Genre: Fiction

Totem

Write a story in which one of the following objects triggers a flashback: a child’s keyboard, a bag of Werther’s Original Caramels, a taxidermied animal, a bar of lavender soap, or an old travel brochure.

He Said, She Said

Write a story in which you present no detailed descriptions of the characters, major or minor. The information the reader gleans about the characters in the story—their motivations, their gender, their personalities, even their looks—must be conveyed entirely through what they say. Observe how this reliance on dialogue changes the way you go about structuring the story.

Randall Horton on Community Building in Syracuse

Poet Randall Horton blogs about his experience at an annual P&W–funded event at the YMCA's Downtown Writers Center in Syracuse. Horton is the recipient of the Gwendolyn Brooks Poetry Award, the Bea Gonzalez Poetry Award, and the National Endowment of the Arts Fellowship in Literature. A Cave Canem Fellow and member of Affrilachian Poets, Horton's lastest poetry collection, Pitch Dark Anarchy, will be published by Northwestern University Press in Spring 2013.

Recently, I had an opportunity to do a reading at the Downtown Writer's Center, located at the YMCA in downtown Syracuse. Each time I read in this series, which is supported by Poets & Writers, I come away not only impressed with the reading series itself, but also with the organization's commitment to running community-based workshops. Often times, the poets invited to the reading series have published books that are taught by passionate teachers who are poets and prose writers themselves, such as the wonderful teachers Georgia Popoff and Jennifer Pashley. I often find the people who are taking these workshops have various life experiences. The DWC is for everybody, but it pays close attention to the communities that are often excluded because of economic and educational factors.

Founded by poet Philip Memmer in January 2001, the DWC is the only community literary arts program in the central part of the state, and serves several hundred writers and readers each year through a variety of programs. It offers more than sixty creative writing courses each year (including "DWC PRO," a creative writing certificate program modeled after more traditional MFA writing programs), and typically hosts twenty-five or more authors each year for readings and other events. The program is part of the YMCA National Writer's Voice network of literary centers, which was founded over thirty years ago by the late Jason Shinder. I asked Phil to explain the primary goals of the Downtown Writer's Center, and he replied, “Our primary goals are to help emerging and literary authors develop audiences for their work, and to assist aspiring writers achieve their own artistic goals." 

The night I read there was an energetic and attentive audience. I would like to think more than anything, we had a shared experience. During the question and answer period, because some of them had been in a class that taught my book, we were able to examine my work in a way that I found extremely helpful. There is an audience in Syracuse. The converted may come one at a time, but they do come.

Photo: Randall Horton.  Photo credit: Rachel Eliza Griffiths

Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.

Philip Gourevitch

Caption: 

Appearing on The Paul Holdengraber Show, the former editor of the Paris Review and the author of The Ballad of Abu Ghraib (2008), A Cold Case (2002), and We Wish To Inform You That Tomorrow We Will Be Killed With Our Families (1998), which tells the story of the 1994 Rwandan Genocide, Philip Gourevitch talks about archetypes, James Brown, Jonah and the whale, and more.

Man Booker Prize Announces Longlist

The much anticipated longlist for the 2012 Man Booker Prize—the United Kingdom's most prestigious literary award, given annually for a novel—was announced yesterday. Unlike previous years, when more established novelists comprised the longlist, many of this year's twelve contenders are emerging authors. Four of the titles are debuts, and three were published by small, independent presses.

“Goodness, madness, and bewildering urban change are among the themes of this year’s longlist,” said Peter Stothard, chair of the 2012 judges and editor of the Times Literary Supplement. “We did not set out to reject the old guard but, after a year of sustained critical argument by a demanding panel of judges, the new has come powering through.”

The finalists include: Nicola Barker for The Yips (Fourth Estate), Ned Beauman for The Teleportation Accident (Sceptre), André Brink for Philida (Harvill Secker), Tan Twan Eng for The Garden of Evening Mists (Myrmidon Books), Michael Frayn for Skios (Faber & Faber), Rachel Joyce for The Unlikely Pilgrimage of Harold Fry (Doubleday), Deborah Levy for Swimming Home (And Other Stories), Hilary Mantel for Bring up the Bodies (Fourth Estate), Alison Moore for The Lighthouse (Salt), Will Self for Umbrella (Bloomsbury), Jeet Thayil for Narcopolis (Faber & Faber), and Sam Thompson for Communion Town (Fourth Estate).

The shortlist, which will include six finalists culled by the judges from the original twelve, will be announced on September 11, and the winner will be announced on October 16. Each of the shortlisted writers is awarded £2,500, and the winner receives £50,000.

Along with Stothard, the 2012 judges include Dinah Birch, Amanda Foreman, Dan Stevens, and Bharat Tandon. “To maintain the consistent excellence of the Man Booker Prize,” states the prize’s mission, “judges are chosen from a wide range of disciplines, including critics, writers and academics, but also poets, politicians, and actors, all with a passion for quality fiction.”

Finalist Hilary Mantel won the prize in 2009 for her novel Wolf Hall (Fourth Estate), the first in a trilogy of which her current long-listed title is the second installment. Julian Barnes won the 2011 prize for The Sense of an Ending (Random House).

Established as the Booker Prize in 1969, the annual award is given to residents of the United Kingdom, the British Commonwealth, and the Republic of Ireland for a novel published in the previous year. The next Man Booker International Prize, which is given biennially to a novelist from any country—and which Philip Roth last won in 2011—will be held in 2013.

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