“Drenched by a summer downpour or softened by spring rain, I have felt an aspect of freedom,” writes Ama Codjoe in her essay “An Aspect of Freedom,” included in the anthology A Darker Wilderness: Black Nature Writing From Soil to Stars (Milkweed Editions, 2023) edited by Erin Sharkey. In the essay Codjoe explores her relationship with rain through the lens of freedom, using personal anecdotes, historical events, and photographs taken during the civil rights movement of the 1950s and 1960s. “In the rain, or in the ocean, or in a flood of people singing freedom songs and calling the names of our unjustly killed, I feel a part of nature, a part of nature’s self, which may be anything that gives nourishment and everything that breathes,” writes Codjoe. In expectation of the upcoming fertile season, write an essay that explores your relationship with spring rain. As you write, take inspiration from Codjoe’s essay and consider the question: When do you feel most free?

In “When the Novel Swiped Right,” Jennifer Wilson, a contributing essayist for the New York Times Book Review, tracks the effect dating apps have had on contemporary literature. In the essay, Wilson points to writers who have creatively used dating apps as a narrative device, such as Sally Rooney, Brandon Taylor, and Sarah Thankam Matthews, and encourages more writers to take advantage of how the apps “make possible encounters among characters who might not otherwise come into contact by virtue of differences in age, race, or class.” This week, write a story that involves two unlikely people meeting on a dating app. What do they discover as they get to know each other?

Oftentimes it’s the underrated things in life that make the perfect inspiration for a poem. In “For the Poet Who Told Me Rats Aren’t Noble Enough Creatures for a Poem,” Elizabeth Acevedo rises to the title’s challenge by honoring the “inelegant, simple,” and tenacious animal that is often hunted down. In “St. Roach,” Muriel Rukeyser writes to the humble cockroach and captures the moment in which the speaker reaches out and touches one. This week write a poem inspired by an animal that might be considered vermin and reflect on why you might fear or avoid this creature.

Valentine’s Day is commonly known as a day to express affection for loved ones with greetings and gifts, but its origin remains a bit of a mystery. Some suggest that the holiday dates back to Lupercalia, a Roman festival to ward off evil spirits and infertility that was later banned in the fifth century, while others have said that the true origin of the day is related to a priest named Valentine who was martyred circa 270 CE by emperor Claudius II. According to one legend, the priest signed a letter “from your Valentine” to his jailer’s daughter. Other accounts tell the story of St. Valentine of Terni, a bishop who secretly married couples to spare husbands from war. What is your personal history with Valentine’s Day? Using these origin stories as inspiration, write an essay that explores your memories of this holiday of love.

Depths of Wikipedia is a popular series of social media accounts dedicated to posting obscure facts published on the free online open-source encyclopedia Wikipedia. Posts include Jimmy the Raven, a raven actor who appeared in hundreds of films including The Wizard of Oz and It’s a Wonderful Life; Mr. Ouch, a hazard symbol developed by the National Electrical Manufacturers Association with children’s safety in mind; and the dinkus, a typographic symbol consisting of a line of asterisks often used as section breaks in a text. This week write a story that incorporates one of these curious Wikipedia facts into your plot.

Give your writing a little love the day after Valentine’s Day, and submit to contests with a February 15 deadline. Prizes include $3,000 for a first or second poetry collection or a work that intersects with poetry, including hybrid text, speculative prose, and translation; $1,500 for a group of poems; and $2,000 for a work of fiction. All awards have a cash prize of $1,000 or more, and four have no entry fee. Good luck, writers!

Academy of American Poets
Ambroggio Prize
A prize of $1,000 and publication by University of Arizona Press is given annually for a poetry collection originally written in Spanish by a living writer and translated into English. Achy Obejas will judge. Entry fee: none. 

Academy of American Poets
Harold Morton Landon Translation Award
A prize of $1,000 is given annually for a poetry collection translated from any language into English and published in the United States during the previous year. Anna Deeny Morales will judge. Entry fee: none.

Airlie Press
Airlie Prize
A prize of $1,000 and publication by Airlie Press is given annually for a poetry collection. The editors will judge. Entry fee: $25.

Arrowsmith Press
Derek Walcott Prize for Poetry
A prize of $1,000 is given annually for a poetry collection published in English during the previous year by a writer who is not a citizen of the United States. Poets who are living in the United States as green card holders are among those eligible. Poets whose work appears in translation into English are also eligible. Canisia Lubrin will judge. Entry fee: $20.

Center for African American Poetry and Poetics/Autumn House Press
Book Prize
A prize of $3,000 and publication by Autumn House Press is given annually for a first or second poetry collection or a work that intersects with poetry, including hybrid text, speculative prose, and translation, by a writer of African descent. Nicole Sealey will judge. Entry fee: none.

Furious Flower Poetry Center
Furious Flower Poetry Prize
A prize of $1,500 and publication in Obsidian, the literary journal of Illinois State University, is given annually for a group of poems. The winner also receives a $500 honorarium to give a reading at James Madison University (either virtually or in person, as public health guidelines allow). Poets who have published no more than one collection of poetry are eligible. Evie Shockley will judge. Entry fee: $15.

New American Press
New American Poetry Prize
A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a poetry collection. Jamaica Baldwin will judge. Writers of any citizenship working anywhere in the world are eligible, though the work should presume English-language readers. Entry fee: $25.

Sarabande Books
Morton and McCarthy Prizes
Two prizes of $2,000 each and publication by Sarabande Books are given annually for collections of poetry and fiction. Entry fee: $29.

Syracuse University Press
Veterans Writing Award
A prize of $1,000 and publication by Syracuse University Press is given biennially in alternating years for either a debut fiction or a debut nonfiction manuscript written by a U.S. veteran, active-duty personnel in any branch of the U.S. military, or the immediate family member of a veteran or active-duty personnel. The 2023 award will be given in nonfiction. Anuradha Bhagwati will judge. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Every year on February 2, thousands of spectators visit Punxsutawney, a small town in Pennsylvania, to watch whether a groundhog sees his shadow or not. The first Groundhog Day celebration at Gobbler’s Knob was held in 1887 and the tradition predicts how long the winter season will last. Similar superstitious traditions connected with animals include the ancient Greek art of ornithomancy, the practice of reading omens from the actions of birds, and the Woollybear Festival in Ohio, in which fuzzy woolly bear caterpillars predict the winter forecast. Do you participate in any superstitious traditions? Write an essay that reflects on your relationship to any rituals or superstitions you believe in.

“On stage, bodies in motion paired with words deliver both language and emotion. I have that same hope for the novel I’m struggling to write,” writes Kathryn Ma in a recent installment of our Writers Recommend series about the impact watching live theater has on her writing. “Dialogue travels, reaching me in the dark. I’m not taking down notes, but my ear is. If I’m open and lucky, the magic might follow me home.” This week write a story in which your character is moved by watching a live theatrical performance. What is the play about? How does the performance taking place on stage mirror the struggles your character is enduring?