In the early 1950s, broadcast journalist Edward R. Murrow hosted a radio program titled This I Believe, in which short personal essays written about deep personal convictions and motivations were read on air by a variety of guests. Segments included pieces by Pearl S. Buck, Robert Heinlein, Margaret Mead, and Jackie Robinson, as well as everyday people, on a variety of topics ranging from intimate to worldly, such as freedom, prejudice, caring for the environment, and caring for each other. To add a twist to this idea, write a personal essay that starts with the phrase: “This I once believed.” Think back to a time when you felt strongly about an issue, perhaps related to family bonds, romantic relationships, religion, or world politics, and focus on how your views have transformed over the years. What experiences have influenced your convictions?

“So never mind the darkness, we still can find a way / 'Cause nothin’ lasts forever, even cold November rain,” sings Axl Rose in the Guns N’ Roses 1992 classic rock ballad “November Rain.” Lasting nearly nine minutes long (and reportedly based on a short story by their road manager, writer and journalist Del Rey), guitarist Slash claimed in his autobiography that an even longer eighteen-minute version was once recorded. This week select an epic song that resonates with your current mood and compose a fictional scene that occurs while the tune plays in the background. Do the lyrics drift in and out as the story unfolds? How might the themes in the song mirror, foreshadow, or provide contrast to what’s happening with your characters in your chosen environment?

During the months of October and November, the color orange seems to be everywhere you look: the tree leaves turning burnt sienna, the honeyed glint of autumn sunlight, jack-o’-lanterns set out on stoops and stairways, pumpkin spice flavored beverages, persimmons ripening on trees, Mexican marigolds decorating Dia de los Muertos altars, the multicolored hues of calico corn, the bronze and amber of decorative gourds galore. These golden months are typically associated with a tendency toward slowing down, nostalgia, and moving inward—whether looking within oneself or spending more time indoors. Write a poem that attempts to capture the feeling of this autumnal color. How do its many hues contribute to the elegiac sensations of the season?

Before the holiday season bogs you down, submit to some writing contests with a November 15 deadline. Prizes include $20,000 for a published story collection, $5,000 for published books that relate to California, $2,000 and publication for a poetry manuscript by an author who identifies as a woman, and a seven-month residency at the Fine Arts Work Center in Provincetown, Massachusetts. Three awards have no entry fee. Read on for more information, and good luck! 

Brooklyn Film & Arts Festival
Brooklyn Nonfiction Prize
A prize of $500 and publication on the Brooklyn Film & Arts Festival website will be given annually for a work of nonfiction that is set in Brooklyn, New York, and renders the borough’s “rich soul and intangible qualities through the writer’s actual experiences in Brooklyn.” Entry fee: None.

Commonwealth Club of California
California Book Awards
Five prizes of $5,000 each are given annually for a poetry collection, a book of fiction, a first book of fiction, a book of creative nonfiction, and a book of nonfiction that relates to California. Three additional prizes of up to $2,500 each are also given in the fiction, first fiction, and nonfiction categories. Books written by authors residing in California are eligible. Entry fee: None.

Fine Arts Work Center
Writing Fellowships
Fellowships for a seven-month residency at the Fine Arts Work Center in Provincetown, Massachusetts, are given annually to four poets and four fiction writers who have not published a full-length book in any genre. Each fellowship includes a private apartment, a monthly stipend of $1,250, and an exit stipend of $1,000. Entry fee: $40.

Nightboat Books
Poetry Prize
Up to four prizes of $1,000 each and publication by Nightboat Books are given annually for poetry collections. The editors will judge. Entry fee: $28.

Perugia Press
Perugia Press Prize
A prize of $2,000, publication by Perugia Press, and 10 author copies is given annually for a first or second poetry collection by a writer who identifies as a woman. Entry fee: $30.

Pushcart Press
Editors’ Book Award
A prize of $1,000 is given occasionally for a fiction or nonfiction manuscript that has been rejected by a commercial publisher. The award recognizes “worthy manuscripts that have been overlooked by today’s high-pressure, bottom-line publishing conglomerates.” Entry fee: None.

National Federation of State Poetry Societies
Barbara Stevens Poetry Book Manuscript Competition
A prize of $1,000, publication by National Federation of State Poetry Societies Press, and 50 author copies will be given annually for a poetry collection. The winner will also receive an invitation to read at the National Federation of State Poetry Societies convention, with a travel stipend of $300. Edward Hirsch will judge. Entry fee: $25.

The Story Prize
The Story Prize
A prize of $20,000 is given annually for a story collection written in English and first published in the United States in the current year. Two runners-up will receive $5,000 each, and one entrant will receive the $1,000 Story Prize Spotlight Award, given for a collection that merits further attention. Larry Dark and Julie Lindsey will select the three finalists and the Spotlight Award winner; three independent judges will choose the Story Prize winner. Entry fee: $75.

Writer’s Digest
Short Short Story Competition
A prize of $3,000 and travel and lodging expenses for a trip to the Writer’s Digest Annual Conference is given annually for a short short story. A second-place prize of $1,500 is also awarded. The winners will both be published in Writer’s Digest. Entry fee: $30.

Yale University Press
Yale Series of Younger Poets
A prize of $1,000, publication by Yale University Press, and a writing fellowship at the James Merrill House in Stonington, Connecticut, is given annually for a poetry collection by a poet who has not published a full-length book of poetry and who resides in the United States. Rae Armantrout will judge. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

In his 1919 essay “Das Unheimliche,” translated from the German as “The Uncanny,” Sigmund Freud describes and examines the concept of uncanny or eerie feelings and how they can be expressed in the presence of a doppelgänger or a doubling. In this situation, something unexpectedly recurs—a repetition which may seem random, but when given context, takes on significance or meaning. Write a memoiristic anecdote about a time when you observed or experienced an unsettling recurrence. Perhaps you saw, in a short amount of time, the same number, person, or chain of events. Or perhaps you were wandering aimlessly and found yourself on the same street again and again. How were you able to break out of the cycle of duplication? Does it still creep into your mind at inopportune times?

Earlier this month the United States Fish and Wildlife Service officially removed twenty-one animal species from the Endangered Species Act after determining they are now extinct. The list includes the Little Mariana fruit bat from Guam; ten bird species, most of which are from Hawaii; the Scioto madtom fish from Ohio; and the Turgid-blossom pearly mussel. Many of the species were placed under protection in the 1970s and 1980s when they were in very low numbers and may have already past the point of no return. Write a short story this week that revolves around something that is the last of its kind, whether a plant, animal, or place. Is protection possible? What happens once something endangered is gone forever?

“The Tell-Tale Heart,” “The Pit and the Pendulum,” “The Raven,” “The Masque of the Red Death.” Each episode in filmmaker Mike Flanagan’s The Fall of the House of Usher, a new television miniseries based on Edgar Allan Poe’s eponymous story, is named after a famed poem, story title, or line penned by the master of the macabre. While Poe lived and wrote during the first half of the nineteenth century, his lyrical words continue to resound in all their gothic-horror glory in contemporary times. Browse through Poe’s works—all of which are in the public domain and freely available to read online—and write a poem inspired by his favorite themes of love, death, uncertainty, guilt, sickness, regret, revenge, and the subconscious. If you’re having trouble getting started, choose one of Poe’s famous lines as the first line of your poem.

Poetry translators: Try for a treat this Halloween by submitting to the Malinda A. Markham Translation Prize by October 31. The award of $2,000 and publication by Saturnalia Books is open to translators who identify as female (including those who are assigned-female-at-birth [AFAB] nonbinary, genderfluid, agender, and intersex) and who are translating the work of a woman poet (including those who are AFAB nonbinary, genderfluid, agender, and intersex).

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Using only the online submission system, submit a manuscript of 48 to 120 pages with an entry fee of $25. Visit the website for complete guidelines.

Founded in 2002 to offer “an edgy alternative to traditional public narratives around poetry and visual art,” Saturnalia typically publishes five books a year by established and emerging poets. Chronicler of the “gurlesque” poetry movement with the 2010 publication of Gurlesque: The New Grrly, Grotesque, Burlesque Poetics, edited by Lara Glenum and Arielle Greenberg, the press is known for challenging the status quo. It has published Cortney Lamar Charleston’s Telepathologies (2017), Diamond Forde’s Mother Body (2019), Kayleb Rae Candrilli’s All the Gay Saints (2020), and other innovative poetry collections.

In This Brilliant Darkness: A Book of Strangers (Norton, 2020), journalist and photographer Jeff Sharlet captures two years of his life, between his father’s heart attack and his own, through snapshots and short chapters that read like a travel journal. Sharlet documents Skid Row in Los Angeles, gay nightclubs in Russia, a New Jersey Dunkin’ Donuts, and other places, urging readers to step into the shoes of the strangers he meets while seamlessly weaving journalism, photography, and evocative storytelling to elicit an overwhelming sense of empathy. “I am a reporter, and this is a book of other people’s lives, lives that became, for a moment—the duration of a snapshot—my life, too,” writes Sharlet. Inspired by Sharlet’s immersive journalistic style, write an essay reflecting on an interaction with a stranger and how you made an unexpected connection. Immerse readers into an atmosphere that might be unfamiliar to them.

In Carmen Maria Machado’s short story “Horror Story,” published in Granta magazine in 2015, the narrator and her partner move into a new house where a series of inexplicable events occur, leading to a deepening sense of fear and unease within their relationship. The narrator describes a gradual progression of strange happenings—a mysteriously clogged drain, missing spices from the kitchen, unexplained sounds. As the couple attempts to find rational explanations, blaming neighbors and even each other, the occurrences intensify until the narrator sees the ghost of a young woman in her bedroom. Inspired by Machado’s story, write a short story from the perspective of a ghost. What is their motivation and how does their haunting serve as a form of communication or release? Craft a compelling narrative that weaves together the ghost’s history and their evolving manifestations.