz Boas published claims that the Eskimo languages had dozens or more words for snow—claims that have been pored over and analyzed, debunked and reaffirmed, and criticized and clarified in countless investigations since. Think of a natural or cultural phenomenon, such as a certain type of food, or an emotion, that you believe deserves or warrants a larger vocabulary. Write a poem that presents these new words—perhaps compound words of your own invention—along with their definitions and an exploration of why these articulations are significant to you. 

“Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it,” writes Marilynne Robinson in her 2004 novel, Gilead. “I think there must also be a prevenient courage that allows us to be brave…to make ourselves useful. It allows us to be generous, which is another way of saying exactly the same thing.” The winter holiday season is often associated with generosity and giving—being generous with one’s home and spirit, and the giving of thanks and gifts. Write a personal essay about a time when you have been the giver or receiver of a great act of generosity. Explore the connection between courage and generosity, reflecting on the exemplary people or events you encountered. What do you find are the greatest emotional challenges to doing something so bravely useful?

What do we mean when we call a story Dickensian? Often it is a lengthy work incorporating one or more of these elements: a dramatic and convenient twist of events, social-justice themes, a sentimental tone, a bustling city setting, a large cast of characters with vivid personality traits. Choose a memorable character from a Dickens story, such as Tiny Tim, Ebenezer Scrooge, Oliver Twist, the Artful Dodger, Miss Havisham, or Abel Magwitch. Write a short story in which this character has been inserted into un-Dickensian circumstances—perhaps a solitary exploration of the wilderness, a contemporary technology-filled existence, or a supernatural landscape. How do you maintain a Dickensian feel while ensuring that this piece reflects your unique creative voice?

In his 1821 essay “A Defence of Poetry,” Percy Bysshe Shelley writes, “Poetry is…the perfect and consummate surface and bloom of all things; it is as the odor and the color of the rose to the texture of the elements which compose it….” Make a list of words and phrases that describe the surface textures, odors, and colors that surround you as this year draws to an end, choosing the details that are most evocative of the season. You may find yourself drawing inspiration from the contrasting primary colors of holiday cheer, bright puffy parkas or dark wool coats, the shiny prints and textures of patterned gift wrap, the stark tones of snow, or the scents of fragrant conifers and baked desserts. Write a trio of poems, each focusing on one type of sensory input. Select an element—setting, narrator’s voice, repeated words, or a specific object—that stays constant through all three, tying them together.

As the dust settles from this year’s U.S. presidential election, think of a time in your youth when you participated in a school election or were involved with the student council. Were you optimistic of the changes that could be made? Did you vote with enthusiasm or take part in any protests? Write an essay reflecting on your experiences and what was important to you then, and how this might say something about who you are today.

The Saharan silver ant is able to survive in the extreme temperatures of the Sahara Desert, which often reaches almost 120 degrees Fahrenheit, with the help of physiological adaptations including highly reflective hairs that deflect the sun’s rays and longer legs, keeping them further above the hot sand. Write a short story that explores how a human character adapts when placed in a geographical location with extreme atmospheric conditions. Is your character alone or part of a pack? You may choose to write a story based in reality, or one that incorporates elements of the fantastic.

“By existing in a cinematic space, Shakespeare can feel alive and present,” says Ross Williams, founder of the nonprofit New York Shakespeare Exchange, whose film project Maya C. Popa writes about in “The Shakespeare Sonnet Project” in the November/December issue of Poets & Writers Magazine. The project aims to collect videos of each of Shakespeare’s 154 sonnets performed by actors in different locations in New York City, with a future series to be filmed in locations in the rest of the country and abroad. Browse through some of Shakespeare’s sonnets, and choose one that reminds you of a place you know, or which evokes a site-specific memory. Write your own sonnet in response, bringing phrases and ideas used almost half a millennium ago into the present by incorporating cinematic imagery of a contemporary locale. 

“Sometimes the humor is a way to mask all that, so the reader won’t know that what I’m writing about is me, or figure out what side of the argument I stand on. Then there’s a risk in just trying to say what you mean to say…. Writing is a risk no matter what.” In a 2015 interview with Chris Jackson for the Paris Review, Paul Beatty, who was awarded the 2016 Man Booker Prize for his novel The Sellout last week, speaks about the risks of criticizing and including heated topics in his writing. Think of a topic or stance you are personally drawn to—but also afraid of—writing about. Write a personal essay in which you gradually expose this risky issue or opinion in a humorous way. How can offbeat humor, satire, or a generally funny approach allow you to tackle difficult subjects in a more oblique way?

As pollution levels worsen in many cities around the world, some enterprising companies have found a market for selling packages of bottled air from Wales (with a "morning dew feel"), as well as from Australian beaches and Canadian mountains. Write a short story that takes place in a world that has perfected the ability to conveniently bottle not just air, but other highly sought-after items, both tangible and intangible. What happens when emotional states and feelings, like happiness or love, can be bottled, sold, and bought?