NYFA Gives Grants to Eighteen New York Poets, Fourteen Nonfiction Writers

A recent survey conducted by the New York Foundation for the Arts (NYFA) suggests that half of the artists living in New York State make less than twenty-five thousand dollars per year. Whether or not any of the 134 individuals who were recently awarded NYFA's annual fellowship grants fall into that category is unknown, but all of them will no doubt benefit from the unrestricted grants worth seven thousand dollars each.

The grants were given in eight categories, including film, digital/electronic arts, and interdisciplinary work. The fellows in poetry are E. J. Antonio, Edmund Berrigan, Tina Chang, Monica de la Torre, LaTasha Diggs, Marcella Durand, Alan Gilbert, Jennifer Hayashida, Lisa Jarnot, Mara Jebsen, Suji Kim, Anna Moschovakis, Willie Perdomo, Julie Sheehan, Patricia Smith, Sue Song, Paige Taggart, and Anne Tardos.

The fellows in nonfiction literature are Jo Ann Beard, Allison Cobb, Sarah Dohrmann, Ellen Graf, Sabine Heinlein, Hettie Jones, Jessica Lamb-Shapiro, Andrew Postman, Sharifa Rhodes-Pitts, Phillip Robertson, Gabrielle Selz, Ginger Strand, Rene Vasicek, and Eben Wood.

Fellowships are awarded to writers and artists at all career levels and are intended to give them the means to continue making work despite financial restraints.

Simon & Schuster Partners With Scribd

by Staff
6.15.09

Simon & Schuster has become the first major publisher to sell its titles through the online document-sharing service Scribd. Under the terms of a partnership announced on Friday, nearly five thousand e-books from the Simon & Schuster catalogue are being made available for purchase on the site, along with digital previews of thousands more.

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Debut Author From Boston Wins World's Richest Literary Prize

A debut novelist who was born and raised in Boston and lives in New York has been chosen from nearly 150 nominees from 41 countries as winner of this year's IMPAC Dublin Literary Award. Michael Thomas won the prize—worth 100,000 euros, or nearly 140,000 dollars—for his first novel, Man Gone Down (Grove, 2007). He beat eight semifinalists, including Junot Díaz (The Brief Wondrous Life of Oscar Wao), Mohsin Hamid (The Reluctant Fundamentalist), and David Leavitt (The Indian Clerk).

This year, as has been the case so many times in the past, readers from every corner of the world have uncovered wonderful novels that otherwise may never have grasped public attention," Dublin mayor Éibhlin Byrne said yesterday. 

Previous winners of the award, given annually since 1996 for a single work of fiction published in English, include Colm Tóibín for The Master and Edward P. Jones for The Known World. Rawi Hage won last year for his debut novel, De Niro's Game.

Zak Smith 9

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

Zak Smith 8

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

Zak Smith 7

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

Zak Smith 6

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

Zak Smith 5

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

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