Ten Women to Follow

It’s Women’s History Month and I wanted to take a moment to shout-out ten women writers living in New Orleans that you should know about and can follow on Twitter. These are just a few of many amazing women who live in this thriving literary city doing phenomenal work.

Bernice L. McFadden
@queenazsa
McFadden is the author of the novel The Book of Harlan (Akashic Books, 2016), winner of the 2017 American Book Award. Her latest novel, Praise Song for the Butterflies (Akashic Books, 2018), was longlisted for the 2019 Women’s Prize for Fiction.

Cate Root
@cateroot
Root is a poet who helps run a monthly literary salon called Dogfish, which invites the public to a free poetry reading set in a living room. She also has a very active Twitter feed and you can subscribe to her love letters.

Andy Young
@andimuse
Young is a poet and teaches in the creative writing department at New Orleans Center for Creative Arts.

Dr. Mona Lisa Saloy
@redbeansista

Dr. Saloy is a scholar, author, and active member of the Louisiana Folklore Society. Her latest book, Second Line Home: New Orleans Poems (Truman State University Press, 2014), is a collection of poems that celebrates the language and people of New Orleans.

Stephanie Grace
@stephgracela
Grace is a political columnist for the New Orleans Advocate, our local newspaper.

Fatima Shaik
@FShaik1
Shaik is a native of New Orleans and the author of adult and children’s books, including What Went Missing and What Got Found (Xavier Review Press, 2015), a short story collection depicting life before and after Hurricane Katrina.

Megan Burns
@bloodjetpoetry
Burns is a poet, publisher of Trembling Pillow Press, and cofounder of the New Orleans Poetry Festival.

M. M. Kaufman
@mm_kaufman
Kaufman is a writer and alumni of the Creative Writing Workshop at the University of New Orleans, and the publicist for the Tennessee Williams & New Orleans Literary Festival.

Kristina Kay Robinson
@_Kristina_Kay
Robinson is a writer and New Orleans editor at large at Burnaway, a nonprofit magazine about contemporary art from Atlanta and the American South.

Jami Attenberg
@jamiattenberg
Attenberg is the author of seven books of fiction including her latest novel, All This Could Be Yours (Houghton Mifflin Harcourt, 2019). You can read more about her writing process in her installment of Poets & Writers’ Ten Questions.

What women writers influence your work? Tell us by using #WomenWritersTaughtMe and tagging @nolapworg on Twitter.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Prologue

3.11.20

“I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell,” concludes the prologue to Donna Tartt’s first novel, The Secret History (Knopf, 1992). In a piece in Book Riot in praise of prologues, Nikki VanRy writes, “a good prologue is one that introduces the tone and style of the story. A great prologue, however, is all about setting the stage, baiting the tease, opening up the mystery, allowing the reader to come in slowly and—once they’re there—hooking them.” Write a brief prologue to a short story you’re in the process of writing. How does your prologue create an opening to your story that strikes a balance of laying the groundwork and setting the bait?

Reflections on #AWP20

Although Poets & Writers was not able to attend the AWP conference in San Antonio last week and the literary outreach coordinators could not have our panel discussion, it was good to see Instagram photos, tweets, and videos online of many writers I admire enjoying the conference. Thanks to those Houston writers, poets, playwrights, and publishers that made their way after the AWP Board of Directors announced that the conference would continue despite concern about the coronavirus. I was happy to see Houston gente representing at AWP—shout-out to Bloomsday Literary, Defunkt Magazine, Glass Mountain, and Writespace, as well as writers Daniel Peña, Reyes Ramirez, and Icess Fernandez Rojas!

From all the posts and messages I came across, I know three things:

1. AWP 2020 was all about engagement. There might have been fewer people and fewer panels, but all the readings and events were packed.

2. This was the birth of the #AWPVirtualBookFair—publishing houses and literary magazines that were not able to attend AWP engaged online through a community Google Doc and on Twitter and it paid off. Folks supported writers and works from publishers big and small.

3. Texas-based writers came out in full force, especially Latinx writers. I saw posts from every corner of the state in ways I hadn’t seen before at any other AWP conference. And it was glorious.

I hope this momentum continues next year for #AWP21 in Kansas City, Missouri!

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Language Anew

3.10.20

In the New York Times, Elisa Gabbert writes about Alice Notley’s new book, For the Ride (Penguin Poets, 2020), which takes place in a world where most of civilization—and therefore language—has been destroyed. “Because language is broken, the verse is intentionally awkward, as though carelessly translated: ‘glyph doth include the real air? / yes, including vraiment the other air.’ Words from French and Spanish are peppered in, while others are cut off (‘lying togeth, floor of hypermarket in afterli’) or smashed together (‘playtoyswords’), creating unresolvable ambiguities.” Write a poem that uses words that are cut off, smashed together, or borrows from other languages in a way that opens up the possibilities of meaning. How do you provide guidance through the ambiguity or confusion?

A Tiny Book Fair for the People

This past Friday’s event “A Very Last-Second Poetry Reading” turned out to be a huge success packing the Room Project with eager listeners, book buyers, and writers. Although it was planned in just a few short hours in response to the many canceled events due to health concerns at the AWP conference in San Antonio, things were flawless. It was a fantastic opportunity to catch up with Detroit writers like Nandi Comer and Tommye Blount, as well as out-of-town favs like Rachel McKibbens. We opened the night with an opportunity to mingle and view the “tiny book fair,” which was facilitated by Tariq Luthun and included books by some of the readers, then shifted into readings of poetry and fiction.

This reading was a strong representation of what I was hoping to experience at AWP last week. I saw new and old faces—all of whom were glad to see mine. We shared space, books, and words in a safe environment. I left feeling recharged and acquired a couple new reads. Detroit’s literary community absolutely grew stronger through this event, and its success opens a new world of ways that conferences with a national draw can become active in individual communities. It also broadens the definition of community in each of our very small portions of the country by introducing AWP, books, and writers to audiences who are not engaged on the national level, or have not had the resources or opportunities to attend the AWP conference.

I am impressed with everyone who put energy into this—from the organizers to those who simply showed up to support. None of us could have seen this health crisis coming, but I know that everyone who was at Room Project on Friday will remember at least one good thing about last week.

A Very Last-Second Poetry Reading at Room Project in Detroit. (Credit: Tariq Luthun)
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

To AWP or Not?

I was looking forward to meeting up with the literary outreach coordinators, Justin Rogers from Detroit and Lupe Mendez from Houston, and staff members from Poets & Writers at the Association of Writers & Writing Programs (AWP) conference in San Antonio, Texas this week, but safety first. Due to the concern about the coronavirus in San Antonio, we decided not to attend and sadly had to cancel the wonderful panel planned on Saturday to discuss our respective literary communities in New Orleans, Detroit, and Houston.

Nevertheless, people in New Orleans are taking all the news in stride. Some local writers who were planning to attend the AWP conference stayed in New Orleans, others went ahead to San Antonio.

The good thing is, we still have lots of great literary events to look forward to in New Orleans:

The New Orleans Book Festival at Tulane University is March 19­–21.

The Tennessee Williams & New Orleans Literary Festival is March 25–29.

The New Orleans Poetry Festival will be in April during National Poetry Month.

Join us in New Orleans!

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Submissions Open for Sonora Review Nonfiction Contest

A new Sonora Review creative nonfiction contest is open for submissions. The literary journal has partnered with the University of Arizona Consortium on Gender-Based Violence for a nonfiction contest and special online issue centered on the theme “Extinction.” The winner of the nonfiction contest will be awarded $1,000 and publication of their work as a booklet to be inserted into Issue 77 of Sonora Review. Writers must respond to the specific prompt given, which explores extinction as it relates to violence against women.

 

Using only the online submission system, submit a piece of creative nonfiction of up to 6,000 words with a $15 entry fee by March 27. Author and activist Lacy M. Johnson will judge. Visit the website for complete guidelines.

Established in 1980, Sonora Review is run by graduate student volunteers in the University of Arizona Creative Writing MFA program.

Photo: Lacy M. Johnson; credit: John Carrithers

Worth the Wait

“On the average Tuesday morning most people are waiting in more than one way: waiting to get to their stop, but also waiting for news, for inspiration, for intervention, for a promotion, for a diagnosis, for breakfast,” writes Jordan Kisner in “Attunement” from her debut collection, Thin Places: Essays From In Between (Farrar, Straus and Giroux, 2020). In the essay, Kisner writes about phases of her life spent in suspension, waiting for God, an epiphany, meaning, and for clarity of conviction to “come crashing through the ceiling.” Write a personal essay about a time when you waited for something philosophical, spiritual, or emotional to reveal itself, perhaps juxtaposing it with another memory of waiting for something more practical and tangible. Was there clarity that made it worth the wait?

A Very Last-Second Poetry Reading

It’s been a hard week for many of us who were and are considering attending the Association of Writers & Writing Programs (AWP) conference in San Antonio, Texas. Although the AWP Board of Directors announced its decision to move forward with the conference despite concern about the coronavirus in San Antonio, Poets & Writers has made the difficult decision not to attend, and I will also not be attending. Over a hundred panels and events have been canceled leaving many writers across the country seeking alternatives, leaving it up to us writers to find a way to hold community.

In the past couple days, the literary community on Twitter was left hanging in anxious suspense as we awaited a statement from AWP, and word from one another about individual decisions. In that time frame, #AWPVirtualBookFair was created along with a community Google Doc that lists presses and the discounts they are offering for books that were to be sold at the conference—it’s a digital book fair!

In addition, on Tuesday afternoon, I got word from Tariq Luthun that he is working with Christin Lee at Room Project to put on what is being called “A Very Last-Second Poetry Reading and Tiny Book Fair.” We are calling this an “offsite” AWP reading and it will feature Brittany Rogers, Rachel McKibbens, and many more. The event will be held on Friday, March 6 at 7:00 PM at Room Project. If you are in Detroit, come by!

And if you are traveling to AWP, please be safe and take every precaution.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Spaghetti With a Side of Noise

“It is a very old sound, the sound of people who decided to sit in the same sheltered space for a few hours, with food and drink in front of them, their family or friends at their side, and forget about the snarling beasts they battled all day,” writes New York Times restaurant critic Pete Wells in defense of noisy restaurants. “There is the skipping, questioning rhythm of flirtation; the confident bleat of people showing off money; the squawk of debate.” Write a story that takes place amidst the hustle and bustle of a meal in a noisy restaurant. How do the words spoken by other diners and restaurant staff, and the ambient sounds of moving bodies and food being served, intertwine with the interactions of your characters?

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