Digital Digest: Writers Rolling Back the Revolution
A look at the retro text editors and Web applications that more and more writers are using to roll back the reach of new media.
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A look at the retro text editors and Web applications that more and more writers are using to roll back the reach of new media.
In June the San Francisco–based nonprofit Internet Archive partnered with several libraries across the country to allow e-book lending, taking the next step toward creating a one-stop online portal for digital reading and offering a hint of the new role libraries may play as the screen displaces the printed page.
With support from several prominent American partners, Philips spinoff IREX Technologies entered the U.S. e-book market yesterday when it unveiled a device intended to compete directly with the Kindle and the Sony Reader. The IREX DR800SG, which features 3G wireless connectivity through Verizon and access to the recently launched Barnes & Noble eBookstore, will land in Best Buy stores late next month.
Online writing community Protagonize—a platform for collaborative, interactive fiction—announced last week that it will begin implementing an optional subscription system. While core services will remain free, paid accounts are set to include, among other features, ad-free browsing, personal blogs, and reader statistics.
In a bid to position itself alongside social networking phenomena like Facebook and Twitter, online publishing service Scribd unveiled a host of new social features yesterday. Users can now create personal reading lists, connect with those who share similar interests, and subscribe to instant updates from favorite authors, publishers, and even other readers.
Hoping to ramp up competition in the e-book arena, Sony announced the launch of a new—and less expensive—line of digital readers on Tuesday evening. The Reader Pocket Edition and Reader Touch Edition, priced at $199 and $299 respectively, will hit stores later this month. The company also said that its online store will knock two dollars off the cost of new and bestselling e-books, matching the $9.99 price Amazon set for Kindle titles in 2007.
Yet another contender entered the rapidly crowding e-book market yesterday when electronics giant Samsung announced the South Korean debut of its first e-book reader, the SNE-50K. The six-and-a-half-ounce device, which will retail for the equivalent of about $270, is not expected to reach the American market until 2010.
For those unaccustomed to absorbing more than 140 characters at a sitting, Penguin is set to release a volume that pares classic books down to a series of tweet-sized chunks. Twitterature, the brainchild of two University of Chicago freshmen, promises to deliver works by Dante, Shakespeare, Stendhal, Joyce, and J. K. Rowling in no more than twenty tweets apiece.
Between January and April, Oxford University Press added 1.5 million public “tweets” to its Oxford English Corpus, a vast electronic database that collects examples of words in context. Among the findings: Language use on Twitter tends to focus on the self and the present, while the social networking service’s insistence on brevity gives rise to some creative solutions.
Many in the publishing industry now consider Twitter—as they do Facebook, MySpace, and YouTube—an essential marketing venue for books and authors. But authors hoping to tweet their way to the social-networking top need more than a Twitter account—they need a game plan.