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In her new novel, published last month by Little, Brown, Harriet Lane examines a complicated friendship between two women from different worlds. In alternate chapters, the same events are told from the separate perspectives of the two main characters.
The London native and youngest writer on Granta's list of the best young British novelists in 2013, reads from his latest novel, Glow (Knopf, 2015). The Bookshop Band performs a song inspired by Beauman's book called "We Are the Foxes."
“Glitter bombing” is an act of protest in which activists throw glitter on specific targets at public events. You can also “glitter bomb” people through the mail. Many websites offer to ship your enemies spring-loaded letters filled with the invasive craft supply, for a nominal fee. This week, write a scene in which one of your characters gets glitter bombed. Consider the location, the method used, the perpetrator, and how this character would respond to being covered in glitter. Was this act just a harmless prank, or something more serious?
Sharma Shields introduces and reads from her novel The Sasquatch Hunter's Almanac from the woods of Spokane, Washington. The book was released today by Henry Holt.
Submissions are currently open for the Chicago Tribune’s Nelson Algren Literary Awards. The annual prize is given for a short story written by a U.S. writer. The winner will receive $3,500 and possible publication in the Chicago Tribune’s weekly literary supplement, Printers Row Journal. Four finalists will each receive $1,000, and five runners-up will each receive $500.
Using the online submission system, submit a story of up to 8,000 words by Saturday, January 31. There is no entry fee. A panel of fiction writers and literary professionals will judge; the winners will be announced by June 1.
Ben Hoffman won the 2014 prize for his story “This Will All Be Over Soon,” about a man coping with the kidnapping of his wife. After four rounds of judging, judges Yiyun Li, Peter Orner, and Roxana Robinson selected Hoffman’s story from twenty-four hundred entries, almost double the number of entries in 2013. Other recent winners include Erika Schmidt, Jeremy T. Wilson, and Billy Lombardo.
Established in 1981 by Chicago Magazine and administered by the Chicago Tribune since 1986, the Nelson Algren Short Story Award has helped launch the careers of writers such as Stuart Dybek, Kim Edwards, and Louise Erdrich. The prize is named after American fiction writer Nelson Algren (1909–1981), who wrote several novels including The Man With the Golden Arm (1949) and A Walk on the Wild Side (1956).
Photo: Nelson Algren (credit Stephen Deutch/Chicago Tribune)
Pulitzer Prize-winning author Junot Díaz talks about the impact comic books had on him as he was growing up, as well as their cultural and literary significance. His novel The Brief Wonderous Life of Oscar Wao (Riverhead Books, 2007) was just named the best novel of the twenty-first century to date by a BBC Culture critics' poll.
In the story you’re writing, is one of your characters confronting a major obstacle? Think reasonably about the obstruction, and whether your character is equipped to push on through. Some obstacles can’t be overcome without retreating back to the start. What does your character notice now that he or she missed before? What side streets and detours were not on the map the first time around? Write about this unexpected journey.
This week, take a straightforward scene you’ve been working on and insert an awkward mistake made either by a major or minor character. You know the kind, in which you suddenly find yourself apologizing for walking in on a private conversation, and when backing out of the room, you knock over an expensive vase. Or perhaps an innocent typographical error causes an incredible uproar that, even once corrected, isn’t quickly forgotten. Use this mistake to forward the main plot, introduce a subplot, or inject some lighthearted slapstick into your narrative.
The finalists have been announced for the 2014 Story Prize. The annual award is given for a book of short fiction published in the previous year, and carries with it a $20,000 purse.
The three finalists are The Other Language (Pantheon) by Francesca Marciano, Thunderstruck (The Dial Press) by Elizabeth McCracken, and Bark (Knopf) by Lorrie Moore. The finalists were chosen from among 129 books published by 85 different publishers or imprints in 2014, marking a record number of submissions for the prize, which celebrates its tenth anniversary this year.
For details on this year's finalists and their books, visit the Story Prize website. George Saunders won last year's prize for his collection Tenth of December. This is the first year since the award's inception, in 2004, that all three finalists have been women.
Founder Julie Lindsey and director Larry Dark selected the finalists. This year’s final judges—Boulder, Colorado–based bookseller Arsen Kashkashian, Center for Fiction director Noreen Tomassi, and author Laura van den Berg—will select the winner. The two runners-up will each receive $5,000.
The 2014 winner will be announced at an annual ceremony at the New School in New York City on March 4. The event is open to the public; tickets can be purchased at the New School box office or by phone at 212-229-5488.
Meanwhile, Kyle Minor’s second collection, Praying Drunk (Sarabande Books), was named the winner of the third annual Story Prize Spotlight Award, a $1,000 prize given for a short story collection worthy of additional attention. Dark and Lindsey annually select the Spotlight Award winner from among the regular pool of Story Prize entries. Listen to Minor read from Praying Drunk as part of Poets & Writers Magazine’s Page One podcast series.
Photos above, left to right: Francesca Marciano (credit Laura Sciacovelli), Elizabeth McCracken (credit Edward Carey), and Lorrie Moore (credit Zane Williams).
Bryn Chancellor was selected as the 2014 Poets & Writers Maureen Egen Writers Exchange Award for fiction. Her story collection When Are You Coming Home? won the 2014 Prairie Schooner Book Prize and will be published by the University of Nebraska Press in 2015. Her short fiction has appeared in Gulf Coast, Blackbird, Colorado Review, Crazyhorse, Phoebe, and elsewhere, and her current projects include two novels. She has received a Literary Arts Fellowship from the Alabama State Council on the Arts, a fellowship and a project grant from the Arizona Commission on the Arts, and scholarships from the Bread Loaf Conference and Sewanee Writers’ Conference. A graduate of Vanderbilt University’s MFA program in fiction, she lives in Montevallo, Alabama, where she is an assistant professor at the University of Montevallo. A native of California who was raised in Arizona, Chancellor is married to artist Timothy Winkler.
The official WEX award letter from Poets & Writers arrived two weeks before I could tell anyone. For two weeks, I carried the letter, folded in quarters, in an inner zipped pocket of my purse, safe from rogue paper shredders or spontaneous toaster fires. I would take it out from the pocket in the mornings, as the Alabama sun snuck through the blinds, and I’d run my fingers over the words to make myself believe that it wasn’t some feverish insomniac dream. Then I folded the paper and tucked it away, as the world around me grew brighter.
Like most writers, I’m more familiar with another kind of letter, those with words such as: however, unfortunately, we’re sorry to inform you, please try us again. This letter, with its astonishing words—congratulations!, all-expenses-paid trip to New York City, a public reading, an honorarium, and a one-month residency at Jentel Artist Residency—well, no wonder I had to keep it close. Who could believe it? Not me. Certainly not my inner critic, who has all the charm of a paper cut: Oh, they must have made a mistake. It couldn’t be you; weird, frizzy-haired, middle-aged woman tapping out those stories. Puh-leese.
Believe it or not, I indeed went to New York City. I went with my carefully packed bag full of sales-rack clothes and one nice pair of shoes, my stomach tied in knots over a mostly finished novel that I wasn’t sure how to talk about, and terrified that everyone would take one look at me and voice my deepest writer fears: You? Ha! Hahahahahahaha!
Instead, I found kindness and generosity as luminous as the starry Grand Central ceiling. I found honest-to-God readers (many of whom are also writers or editors), toiling long hours and fighting the good fight, taking the time to talk with me about my work and the publishing world and the writing life. I crisscrossed the city by subway, by cab, and by foot, trying not to be gauche and gawp at the skyscrapers, at the everything. I shared great meals and coffee with great people, and I filled two tote bags with great books. I gave a reading at McNally Jackson, and I didn’t pass out at all. I found friendship and kinship with the wonderful poet Harry Moore, my fellow winner. I shared the stories with my husband at the end of day, up in my lovely hotel room, because once I said it aloud I could maybe make myself believe it. Then I folded those stories up and tucked them away into all of the weird, frizzy-haired, middle-aged pockets of mine.
No wonder I’m bursting at the seams with gratitude. To those instrumental in my WEX award—especially Maureen Egen, Victor LaValle, Elliot Figman, Lynne Connor, and the wondrous Bonnie Rose Marcus—and to all of those who offered up their time, words, wit, and wisdom, along with my ever-supportive family and friends: Thank you to the tip tops of the Alabama pines.
So much of the writing life centers on belief: making readers believe the magic on the page, making the publishing world believe in the work, and, perhaps the hardest, first believing in ourselves. Alas, my magic WEX experience can’t wave a wand and—poof!—solve such struggles, yet I know that I will always carry this award close. I will fold it away in the secret pocket of my writer’s heart, where I can pull it out when I need to remember: This is real. Someone once believed in you. Now it’s your turn.
Photo: (top) Bryn Chancellor. Photo Credit: Christy Whitney.
Photo (bottom) Bryn Chancellor. Photo Credit: Timothy Winkler.
This award is generously supported by Maureen Egen, a member of the Poets & Writers Board of Directors, and retired Deputy Chairman and Publisher of Hachette Book Group, USA.
