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The Hollywood Reporter examines what happens when book publishers take control of film production; the significance of John Berryman’s The Dream Songs; Laura Miller weighs in on the death of chick lit; and other news.
Novelist Patricia O’Brien was having a difficult time landing a publisher for her sixth book, until she chose the pseudonym Kate Alcott; Little, Brown will publish a novel intended for adults by J. K. Rowling; the Millions asks, "Where do you write?" and provides intimate details of the work spaces of its writers; and other news.
After listening to Ira Glass, the inimitable host and producer of the radio and television show This American Life, talk about what it takes to be a good storyteller, David Shiyang Liu created this graphic representation of Glass's words of wisdom.
Read the newspaper today and note the articles that you're most interested in reading. From those, choose a theme or concept that characterizes one or some of them, such as corruption, crime, war, love, or politics. Freewrite about the theme you've chosen, focusing on the articles you've read, your personal experience, and other anecdotes. Then craft an essay titled "Five Things I Know About [Your Chosen Theme]," in which you further explore what you've discovered by reading, thinking, and freewriting.
Yesterday the Los Angeles Times announced the shortlists for its 2011 Book Awards, given in ten categories including poetry, fiction, biography, and the graphic novel.
The finalists in poetry are Jim Harrison for Songs of Unreason (Copper Canyon Press), Dawn Lundy Martin for Discipline (Nightboat Books), Linda Norton for The Public Gardens (Pressed Wafer), and 2011 National Book Award finalists Carl Phillips for Double Shadow (Farrar, Straus and Giroux) and Bruce Smith for Devotions (University of Chicago Press), which is also on the 2011 National Book Critics Circle Award shortlist.
In fiction, Joseph O’Connor is shortlisted for Ghost Light (Frances Coady Books), Michael Ondaatje for The Cat’s Table (Knopf), and Alex Shakar for Luminarium (Soho Press), as well as National Book Award finalists Julie Otsuka, for The Buddha in the Attic (Knopf), and Edith Pearlman, for Binocular Vision: New and Selected Stories (Lookout Books). Debut authors up for the Art Seidenbaum Award for First Fiction are Chad Harbach for The Art of Fielding (Little, Brown), Eleanor Henderson for Ten Thousand Saints (Ecco), Ben Lerner for Leaving the Atocha Station (Coffee House Press), Ismet Prcic for Shards (Black Cat), and James Wallenstein for The Arriviste (Milkweed Editions).
Up for the graphic novel honor are Joseph Lambert for I Will Bite You! And Other Stories (Secret Acres), Dave McKean for Celluloid (Fantagraphics), Carla Speed McNeil for Finder: Voice (Dark Horse), Jim Woodring for Congress of the Animals (Fantagraphics), and Yuichi Yokoyama for Garden (PictureBox). The award, the first major literary award given for the graphic novel form, is now in its third year.
Representing creative nonfiction on the biography shortlist are Alexandra Styron's memoir Reading My Father: A Memoir (Scribner) and Mark Whitaker's My Long Trip Home: A Family Memoir (Simon & Schuster). The late biographer Manning Marable, whose Malcolm X: A Life of Reinvention (Viking) was a 2011 National Book Award finalist and is shortlisted for the National Book Critics Circle Award, is also nominated in the biography category.
The winners will be announced at a ceremony on April 20, just prior to this year's Los Angeles Times Festival of Books, which comes to the University of Southern California on April 21 and 22. Alongside the winners, the Times will honor novelist Rudolfo Anaya, who debuted in 1972 with the novel Bless Me, Ultima (Quinto Sol Publications), with the Robert Kirsch Award for lifetime achievement.
In the video below, Anaya reads from his novel Albuquerque (Warner Books, 1994) and discusses the importance of place to a writer.
Legendary Grove Press publisher Barney Rosset has passed away at the age of ninety; novelist Chuck Wendig offers twenty-five tips for aspiring writers; Tin House offers a tongue-in-cheek field guide to the upcoming AWP conference; and other news.
The Washington Post fiction critic Ron Charles stars in this addition to the current video craze that has produced such gems as the recently released Sh*t Agents and Editors Say.
Take a working draft of one of your stories and reorder the structure—write it from the end to the beginning, use flashbacks to rearrange the timeline, or tell the story using some other kind of organizational principle, such as using short sections with subtitles.
David Foster Wallace at fifty; novelist Ann Patchett spoke with Stephen Colbert about why she opened an independent bookstore; the London Review of Books looks at the international popularity of Homer; and other news.
In the studio to record the audio version of his lastest book, the story collection What We Talk About When We Talk About Anne Frank, Nathan Englander discusses the impetus for essentially rewriting Raymond Carver's famous story with the Holocaust in mind.
