Austrian poet Friederike Mayröcker, who the German Academy for Language and Literature in Darmstadt once stated made German literature richer with her “streams of language, word inventions, and associations,” died last Friday at age ninety-six. Acclaimed for her poetry, Mayröcker also wrote novels, memoirs, drama, radio plays, and children’s books. In each work, she created new ways for her language to flow freely, such as in her 1988 story “my heart my room my name,” which was written entirely without punctuation, and her book-length lament Requiem for Ernst Jandl, which exhibits a liberal use of capitalization. This week, inspired by Mayröcker, write a story with a protagonist whose perspective requires an associative, free-flowing use of language. How does pushing the limits of language produce a fresh perspective?

“I wrote a good omelet… and ate / a hot poem… after loving you,” writes Nikki Giovanni in her poem “I Wrote a Good Omelet.” The poet, whose seventy-eighth birthday was earlier this week, describes going about various common tasks in strange and humorous ways, replacing, for example, “car” for “coat” in the phrase “drove my coat home” and “bed” for “hair” in “turned down my hair.” Through these playful reversals, Giovanni mimics the dizzying feeling of falling in love, as if the speaker is unable to focus on anything after being with their beloved. Write a poem that expresses this giddy feeling of love by using unexpected combinations of phrases and words.

In an article published by Literary Hub, Emily Temple compiles statements by famous writers on what their most loved and hated punctuation marks are, including Donald Barthelme on hating the semicolon, R. L. Stine on loving the em-dash, and Toni Morrison fighting over commas. In each, there is a distinct preoccupation the writers have with the technical and emotional resonances the given punctuation mark has on their prose, often revealing how they compose their sentences. Write a statement for each punctuation mark listed in the article—the semicolon, the exclamation point, the em-dash, the comma, the hyphen, and the period—characterizing the effect they have on your work. Do you use one more than the other? What does this say about your writing?

Now that many are getting vaccinated and New Orleans has its lowest number of COVID-19 cases since last year, I am expecting to see more in-person events happening in the city.

Arts and culture are the pulse of New Orleans and its economy. Many writers and artists have struggled during the pandemic, but this summer will usher in more outdoor events to showcase and support their work. In addition, the New Orleans Book Festival, the Louisiana Book Festival, and the New Orleans Words & Music Festival are just a few literary events that have recently announced dates for live events in the fall that you can plan to attend in person. In the meantime, you can always stop by a local bookstore to give them an economic boost and support your favorite authors. See the Literary Places database for bookstores to order books from or visit.

The pandemic showed us how technology can close the gap of social distancing and offer access to incredible virtual programming. We will likely see a combination of in-person and virtual events in the future, but I’m sure many of us are looking forward to taking part in live events, whether on a stage or in the audience. Whatever your comfort level may be for socializing, there are always plenty of ways to enjoy writing and support the literary community. Check out the Literary Events Calendar for upcoming readings, workshops, and other literary events.

“Whatever comes to pass: you know your time, / my bird, you put on your veil / and fly through the mist to me,” writes Ingeborg Bachmann in her poem “My Bird,” translated from the German by Mark Anderson and published in the Summer 1984 issue of the Paris Review. In the poem, twilight passes into dawn as the narrator follows the owl through its many nightly transformations and their relationship is described by Bachmann in uncommon and evocative ways, such as “my nighttime ally,” “my ice-gray shoulder companion,” and “my weapon.” This week, write a poem about a bird that you think of as a companion. Try addressing the bird directly as Bachmann does in her poem.

On Elle.com’s books column Shelf Life, Ling Ma, author of Severance (Picador, 2019), answers a questionnaire about her favorite books, including the one that made her weep (A Sorrow Beyond Dreams by Peter Handke), the one she would pass on to a kid (Jesus’s Son by Denis Johnson), and the one she considers literary comfort food (Kitchen by Banana Yoshimoto, among others). This week, answer the questionnaire for yourself, then write an essay that focuses on one of these questions and the book you recommended. What was happening in your life when you read this book and why are you still so deeply connected to it?

Last week I wrote about the finalists for the Motown Mic spoken word competition. This week I had the chance to connect with the 2021 Motown Spoken Word Artist of the Year, Kyle Mack. Born and raised in Novi, Michigan, he began exploring the city of Detroit after meeting his now fiancée, Ashley Adams. Adams is a poet who goes under the stage name Galaxy and Mack credits her for inspiring him to enter the contest. “I owe all the thanks to her because if it wasn’t for her pushing me to finish and submit my poem, especially when I was doubting myself, none of this would have been possible,” says Mack.

What’s even more impressive is that Mack’s winning poem is also the first spoken word poem he’s ever written. Mack is a musician and rapper (you can find his music on Spotify and Apple Music), and this was a new venture for his artistry. Mack eloquently reflected on the differences between these two genres: “To me, I feel spoken word is more raw compared to music. With music, you always have a beat or background instruments. With spoken word there is just your voice.”

For Mack, participating in the Motown Mic spoken word competition exemplifies how pushing yourself forward to try something new can be a great experience. “The competition allowed me to step outside of my comfort zone and indulge in a different form of art that I’ve always wanted to indulge in,” says Mack. It is often said that poetry and music go hand in hand. Mack has shown how these genres can connect and transition between each other.

As for the future, Mack has an album called Catholic School Bastard coming out on July 23. He is looking forward to sharing his artistry and performing once venues begin opening up. You can watch an interview with Mack on Motown Museum’s Facebook page.

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