Jump to navigation Skip to content
Think about a conflict you had with someone in the past that left you feeling especially wronged or misunderstood. Write a story from the other person's perspective, fictionalizing the details of that person's character. Create the story behind why this person did what they did or said what they said.
Kicking off the Los Angeles Times Festival of Books this past weekend, a collection of standout books published last year were honored at the thirty-second annual Los Angeles Times Book Prizes.
In poetry Carl Phillips won for his eleventh collection, Double Shadow (Farrar, Straus & Giroux). The book was a contender last year for the National Book Award, along with another Times Book Prize finalist, Bruce Smith for Devotions (University of Chicago Press). Also shortlisted for the Times honor were Jim Harrison for Songs of Unreason (Copper Canyon Press), Dawn Lundy Martin for Discipline (Nightboat Books), and Linda Norton for The Public Gardens (Pressed Wafer).
Alex Shakar won in fiction for Luminarium (Soho Press), his second novel after 2001's The Savage Girl (Harper). The finalists were Joseph O’Connor for Ghost Light (Frances Coady Books) and Michael Ondaatje for The Cat’s Table (Knopf), as well as National Book Award finalists Julie Otsuka for The Buddha in the Attic (Knopf) and Edith Pearlman for Binocular Vision: New and Selected Stories (Lookout Books), which won the National Book Critics Circle Award.
The Art Seidenbaum Award for First Fiction went to Ismet Prcic for Shards (Black Cat). Prcic's novel won out over Chad Harbach's The Art of Fielding (Little, Brown), Eleanor Henderson's Ten Thousand Saints (Ecco), Ben Lerner's Leaving the Atocha Station (Coffee House Press), and James Wallenstein's The Arriviste (Milkweed Editions).
The winner of the third annual prize in the graphic novel is Carla Speed McNeil for Finder: Voice (Dark Horse). Previous winners in the category include Adam Hines for Duncan the Wonder Dog (AdHouse, 2010) and David Mazzucchelli for Asterios Polyp (Pantheon, 2009).
The book prizes honor titles published in the previous year in twelve categories. For a list of all the winners, visit the award website.
Jean Grau, author of the poetry collection Riverbend, is a storyteller in poetry and prose. A native of New Orleans, P&W has co-sponsored her readings at local nursing homes and public libraries since 2008. We asked her a few questions about her work with seniors. 
Why have you chosen to work with seniors?
My parents respected life in all its stages. I do, too. Seniors are special to me because of their experience, strength, and courage.
What are your reading dos and don’ts?
Wear bright, happy clothes. Make sure those with hearing problems are in the front. Move. Enjoy the poetry, along with the audience. Never forget readings are command performances for very special people. I avoid depressing subjects, except for the adventurous group at The Shepherd Center, whose motto is: "Bring it on. We can handle it."
How do you and your audience benefit from the live reading experience?
I benefit by feeling useful and helpful. They receive mental and emotional stimulation. Even the very sick enjoy the rhythm and soothing properties of poetry.
What are some of the most memorable moments in your work with seniors?
My second book is based on exhibits traveling to the New Orleans Museum of Art, including one that featured Fabergé eggs. On a beautiful spring day at the nursing home St. Anna's Residence, a small group had assembled in the front yard to hear me read these poems. As the activity director began to pass around foot-high color photos of the Fabergé eggs, loud “oohs” and “ahs” began. Attendants who had chosen not to attend the reading came running out, pushing their charges. There was such a commotion. Some workmen "discovered" they had to walk slowly by.
At another event, there was a paralyzed gentleman in intensive care. His head was in a brace, but his eyes were bright and alert as he listened intently. At the end of my presentation, he said in a clear, gallant voice: "Thank you for a great, an animated, flawless performance." He made me feel as though I were on the stage at Lincoln Center taking my bows.
What do you consider to be the value of literary programs for your community?
Everyone needs beauty. So many people tell me that in grade school they enjoyed poetry, but in high school they stopped. Readings reintroduce people to the intellectual stimulation, the emotional comfort, and the rhythm and music of poetry.
Photo: Jean Grau. Credit: Patricia Senentz.
Support for Readings/Workshops events in New Orleans is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
In the latest installment of his hilarious Failed Writer Series, Yuvi Zalkow applies to writing a concept he (thinks he) learned from Malcolm Gladwell's Outliers: It takes approximately ten thousand hours to master a particular craft. "Just focus on getting stuff written," he concludes, "and maybe not as much about achieving fame and fortune."
Aimee Phan, author of The Reeducation of Cherry Truong, wrote in Writers Recommend, "I don’t intentionally scrapbook for inspiration, but that always ends up happening. I will see a graphic or image, or hear a song on the radio, and start to collect them for characters whose perspectives I am about to inhabit." Adopt Phan's practice as your own this week. Collect images, songs, magazine articles, matchbooks, etc., and begin to image how these items inform the perspective of a character you want to write about. After a week of collecting, write a character sketch.
This video by Gavin Edwards is one of the entries in an international competition, sponsored by The Literary Platform, for the best animation of a 1993 audio recording of the late British author Douglas Adams (The Hitchhiker's Guide to the Galaxy) predicting the invention of the e-book.
The Twittersphere heated up this afternoon after news broke that no Pulitzer Prize would be awarded for fiction published in 2011. The finalists for the award, also revealed today, were Denis Johnson for Train Dreams (Farrar, Straus and Giroux), Karen Russell for Swamplandia! (Knopf), and the late David Foster Wallace for The Pale King (Little, Brown). No explanation has been given regarding the decision to withhold the prize, a move that last occurred in 1977, except that the choice was up to the Pulitzer board, and not this year's judges, Maureen Corrigan, Michael Cunningham, and Susan Larson.
On Twitter, Publishers Marketplace news editor Sara Weinman (@sarahw) inquired, where does the money go, if no prize is given? (Each winner receives ten thousand dollars.) Beatrice.com creator Ron Hogan (@RonHogan) bemoaned the perceived necessity of such a prize altogether, writing, "But, but, if we don't have a Pulitzer-winning novel, nobody will get the sales boost, and publishing will be DOOOOOMED! #waaah." Public relations maven Kimberly Burns (@kimberlyburnspr) offered a similar sentiment: "No #Pulitzer for fiction means go to an independent bookstore & ask a bookseller for a recommendation."
But amid the chatter over the Pulitzer in fiction, plenty of attention was sent the way of poetry prize recipient Tracy K. Smith, whose win for Life on Mars (Graywolf Press) came on, of all days, her birthday. The finalists in poetry, also published by small presses, were Forrest Gander for Core Samples From the World (New Directions) and Ron Padgett for How Long (Coffee House Press).
Stephen Greenblatt took the prize in general nonfiction for his National Book Award-winning The Swerve: How the World Became Modern (Norton). The finalists were Diane Ackerman for One Hundred Names For Love: A Stroke, a Marriage, and the Language of Healing (Norton) and Mara Hvistendahl for Unnatural Selection: Choosing Boys Over Girls, and the Consequences of a World Full of Men (Public Affairs).
The Pulitzer Prizes are given annually for books published in the previous year by American authors.
In the video below, Smith discusses Life on Mars, including what Planet of the Apes and 2001: A Space Odyssey have to do with her winning collection.
Someone's been reading a little too much Sartre! Enjoy your obligatory cat Clip, in which a French feline articulates the pain of existence.
The shortlist for the 2012 IMPAC Dublin literary prize was revealed today, highlighting ten authors with notable novels released in English in 2010. Among the finalists for the international honor, which annually awards one hundred thousand euros, are three Americans, Jennifer Egan, Karl Marlantes, and Willy Vlautin.
Egan is named a finalist for A Visit From the Goon Squad, which took both the National Book Critics Circle and the Pulitzer Prize last year. Marlantes makes the shortlist with his much-lauded debut, Matterhorn (Atlantic Monthly Press/El León Literary Arts) which won the Center for Fiction First Novel Prize in 2010. Vlautin joins the ranks with his third novel, Lean on Pete (Harper Perennial).
Among the international novels up for the award are Rocks in the Belly, the debut of British author Jon Bauer; The Matter With Morris by Canadian David Bergen; The Memory of Love by British and Sierra Leonean author Aminatta Forna; Even the Dogs by British author Jon McGregor; and Landed by British author Tim Pears. Two translations also made the list, Limassol by Yishai Sarid, translated from the Hebrew by Barbara Harshav, and The Eternal Son by Cristovão Tezza, translated from the Portuguese by Alison Entrekin.
The finalists were culled from a longlist of 147 titles nominated by libraries in twelve countries. The winner of this year's prize will be announced on June 13.
In the video below, Vlautin discusses the obsession behind his shortlisted novel—and sings a song about it.
In this video the Associated Press offers a summary of yesterday's announcement that the Justice Department is suing five major publishers and on price-fixing charges. HarperCollins, Hachette, and Simon & Schuster settled the charges Wednesday, leaving Penguin, Macmillan, and Apple in what could be a protracted legal fight.
