Behind the Awards

1.18.23

It’s awards show season for the film and television industry, but behind the camera are all the hardworking folks that make these shows happen. From florists arranging dramatic centerpieces, to chauffeurs driving celebrities from venue to venue, to the graphic designers of the envelopes holding the winners’ names—each individual helps make these one-night-only events possible. Consider what happens behind the scenes at one of these massive events and write a story from the perspective of someone working for an awards show. Imagine the mounting pressure throughout the night, the unexpected responsibilities that may arise, and the difficult celebrities one might encounter for the details in your story.

The Voice at 3 A.M.

1.17.23

Award-winning and former U.S. Poet Laureate Charles Simic, who died last week at the age of eighty-four, was best known for his surrealist and often devastatingly funny poems. His poem “The Voice at 3 A.M.” reads in its entirety: “Who put canned laughter / Into my crucifixion scene?” In “Eyes Fastened With Pins,” Simic depicts a scene in which death is looking for “Someone with a bad cough, / But the address is somehow wrong, / Even death can’t figure it out.” Inspired by Simic, write a poem that mixes dark humor with a serious subject matter. How does integrating humor help balance and enliven the voice in your poem?

Deadline Approaches for the Eliud Martínez Prize

Submissions are open for the Eliud Martínez Prize, an award from the Inlandia Institute celebrating writers who identify as Hispanic, Latino/a/x, or Chicana/o/x. The winning writer will receive a prize of $1,000 and publication of their book of fiction or creative nonfiction by Inlandia Books.

Using only the online submission system, submit a novel, memoir, essays, stories, and multi-genre or hybrid fiction and nonfiction work between 150 and 300 pages with a $15 entry fee by January 31. Proposals for longer works of up to 500 pages may be submitted with an excerpt, table of contents, and a synopsis. Only manuscripts written primarily in English will be considered. Isabel Quintero will judge. Fee waivers are available. Visit the website for complete guidelines.

Located in Southern California, the Inlandia Institute is a nonprofit that fosters the literary activity of the state’s Inland region. The Eliud Martínez Prize is offered annually in memory of the novelist and artist Eliud Martínez, who taught as a professor at the University of California in Riverside. The prize’s most recent winner is Zita Arocha, who won the inaugural award for her memoir, Guajira: The Cuba Girl.

 

 

Delight and Distraction

1.12.23

In a Q&A with Kaveh Akbar by Claire Schwartz, published in the September/October 2021 issue of Poets & Writers Magazine, the poet reflects on the image of a salad spinner in his long poem “The Palace.” He writes: “I have a salad spinner in my kitchen, and we use it. Every time I see it, I’m like, ‘What a ghoulish thing to have—this thing that spins lettuce.’ I can’t think of anything more useless, a more damning indictment of our relative comfort.” What central everyday objects remind you of your relative comfort, or lack thereof? Write an essay that uses concrete images to reflect on the pleasures of your daily life. Do you ever feel shame about these pleasures?

Astrological Reading

1.11.23

The multitude of popular astrology apps—such as Co–Star, the Pattern, and Time Passages—exemplifies how the ancient study of celestial bodies predicting what happens on Earth is still very relevant. Many rely on astrological readings for career and dating advice, financial decisions, spiritual guidance, and even for what books to read. Write a short story in which a character relies on astrology to make a major life decision. How does their relationship to this divinatory practice change once things are set in motion?

Passing Minutes

1.10.23

In David Kirby’s poem “The Hours,” published in the latest issue of the Bennington Review, the poet reflects on a subject that feels more significant at the start of a new year: the presence of time. “I’m going to rely on you hours to lead me, / to open one door after another and beckon / me through. Look it’s time to make lunch. / Look, it’s time to go back to work. Look, / it’s time to rub cat Patsy’s belly again,” he writes. This week, write a poem that ruminates on the presence of time in your life. How does your perception of the passing minutes change from season to season?

Upcoming Contest Deadlines

Start the year off right by submitting to writing contests with deadlines of January 15, 24, and 30. Prizes include $5,000 for creative nonfiction that evinces a passion for the desert, $5,000 and an all-expenses-paid trip to give a reading at Virginia Commonwealth University in Richmond for a published first or second book of poetry, $1,500 for a poetry collection, $1,000 for a short story or a self-contained novel excerpt, and more. All awards offer a cash prize of $1,000 or more. Good luck in 2023, writers!

Asheville Poetry Review
William Matthews Poetry Prize

A prize of $1,000 and publication in Asheville Poetry Review is given annually for a single poem. The winner is also invited to give a reading at Malaprop’s Bookstore in Asheville, North Carolina. Diane Seuss will judge. Deadline: January 15. Entry fee: $20.

Ellen Meloy Fund
Desert Writers Award

A prize of $5,000 is given annually to enable a creative nonfiction writer “whose work reflects the spirit and passions for the desert embodied in Ellen Meloy’s writing” to spend creative time in a desert environment. Deadline: January 15. Entry fee: $15.

New American Press
New American Poetry Prize

A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a poetry collection. Writers of any citizenship working anywhere in the world are eligible, though the work should presume English-language readers. Jamaica Baldwin will judge. Deadline: January 15. Entry fee: $25.

North Carolina Writers’ Network
Rose Post Creative Nonfiction Competition

A prize of $1,000 is given annually for an essay “that is outside the realm of conventional journalism and has relevance to North Carolinians.” The winning essay will also be considered for publication in Ecotone. Writers who are legal residents of North Carolina or who are members of the North Carolina Writers’ Network are eligible. Julia Ridley Smith will judge. Deadline: January 15. Entry fee: $12.

North Carolina Writers’ Network
Thomas Wolfe Fiction Prize

A prize of $1,000 is given annually for a short story or a self-contained novel excerpt. Judy Goldman will judge. The winning work of fiction will also be considered for publication in Thomas Wolfe Review. Deadline: January 30. Entry fee: $25 entry fee ($15 for NCWN members).

Poetry Society of Virginia
North American Book Award

A prize of $1,000 is given annually for a poetry collection published during the previous year. The winner is also invited to read at the organization’s annual Spring Poetry Festival, held at the Richmond Public Library in May. Self-published books and books that have previously received a post-publication award are ineligible. Bill Glose will judge. Deadline: January 15. Entry fee: $36

Sixfold
Poetry and Short Story Awards

Two prizes of $1,000 each and publication in Sixfold are given quarterly for a group of poems and a short story. Deadline: January 24. Entry fee: $5.

Virginia Commonwealth University
Levis Reading Prize

A prize of $5,000 and an all-expenses-paid trip to give a reading at Virginia Commonwealth University in Richmond is given annually for a first or second book of poetry published during the previous year. Deadline: January 15. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

To Not Belong

“I needed to be lonely, it turns out, more than belonging, more than home, more than love. There was no plot of land, no village, town, city, country, in which I belonged,” writes Pulitzer Prize–winning poet Diane Seuss in her essay “On Not Belonging,” published in the inaugural issue of Through Lines Magazine. In the essay, Seuss explores what she learned from the moments in her life when she didn’t feel like she belonged, weaving in and out of topics such as an experience at an artists’ colony, her kinship with writer James Baldwin, and grieving the death of her father. Inspired by Seuss’s relatable and lyrical essay, write an essay that traces your history with belonging. When has not belonging sharpened your creative intuition?

On Friendship

In the intricately imagined novel Sula, Toni Morrison tells the story of Sula Peace and Nel Wright, who meet as children in the Bottom, a Black neighborhood in the fictional town of Medallion, Ohio. The two characters embody the rich and complicated textures of a lifelong friendship as they move through their lives with dark secrets to keep, resentments, betrayal, and ultimately, forgiveness. This week, write a short story that captures the beginning and end of a friendship. Try to incorporate a strong setting that symbolizes and evolves with this relationship.

Animal Self

In his poem “The Wellfleet Whale,” Stanley Kunitz elegizes the majestic presence of a finback whale beached and dying on the shores of Cape Cod. The narrator of the poem, which is written in five sections, speaks to the whale in second person and recounts the last moments of its life. “You have your language, too, / an eerie medley of clicks / and hoots and trills, / location-notes and love calls,” writes Kunitz in the first lines. The rare sight is then celebrated through the awe of the spectators: “We cheered at the sign of your greatness / when the black barrel of your head / erupted, ramming the water, and you flowered for us / in the jet of your spouting.” This week write a poem that celebrates an animal of your choice. Whether through elegy or ode, which animal speaks to your senses?

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