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Authors Michael Chabon, Alice Walker, Robert Munsch, Noah Gordon, Robert McCammon, and even William Shatner sing the praises of e-readers in this short video from Open Road Media. Chabon even goes so far as to say, "Having an e-reader broadens the possibilities for the life of a reader."
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Adam Mansbach's Rage Is Back and Yoko Ogawa's Revenge, as the starting point for a closer look at these new and noteworthy titles.
Jack and Holman Wang’s Cozy Classics introduces great novels to the youngest readers using keywords, handmade figurines, and carefully constructed settings and backdrops.
Write an essay about a trip that you've taken during which you were in search of something. What were you in search of—family connection, relaxation, adventure? What did you find? Was it what you expected?
Kristen E. Nelson is a founder and the Executive Director of Casa Libre en la Solana, a non-profit writing center in Tucson, Arizona. P&W has co-sponsored the center's Weekend Residency program for the past four years. Nelson is the author of Write, Dad (Unthinkable Creatures Chapbook Press, 2012), and has recently published work in Denver Quarterly, Drunken Boat, Tarpaulin Sky Journal, Trickhouse, Dinosaur Bees, and Everyday Genius.
What makes your organization and its programs unique?
The mission of Casa Libre en la Solana is to support and enhance the creativity of professional and novice writers by providing a community venue for classes, readings, and other professional development opportunities.
The diversity of our programs and high level of community involvement is what makes Casa Libre stand out. In addition to our own creative writing workshops and reading/performance series, we provide an event base for many other Tucson groups, including Kore Press, Queer People of Color, Pan Left Productions, Read Between the Bars, and the Tucson Youth Poetry Slam.
What recent program have you been especially proud of?
Participants in our program Made for Flight, a transgender youth and ally empowerment workshop series, walked in the annual All Souls Procession in Tucson, a huge community procession to honor the lives of ancestors and loved ones who have passed away.
Made for Flight incorporates transgender history, ally development, creative writing, and kite building to commemorate the lives of the transgender individuals who have been murdered in the last year. TC Tolbert, Casa Libre’s assistant director, began this program three years ago, and this year we had approximately one hundred people show up to help us carry the kites that Tucson youth created in the procession.
It is inspiring to see the large number of allies who show up to lend their support to bringing awareness to the disproportionate number of transgender people (specifically women of color) who are murdered each year. 
How do you find and invite writers?
Our organizational structure is a bit like an octopus. Each arm functions independently and in collaboration with the main body of the organization. Each of our programs is curated by a different local writer drawing from a diverse group.
I curate our Weekend Residency programs and through personal or professional connections have invited Camille Dungy, Samuel Ace, Maureen Seaton, and most recently Rebecca Brown to lead a weekend full of workshops and reading series. All of these Weekend Residencies could not have happened without the generous funding provided by Poets & Writers.
How has literary presenting informed your life and writing?
Casa Libre is my life. I live on the grounds in a community of seven households of writers and artists. Since I founded this place nine years ago, the programs and people who are a part of it have shaped who I am. This community is full of thinkers and creators. Every day there are conversations in our courtyards about writing projects, creative inspiration, and new programs. The Casa Libre community extends far beyond our grounds into Tucson and across the country. Passionate people who care about writing and creating come here. This is a nourishing place that I am proud to be a part of and call home.
What do you consider to be the value of literary programs for your community?
The staff and board members of Casa Libre are deeply invested in fostering creativity. We are devoted to honoring and making space for thinking, writing, conversation, art-making, and performance in a world dearly in need of artistic vision, creative solutions, and celebration of the human mind. Because we believe expression is a vital part of nourishing the human spirit, Casa Libre inspires writers and artists to take risks and manifest their artistic dreams.
Photo: Kristen E. Nelson. Credit: Sarah Dalby. Photo: Casa Libre's Weekend Residency with Rebecca Brown (at left). Credit: Samuel Ace.
Support for Readings/Workshops events in Tucson is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
In the January/February 2013 issue of Poets & Writers Magazine, memoirist Debra Gwartney offers guidance on how to write about traumatic experience. "When the action is hot, write cool," Gwartney says. "Stand back. Let your prose breathe. Don't try to convince the reader to feel a certain way—avoid yanking on the easy emotion. Instead, trust the language you've selected, the images you've constructed, the relevant detail, and give the reader plenty of room to reach the feeling independently." Write an essay about a traumatic experience from your life or the life of someone close to you, following Gwartney's advice.
"We must choose between the violence of adults and the smiles of children, between the ugliness of hate and the will to oppose it," writes the Nobel Prize winner and Holocaust survivor. "Even in darkness it is possible to create light and encourage compassion. There it is. I still believe in man in spite of man."
Choose a subject that has cultural currency: consumerism, American decline, Internet overload, trends in pop culture, celebrity fascination; take a position on it; and write an essay that explores that position. Read Christy Rampole's New York Times essay "How to Live Without Irony" as an example. For more examples, read Best American Essays Series editor Robert Atwan's "The Top 10 Essays Since 1950" in Publishers Weekly.
Write a scene about a very specific experience using only sensory imagery to describe what happened. For instance, if you’re writing about being in a car accident, describe the sounds of the glass shattering and the crunching metal, the smell of smoke as the airbag deploys, the feeling of your body being thrown back and forth. Try to avoid referring to the event explicitly or including any narrative buildup (“I was driving a Dodge Neon when the accident happened”). Focus instead on the moment itself, and on what you see, smell, hear, and feel in order to build the scene.
Novelist, memoirist, and essayist Siri Hustvedt, whose most recent book is the essay collection Living, Thinking, Looking (Picador, 2012), talks here about "between space...the zone of action between people through which a third entity is created. Something like a third presence in the room."
