This week, imagine you have been deprived of one of your senses for a year, and then suddenly regained it. What specific sensations might you have missed and be eager to experience again? Write a poem about the longing and appreciation for this sense, focusing on creating fresh and unexpected phrases and descriptions. For example, if you choose the sense of taste, how might you express the sweetness of something without using the word sweet?
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
Poets laureate traditionally compose and present ceremonial verse for official events and occasions, like a commemoration to the opening of a bridge or the unveiling of a monument. Write a poem dedicated to a familiar landmark as if you were introducing it to the world. You might research the actual historical significance, or invent a completely made-up history. What unexpected facts—real or imagined—would you include for future generations to learn about this particular landmark?
The tanka is a type of classical Japanese poem, most popularly known in its five-line form, with syllable counts of 5/7/5/7/7. In ancient Japanese tradition, the short poetic lines were exchanged between lovers in the morning, after spending an evening together. This week, try your hand at writing a tanka. Start with a concrete image or object you closely associate with a loved one. Then create a dramatic shift in thought or emotion to express the speaker's personal response. For inspiration, read examples of the tanka compiled by the Academy of American Poets.
"There's only one rule that I know of, babies—God damn it, you've got to be kind." Take to heart Kurt Vonnegut's words, from his 1965 novel, God Bless You, Mr. Rosewater, or Pearls Before Swine, and spread some kindness through your poetry. Pick someone you admire and write a poem to this person about all the things you want to say to him or her, no matter how personal or embarrassing. Try to avoid focusing on physical appearance or material possessions, and instead celebrate the personality traits or the fond memories you’ve shared. Consider sharing your poem with this person, or at least say some of the lovely things you’ve written to him or her. Kind words have such power; they can lift your spirits, boost your self-esteem, and even change your life—and your poem.
This week, concentrate on the sounds of words and pick four or five words that you love to hear and pronounce. Don't worry about whether these words are complex or commonplace, just focus on the way they sound when spoken aloud. Then using one as the title, incorporate these favorite words into a poem. Create a narrative if you wish, or allow yourself to focus completely on sound as you piece together your poem. Consider the similarities between the words you've chosen, in terms of their meaning and their internal music.
Consider someone you've been thinking about recently and write a poem as a tribute to her. Perhaps she did you a much-appreciated favor, paid you an unexpected visit, or just popped into your head as you went about your daily tasks. Take some time to consider what this person means to you and why you're thankful to have her in your life. Examine the bond between the two of you, and why you are important to each other.
Sometimes seemingly unrelated notions have surprising similarities. This week, take some strips of paper and write down the names of objects, places, and people. Throw them in a hat and draw out two at random. Then write a poem attempting to connect the two things you've selected. Perhaps you pick out "fireworks" and "lavender," or "honeybees" and "B. B. King"—stretch your imagination to its limits when considering their potential relationship.
“They are everywhere—those sunflowers with the coal heart center,” Eve Alexandra muses in her poem “Botanica.” A symbol of loyalty and longevity, sunflowers are considered among the happiest of flowers, and provide energy in both nourishment and vibrancy. Vincent van Gogh, Paul Gauguin, and Gustav Klimt famously represented these flowers in works of art, and they have cropped up in poems by William Blake and Allen Ginsberg. This week, incorporate sunflowers into a poem. Consider their bright yellow coloring, their sturdy stalks, and their delicious seeds.
Cervantes's short story The Glass Graduate recounts the tale of a man who was poisoned by a quince, intended to be an aphrodisiac, that brought about the delusion that his body was made of glass. This week, write a poem from the perspective of someone who believes his limbs could shatter with the slightest touch, and will not let others near him. Think about what would cause someone to think this way, and the limitations attached to this mindset.
Digital poetry is a form of electronic literature that incorporates the use of computers to display and interact with the work. Heavily influenced by concrete and visual poetry, digital poetry includes use of hypertext, computer generated animation, coding, and holograms. This week, look into some of the digital poems in the Electronic Literature Collection and brainstorm how you'd create one of your poems digitally. If you have programming skills, or know someone who does, put your plan into action and create your own piece of electronic literature!
Music and poetry both use sounds and lyrical passages to stir up emotion. This week, put on a piece of classical or instrumental music with a pen and paper nearby. While listening, jot down any ideas that come to you, any emotions you experience, any images you see. Once the piece ends, play it from the beginning and start writing a poem that embodies the music. Let your syntax mirror the music's movement, your sounds blend and layer like the instruments in an orchestra, and your themes evoke the story within the piece of music you've chosen.
This week, construct a poem as if the words that comprise it are three-dimensional. Imagine their shape, their heft -- how you must manipulate them in space to build your poem. Then print words on index cards or construct three-dimensional shapes out of cardboard and sculpt your poem with the words and shapes you've chosen.
This week, try creating your own erasure poem. First, select a page of text. This could be from a book, newspaper, computer printout, advertisement—anything that's handy. Then, take a pencil and circle the words in the text that will comprise your poem and draw a line through all the words you want to exclude. Take a thick black marker and color over the words you had drawn a line through, leaving the circled words untouched. For inspiration, read from Austin Kleon's book Newspaper Blackout (Harper Perennial, 2010).
Robert Frost wrote “Stopping by Woods on a Snowy Evening” in one night while looking out the window by his desk. This week, allow yourself a moment to gaze out the window. Write a poem reflecting on what you see by creating a narrative around it. From the mailman dropping off a package across the street to the stray cat lounging on your sunlit porch, pick a character to observe and meditate on his or her perspective.
Surprise a friend or loved one with a spontaneous poem today. Perhaps you've been very busy and haven't spoken to a friend in a while. Write her a little poem to catch her up on what's been going on with you and drop it in the mail. Or maybe your grandmother is in need of some cheering up. Read her a few lines over the phone to make her laugh. Don't put too much thought into rhyme scheme or structure; just go with the flow.
It is rare for a solar eclipse to occur on the same day as the spring equinox, which is exactly what happened last Friday. Astrologers predicted this day would bring forth a major turning point in our lives, the end of a cycle and the beginning of a new phase. This week, write a poem about what you think this rare event might symbolize. For inspiration, read about how eclipses have been viewed throughout history, and what our ancestors might have thought about this occurrence.
These days, friendships are often formed over the Internet. Have you corresponded with someone via a social networking site or dating site who you’ve never met in person? This week, write a poem about what you imagine meeting this person would be like. If you’ve never seen a picture of him or her, write about what you think this person looks like based on how he or she writes.
This past Sunday was International Women’s Day. The theme for 2015 was “Make it Happen,” a slogan encouraging effective action for advancing and recognizing women. This week, write a poem celebrating the achievements of women. Write about the accomplishments of women in your community, or a woman you think deserves recognition for her strength of character and outstanding achievements.
“It was so overwhelming.… It’s hard to put into words because, for the first time in thirty-three years, I’m seeing light.” Jerry Hester is the first patient in North Carolina to receive the Argus II Retinal Prosthesis System, the world’s first FDA-approved device that restores vision to the blind. This “bionic eye” helps people with retinis pigmentosa recognize light. This week, try to put into words the experience of seeing light for the first time after years of darkness.
“When you cut into the present, the future leaks out,” William S. Burroughs stated about the cut-up technique. This method of writing poetry uses the cutting and layering of pieces of printed text to reveal meaningful insight. This week, take a printed work of writing and tear it apart. Then reassemble it in a fashion that communicates something deeper. With some clever rearranging, these cut-up words and phrases will reveal their own message.
This week, write a poem about your name. When you were born, you were given a name before beginning to develop a sense of self. Have you grown into your name, or have you always resisted it? Knowing who you are today, where you’ve come from, and where you see yourself going, would you choose a different name for yourself?
The ancient Greeks believed that the heart is the seat of everything, not only emotion but reason as well. The Romans then developed an entire theory around the circulatory system, concluding that the heart is where emotions take place, while rational thought occurs in the brain and passions originates in the liver. Today, despite developments in medicine and technology, the heart is still used as the universal symbol for love. This week, write a poem about your theory of where love originates. If you feel it comes from the heart, write about why you think this idea has endured for so long.
Go to your bookshelf and pick out one of your favorite books. It doesn't have to be a poetry collection—any book will do. Write down the first line and the last line of the book. Use the last line of the book as the first line of your poem. Then, write until the first line of the book makes sense to use as the end of your poem. Use the lines as guides for a start and finish, but give your poem a unique theme, different from the original book.
This week, the Northeast was pummeled by a sizable winter storm that accumulated many ominous names. This week, write a poem about an imaginary, absurdly catastrophic blizzard. You can call it whatever you like, but here are some suggestions to help guide you: "snowmageddon," "snowzilla," and the bone-chilling "snownado." What is special about this storm, giving it the potential to be the storm of the century?
There are certain words and phrases that are always used when discussing head colds, migraines, sprained ankles, and other ailments. This week, write a poem about an illness or injury without using the medical language commonly associated with it. For example, if you’re writing about a sinus infection, try avoiding the diagnostic terms “pressure” and “congestion,” and instead describe the symptoms using more metaphorical language. Have fun with it, like Ogden Nash did.