Upcoming Contest Deadlines

The summer literary contest season is in full swing! With deadlines of July 15 or July 16, these opportunities include multiple contests for single poems and a set of prizes for work concerned with health and illness. All offer a cash prize of $1,000 or more.

Bellevue Literary Review Prizes in Poetry and Prose: Three prizes of $1,000 each and publication in Bellevue Literary Review are given annually for a group of poems, a story, and an essay about health, healing, illness, the body, and the mind. Crystal Valentine will judge in poetry, Amy Hempel will judge in fiction, and Michele Harper will judge in creative nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20.

Cincinnati Review Robert and Adele Schiff Awards: Three prizes of $1,000 each and publication in Cincinnati Review are given annually for a poem, a short story, and an essay. Rebecca Lindenberg will judge in poetry, Michael Griffith will judge in fiction, and Kristen Iversen will judge in nonfiction. All entries are considered for publication. Deadline: July 15. Entry fee: $20 (includes subscription).

Comstock Review Muriel Craft Bailey Memorial Award: A prize of $1,000 and publication in Comstock Review is given annually for a single poem. Juan Felipe Herrera will judge. All entries are considered for publication. Deadline: July 15. Entry fee: $27.50 for up to five poems (or $5 per poem via postal mail).

Futurepoem Other Futures Award: A prize of $1,000, publication by Futurepoem, and 25 author copies is given annually for a book of poetry, fiction, nonfiction, or hybrid-genre work. The editors will judge. Deadline: July 15. Entry fee: $28.

Ledbury Poetry Festival Poetry Competition: A prize of £1,000 (approximately $1,318) and publication on the Ledbury Poetry Festival website is given annually for a single poem. The winner is also invited to read at the Ledbury Poetry Festival in Ledbury, England, in July 2022; travel expenses are not included. Anthony Anaxagorou will judge. Deadline: July 15. Entry fee: £5.75 for one poem (approximately $6), and £3.50 (approximately $4) for each additional poem.

Narrative Poetry Contest: A prize of $1,500 and publication in Narrative is given annually for a poem or group of poems. The poetry editors will judge. Deadline: July 16. Entry fee: $25 (includes three months of access to Narrative Backstage).

Rattle Poetry Prize: A prize of $15,000 and publication in Rattle is given annually for a single poem. A Reader’s Choice Award of $5,000 is also given to one of ten finalists. All entries are considered for publication. Deadline: July 15. Entry fee: $25 (includes subscription).

Regal House Publishing Petrichor Prize for Finely Crafted Fiction: A prize of $1,000 and publication by Regal House Publishing is given annually for a novel. The editors will judge. Deadline: July 15. Entry fee: $25.

The Story Prize: A prize of $20,000 is given annually for a short story collection written in English and published in the United States in the current year. Two runners-up receive $5,000 each. The $1,000 Story Prize Spotlight Award is also given for an additional short story collection “of exceptional merit.” Larry Dark and Julie Lindsey will select the three finalists and Spotlight Award winner; three independent judges will choose the Story Prize winner. The deadline for books published between January 1 and June 30 is July 15. The deadline for books published during the second half of the year is November 15. Entry fee: $75.

The Word Works Tenth Gate Prize: A prize of $1,000, publication by the Word Works, and 50 author copies is given annually for a poetry collection by a poet who has published at least two full-length books of poetry. Lauren Camp will judge. Deadline: July 15. Entry fee: $25 (fee waivers available).

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Paean to Place

In an interview for the Rumpus, Musa Okwonga, author of In the End, It Was All About Love, (Rough Trade, 2021), discusses the use of magical realism to address the complicated history of his book’s setting, Berlin. “I wanted the readers to sink into a place that unmoored them somewhat, I wanted to untether them from reality and be like, this is deeply surreal but also entirely real,” says Okwonga. Choose a city you have a deep connection with and write an essay that contends with its history, both personal and global, through a mythical or surreal lens. Try experimenting with form to bring attention to the complexity of the city’s history.

Mythical Beast

In this week’s installment of Ten Questions, author Pajtim Statovci and translator David Hackston discuss the writing of Bolla (Pantheon, 2021), a novel with an unlikely love story set in Kosovo between two young men at the outbreak of a war. The novel’s title comes from the name of a demonic serpent that remains in a dark cave hidden from humans except for one day every year when it transforms into a dragon and is released, wreaking havoc and destruction. Through this legend, Statovci gives the love story a shape, as their conflict is refracted through the metamorphosis of this mythical dragon. Think of a fable from your childhood and consider ways you could use it as inspiration for your own story—as a template for your plotline, as a metaphor for your character’s conflict, or as a way to build the story’s setting.

Fourteen Lines

The sonnet form dates back to thirteenth- and fourteenth-century Italy where it was popularized by the poet Petrarch, whose work was translated and introduced in the sixteenth century to English poets. A new type of sonnet with a different rhyme scheme was then developed and made famous through the work of William Shakespeare. Poets such as Wanda Coleman, Diane Seuss, and Terrance Hayes have given voice to the more contemporary “American” sonnet, demonstrating the flexibility of the fourteen-line form. This week, write your own sonnet—either a traditional sonnet or one inspired by a contemporary poet.

Nine to Five

In a reading list published on Electric Literature, Elizabeth Gonzalez James, author of Mona at Sea (Santa Fe Writers Project, 2021), recommends stories about struggling under capitalism, such as Temporary by Hilary Leichter, The Fallback Plan by Leigh Stein, and And Then I Got Fired: One Transqueer’s Reflections on Grief, Unemployment & Inappropriate Jokes About Death by J Mase III. In introducing these books, Gonzalez James writes that “unemployment doesn’t actually make for great fiction” and that she is all the more impressed when writers express the experience well. Write an essay in which you discuss a time you struggled with employment. Peruse the list for ideas on how to do this in fresh and surprising ways.

How Houston Leads the Way: A Finale

Hey gente, happy summer! This will be my last post on this blog as the literary outreach coordinator in Houston. It’s been a pleasure sharing news and highlights over the last two years, and calling attention to all the ways that Houston is a major literary city. Things are always happening in the Bayou City and here are a few more folks and events to mention.

All the Books
I wanted to take a moment to talk about some Houstonians who have books coming out in the near future. Ayokunle Falomo’s collection AFRICANAMERICAN’T and Tamara Al-Qaisi-Coleman’s collection The Raven, the Bayou and the Willow will be published by FlowerSong Press, due out sometime in 2022. J. Estanislao Lopez’s debut collection, We Borrowed Gentleness, is forthcoming from Alice James Books in October 2022, and lastly (and as a way to welcome a new Houstonian to her new town) I’m happy to share that Ariana Brown’s debut collection, We Are Owed, will be released from Grieveland Press in July.

More Reading
Shout-out to powerhouse essayist Icess Fernandez Rojas as she interrogates and speaks truth to power about the lack of Black representation in Latinx Hollywood and offers an analysis of the new film, In the Heights, in her essay “When They Forget About Us… Again” published in Sofrito For Your Soul.

Live Events
I am excited to see all the things Houston has to offer as readings are starting to come back in front of live audiences. Last Saturday, Write About Now held their first live event since the pandemic called “Mics + Murals,” a collaborative reading with live painting and music copresented by the Station Museum of Contemporary Art.

One foot in front of the other and let’s walk together to see where the words take us.

Write About Now Mics + Murals event at the Station Museum of Contemporary Art in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Occupy

6.30.21

In an article for Literary Hub, Angela Rose Brussel documents the protests of the summer of 2020, among which included protesters gathering and camping out for a month in front of City Hall in New York City in an effort to change the city’s budget. She describes how the demonstrations slowly became less about complaints, and more about celebration: “The summer of 2020 was a fusion of the two, making manifest not only the direct politics of rage, but of joy.” This week, inspired by the article and its photographs, write a story in which protests take place and infuse not only rage, but hope and joy into your characters.

Routine Things

6.29.21

Pulitzer Prize–winning poet Stephen Dunn died on his eighty-second birthday on June 24. Over the weekend many fans and readers shared memories and favorite poems on social media, collectively mourning the loss of this major literary figure. One such poem of Dunn’s is “The Routine Things Around the House,” which tackles the difficult subject of grieving a mother through a memory of when he was twelve and asked his mother if he could see her breasts. “She took me into her room / without embarrassment or coyness / and I stared at them, / afraid to ask for more,” writes Dunn. “This poem / is dedicated to where / we stopped, to the incompleteness / that was sufficient.” This week, write an elegy that focuses on a memory that would be considered uncommon or surprising. See where it takes you.

Upcoming Contest Deadlines

The final contests of the month of June feature a wealth of opportunities for poets and fiction writers to win book or chapbook publication. Other awards include a position as a writer-in-residence at Bard College and a retreat in Missé, France. All of these contests offer a prize of $1,000 or more and have a deadline of June 30. Good luck, writers!

Bard College Fiction Prize—A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: none.

Barrow Street Press Book Prize—A prize of $1,500 and publication by Barrow Street Press is given annually for a poetry collection. A. Van Jordan will judge. Entry fee: $25 ($28 for electronic submissions).

Bauhan Publishing May Sarton New Hampshire Poetry Prize—A prize of $1,000, publication by Bauhan Publishing, and 50 author copies is given annually for a poetry collection. Meg Kearney will judge. Entry fee: $30.

Cider Press Review Editors’ Prize Book Award—A prize of $1,000, publication by Cider Press Review, and 25 author copies is given annually for a poetry collection. The editors will judge. Entry fee: $26.

Finishing Line Press New Women’s Voices Chapbook Competition—A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook by a writer who identifies as a woman and has not yet published a full-length collection. Leah Huete de Maines will judge. Entry fee: $15. 

Griffin Trust for Excellence in Poetry Griffin Poetry Prize—Two prizes of CAD $65,000 (approximately $51,078) each are given annually for poetry collections by a Canadian poet or translator and by an international poet or translator published during the previous year. Finalists receive CAD $10,000 (approximately $7,860) each for their participation in the shortlisted authors event to be held in Toronto. Ilya Kaminsky, Aleš Šteger, and Souvankham Thammavongsa will judge. Publishers make all submissions for the contest. The deadline for books published between January 1 and June 30 is June 30. The deadline for books published during the second half of the year is December 31. Entry fee: none.

Hidden River Arts William Van Wert Memorial Fiction Award—A prize of $1,000 is given annually for a short story or a novel excerpt. Entry fee: $17.

Lascaux Review Prize in Flash Fiction—A prize of $1,000 and publication in Lascaux Review online and in print is given annually for a work of flash fiction. Previously published stories are eligible. Entry fee: $15.

Los Angeles Review Literary Awards—Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Francesca Bell will judge in poetry, Reema Rajbanshi will judge in fiction, Lara Ehrlich will judge in flash fiction, and Beth Gilstrap will judge in creative nonfiction. Entry fee: $20.

The Moth International Short Story Prize—A prize of €3,000 (approximately $3,623) is given annually for a short story. A prize of a weeklong retreat at Circle of Missé in Missé, France, with a €250 (approximately $301) travel stipend, and a prize of €1,000 (approximately $1,208) are also given. Entry fee: €15 (approximately $18). 

New American Press Fiction Prize—A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a book of fiction. Kristen Arnett will judge. Entry fee: $25.

Nowhere Magazine Travel Writing Contest—A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of people, place, and time.” Unpublished and published pieces that have not previously been chosen as a contest winner are eligible. Porter Fox will judge. Entry fee: $20.

Omnidawn Publishing Poetry Chapbook Prize—A prize of $1,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry chapbook. Rae Armantrout will judge. Entry fee: $18. 


Twyckenham Notes Joe Bolton Poetry Award—A prize of $1,000 and publication in Twyckenham Notes will be given annually for a poem or group of poems. The editors will judge. Entry fee: $20.

University of North Texas Press Katherine Anne Porter Prize—A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Entry fee: $25.

University of Pittsburgh Press Drue Heinz Literature Prize—A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Entry fee: none.

Winning Writers North Street Book Prize—A grand prize of $5,000 and seven additional prizes of $1,000 each given annually for self-published books of poetry, fiction, genre fiction, creative nonfiction, children’s literature, graphic narrative, and art books. The winners will each also receive publication of an excerpt on the Winning Writers website; a marketing consultation with author and publishing consultant Carolyn Howard-Johnson; $300 in credit at BookBaby, a distributor for self-published authors; and free advertising in the Winning Writers e-mail newsletter. Ellen LaFleche and Jendi Reiter will judge. Entry fee: $65.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

My Library

6.24.21

In an article published by the Millions, Louisa Ermelino, editor-at-large at Publishers Weekly, writes about Anthony Doerr’s highly anticipated forthcoming novel, Cloud Cuckoo Land (Scribner, 2021). Doerr says that the book is “a love letter to libraries and books” dedicated to librarians, and that through the novel, he wanted to dramatize the power of books. “Each character falls in love with this text as it moves through history, and each becomes a steward for the text,” he says. Write an essay about your relationship with a particular library and how it made an impact on you as a writer and reader.

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