Last week I started highlighting the publishing houses here in Houston by looking at Arte Público Press. Today I want to write about Mutabilis Press. This nonprofit literary press is all about supporting the poetry world, especially poets in the greater Houston area.

The press was founded in 2003 by poet and artist Carolyn Tourney Florek and is a great source of literary work, including first books from some of the best poets that Houston has to offer. I personally own Why Me? (Mutabilis Press, 2009), the debut collection of poetry by Inprint founder Rich Levy, and it’s a great collection. Mutabilis also publishes poetry anthologies and makes it a point to find ways to gather as many Houston area poets as possible to write on a variety of themes. Their latest anthology, Enchantment of the Ordinary, edited by Galveston poet and dear friend of mine John Gorman, collects poems from Houston area authors with a connection to the state of Texas. I love the idea behind this anthology.

It is a blessing to be able to thumb through the anthologies and poetry collections published by Mutabilis and find the names and words of poets who I call friend. If you have the means to support this wonderful press, please take a look at their catalog and order books from them directly or from your local independent bookstore. Either way your purchase helps keep the lights on for these publishing houses.

Temperatures are rising in the Midwest in these first weeks of a long-awaited spring as we continue to track whether COVID-19 cases are reducing. Michigan is still under a stay-at-home order, which makes it difficult to enjoy the warm weather but perfect for sitting down and reading some more books by Detroit authors.

For the Love of Boys by Imani Nichele is a collection of poetry written during her term as the 2018 Detroit youth poet laureate. The chapbook opens with a thoughtful preface that helps frame the book for the reader: “When you approach this body of work, I ask that you come knowing this is not heartbreak or about bitterness or a bite back at love gone sour. This within itself is not a cry for a father. It is coming of age. It is my capacity to hold men broadening, within and through different relationships.” She further describes this collection as an examination of how when boys transition into men, they are allowed space to still operate in boyhood. This touches on her thoughts of linear time being meaningless when becoming an adult in these lines:

“All of the clocks are broken here / in a tight room / Only enough space for our bodies to be pendulum”

I love the images associated with the body in this collection as exemplified in these lines:

“I imagine my father is a bloodless boy, with running feet / split-chested & / picking everything broken from inside of him”

Nichele further makes efforts to better understand her body and standing in the world with two poetic definitions of disambiguation that split the collection into thirds. In these, Nichele sees her body as a weapon and “full of answers and opinions and dying things.”

I am so proud of this young voice! Nichele has since sold out of her chapbook, but has announced that her first full-length manuscript, If You Must Know, is coming soon. I look forward to the release of this collection and will share it with you once it is out!

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To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

Today a coalition of arts funders announced they will administer $10 million to artists and writers “facing dire financial emergencies due to the impact of COVID-19.” Eligible individuals can apply for an unrestricted grant of $5,000.

The fund is part of the larger Artist Relief initiative, organized by the Academy of American Poets, Artadia, Creative Capital, Foundation for Contemporary Arts, MAP Fund, National YoungArts Foundation, and United States Artists. The Andrew W. Mellon Foundation contributed $5 million to the fund, the other half of which was matched by various U.S. foundations.

Practicing artists who are twenty-one or older, able to receive taxable income in the United States regardless of their citizenship status, and have lived and worked primarily in the United States over the last two years are eligible. The fund is open to artists who work in the disciplines of craft, dance, design, film, media, music, theater and performance, traditional arts, visual art, and writing.

Using Submittable, submit a brief bio and description of your artistic practice and financial situation. Visit the website for complete guidelines and eligibility requirements.

The funds will be administered over the course of five application cycles during the next six months. Artist Relief coalition partners and representatives from collaborating cultural organizations across the country will review applications every week; once accepted, grantees will receive funds within two weeks. The fund organizers plan to administer at least a hundred grants every week.

In addition to the emergency relief fund, the Artist Relief initiative will serve as an informational resource, and will collaborate with Americans for the Arts to launch the “COVID-19 Impact Survey for Artists and Creative Workers” to assess and address the needs of artists.

“In hard times like these, we turn to the arts to illuminate and help us make meaning and find connection. Without immediate intervention, individual artists and the arts ecosystem of which they are the foundation could sustain irreparable damage,” says Elizabeth Alexander, the president of the Andrew W. Mellon Foundation. “As artists confront these new fiscal realities, we are proud to support this vital effort to address artists’ urgent needs. We call on others to join us in supporting artists so they may continue to be our lights, chroniclers, and connectors throughout this crisis and beyond.”

As we celebrate National Poetry Month, I wanted to pause for a moment in the blog to talk about how writers in New Orleans are adjusting to the COVID-19 restrictions.

Like in many cities, writers in New Orleans are adapting to stay-at-home orders by hosting readings and other literary events virtually. Whether you were ready to leap into the virtual world and take on technology or not, we have suddenly become each other’s online audience.

Although I miss browsing my local bookstores and bumping into writers while attending events, this online surge of literary events has offered me the opportunity to hear and see more local writers without having to pick and choose what I can attend due to a busy schedule. Quarantine means I am able to experience hearing more from local and national writers from the comfort of my couch.

I have already joined a newly formed New Orleans poetry series Facebook Group, watched a fiction reading, and peeked in on a Zoom workshop of local writers. And I’m sure there’s more I’m forgetting to mention.

If you are organizing virtual literary events in New Orleans, reach out me at NOLA@pw.org. The Readings & Workshops program has recently updated its mini-grants to accommodate virtual literary programming and applications are open now. You can also view and list online events on the Literary Events Calendar. Enjoy online and stay safe.