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Elissa Washuta
"Still I miss those frightening times, those ugly moods, that mix of irrational up and devastating low. I miss them because they were mine." Elissa Washuta's memoir, My Body Is a Book of Rules, will be published by Red Hen Press in August.
Harvill Secker Young Translators’ Prize Open for Submissions
The Young Translators’ Prize, sponsored by Harvill Secker, a British imprint of Random House, is currently open for submissions. The annual prize is given to an emerging translator, ages 18 to 34, for the translation of a specific story into English. The winner will receive £1,000 (approximately $1,360), a selection of Harvill Secker titles, and airfare and lodging to participate in the Crossing Border Festival held in November 2014 in The Hague, Netherlands. The winner will also be invited to participate in the British Center for Literary Translation’s mentorship program with translator and judge Shaun Whiteside.
This year’s prize will be given for a translation from the German of the story “Der Hausfreund” by German fiction writer Julia Franck. Submit a translation with the required entry form by postal mail to Harvill Secker, Random House Group Limited, 20 Vauxhall Bridge Road, London SW1V 2SA, England. The postmark deadline is August 1; there is no entry fee. Joint translations are eligible. Translators who have not published a book-length work of translation are eligible. Fiction writer A. S. Byatt, translators Sally-Ann Spencer and Shaun Whiteside, and Harvill Secker editor Ellie Steel will judge. The winner will be chosen in September.
Julia Franck has published two novels in German: The Blind Side of the Heart (Vintage Books, 2009), about a German family during the Cold War, and Back to Back (Vintage Books, 2013), about a German family during World War I and II. English translator Anthea Bell has translated her novels into English. Franck said in an interview with the British organization Booktrust, “Translations are a gift—especially if we can’t read other languages. Reading is always a chance to learn about other lives, cultures, and human beings. Through language we can get to know another way of thinking, a way of looking, and when a book strikes us, it is as if we have a few hours of a completely different life.”
Established in 2010, the prize is cosponsored with the British Centre for Literary Translation and, starting this year, the Goethe-Institut London. The prize, which honors translations from different languages each year, has been awarded to translators of Portuguese, Chinese, Arabic, and Spanish.
Lucy Greaves of Bristol, England, won last year’s award for her translation from the Portuguese of Adriana Lisboa’s story “O sucesso.” Ninety-two entries from nine countries were submitted for the prize. Greaves’s winning translation can be read on Granta, which has published the translations of all four previous winners.
Photo: Julia Franck, credit Mathias Bothor
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Tracy K. Smith
"In my own writing, I feel safest when I'm farthest from what I know." Tracy K. Smith reads "Digging" by Seamus Heney, the poem she feels "invited her to start writing poetry," and from "My God, It's Full of Stars," a poem she wrote about her father. This video, part of the P.O.P. series, was shot and edited by Rachel Eliza Griffiths in collaboration with the Academy of American Poets.
Showcasing Senior Writers
Paula Rodenas is the author of The Random House Book of Horses and Horsemanship and a freelance writer for numerous magazines and newspapers, including Town & Country, Travel & Leisure, and the Horse Directory. She has edited books for Arco and Exposition Press and received awards from the Press Club of Long Island. She teaches creative writing for local adult education programs, and for more than twenty years has led the Merrick Senior Center’s Creative Writing Workshop, a sixteen-week program sponsored by Poets & Writers and the Town of Hempstead Department of Senior Enrichment. A lifelong horse lover, much of her subject matter as a writer has involved horses and she currently contributes to a thoroughbred racing column for a magazine in Long Island, New York. Rodenas has been invited to many foreign press trips for her work as a journalist.
Anyone who believes senior citizens cannot learn and improve should think again!
I have been leading a creative writing workshop for people ages sixty and up at the Merrick Senior Center for more than twenty years. I’ve always enjoyed one-on-one relationships with other writers and this workshop allows me the opportunity to share and appreciate the progress of the participants.

Each week I give an assignment, but I emphasize that it is more of a guideline than a “must.” We have produced poetry, prose, memoirs, fiction and, for the stage, short dialogues or mini-plays that we call “vignettes.” The work is read aloud and critiqued by members of the group with a positive approach, building upon the foundation as opposed to tearing it apart.
The program presently runs for sixteen weeks each year between late February and mid-June, and meets once a week for two hours. At the end of the sessions, we hold a presentation at our local community theater, the Merrick Theater and Center for the Arts, offering free admission to the public, followed by an informal coffee hour. This enables the writers to mingle with the audience. We also publish a booklet in the fall entitled, “Musings of Maturity” which contains our most recent writings. We thus have two venues, one audio and one visual, in which to feature our work.
Our program has been well-received within the community. In 2012, we were featured in a special weekend edition of the Long Island newspaper, Newsday. In 2013, we made the front page of the Herald Weekly. Our theater presentations have been recorded and sent to nursing homes, and “Musings of Maturity” is shared with local libraries.
What makes our group special is a strong camaraderie that makes it feel like family. Deep emotions are often revealed—there are tears and laughter. Older writers draw on a lifetime of experience and wisdom. Our participants have an optimistic outlook, remembering the past, but also thinking ahead. Writers of any age need support and encouragement, and it has been a pleasure to see senior writers develop and gain recognition in the community.
Photo: Paula Rodenas and the Merrick Seniors. Photo Credit: Nat Watson.
Support for Readings & Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.
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There's Nothing
"There's nothing I can tell you that you don't already know." Leah Browning's meditative poem "There's Nothing" is portrayed in this clip from Poetry Storehouse. Browning's third chapbook, In The Chair Museum, was published by Dancing Girl Press in 2013.
New York City: Literary Agents 9.8
Poet Frank Bidart (left) and novelist William Giraldi field questions from the audience during a Q&A session following Bidart's poetry reading on June 21, 2014.



