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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“In my mid-thirties, I started jogging and, shortly thereafter, I began a new novel. My wife, Thisbe, and I had recently bought our first house in the Catskills, some three miles from Woodstock. I’d finished but failed to publish three earlier novels. I always hated jogging.
“Because so much of the writing life takes place in the mind, where risk taking requires acts of mental and emotional bravery, I am inspired by people whose work requires physical courage and endurance.
“That Ornette Coleman’s music is not for everyone is the whole point. Because sometimes the most liberating thing of all is remembering that you can’t please everyone.
“In times of struggle, sadness and turmoil, personal or political, I find it hard to concentrate on writing. Writing feels useless and indulgent at the same time. It is precisely at that moment when I am hurting the most that I try to remember to take a breath and give myself a moment to grieve.
“Staying fresh and inspired as a writer can be as simple as hopping in the car, driving around, and maybe even getting into a little adventure.
“Three years ago I picked up Marjorie Welish’s third book of poetry, The Windows Flew Open (Burning Deck, 1991), in a used bookstore in the Midwest as I was preparing to move away. I’d never read a word by her nor had anyone recommended it to me.
“One of the hardest things about daily writing is getting back in, reconnecting with the page and your work. Far easier to fall down some Internet rabbit hole, and avoid it all. Meanwhile, your dog isn’t going to write your novel for you (if only).
“When my words are jammed, I like to draw or paint. It’s a relief to let go of language for a few hours and work using light and shade. Drawing always feels more physical than writing—it clears my mind. Many of my blocks come from anxiety about whether I can excel as a writer.
“Writing of any real consequence has to be brave. It has to take chances. For a long time, I thought being brave as a writer meant being experimental. But, actually, bravery is not necessarily about experimenting as much as it is about risk.
