Genre: Creative Nonfiction

Deeper, Darker

In the September/October issue of Poets & Writers Magazine, Heather Lanier writes: “Don’t settle for your first idea or point, the thing that might have brought you to the page. Let that first point be a jumping-off place to deeper questioning.” Lanier shares an anecdote about starting an essay initially focused on exploring the etymology of a word, and then realizing it was on track to recreate a well-trod argument, a realization which steered her toward a more challenging and uncertain direction. Think of an essay topic that seems like a good idea for exploration, and then seek “the deeper questions, the ones for which you don’t have ready answers” as you write and dive into your topic. Where do you end up when you can’t see where you’re headed? 

Literary Agent Regina Brooks

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“If you think about what it takes to be a writer, you really have to be an observer and you have to live life.” Regina Brooks, founder and owner of Serendipity Literary Agency, offers advice for publishing and discusses what a literary agent does for a writer in this interview with the Atlanta Post. Brooks answers questions in “Agent Advice” in the September/October issue of Poets & Writers Magazine.

Sandra Gail Lambert

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“Writing memoir is the ultimate control of my story.” Sandra Gail Lambert talks to author Michele Leavitt about her own motivations for writing memoir, and the challenges that accompany it. Lambert, author of the debut memoir, A Certain Loneliness (University of Nebraska Press, 2018), is featured in “Outsiders on the Inside” by Michele Sharpe in the September/October issue of Poets & Writers Magazine.

The Roots and Wings Project Helps Prisoners Tell Their Stories

Jesse Bliss is a playwright, director, producer, poet, actress, veteran educator, and curriculum writer. She is the founder and creative director of the Roots and Wings Project, a theater company with a mission to provide a stage and space for voices of the unnamed, unknown, and misunderstood. The Roots and Wings Project is a recipient of a Cultural Pathways Grant from the California Arts Council and has received support from Poets & Writers for its prison programs. Bliss also produces Think Outside the Cage on KPFK 90.7 FM, a radio show voicing truth about mass incarceration, and was featured in Look What She Did!, a documentary directed by Julie Hébert.

The very energy of prison is punitive, designed to drive love out. Perhaps this is why implementing the Roots and Wings Project’s ASCENSION, a P&W–supported theater and writing pilot workshop series at the California State Prison in Lancaster, a men’s prison, and the California Institution for Women, a women’s state prison in Chino, was nearly impossible.

Days and weeks of e-mail requests turned into months. Finally, the workshops were approved. On my first trip out to the prison in Lancaster, where the wind never stops blowing on the exaggeratedly long sidewalk stretches to the entrance, the facility said no to the first workshop session. There was no getting in to speak to anyone after a two-hour drive. On the second visit, it took me two hours to finally enter into A Yard and meet the inmates.

Once I was in, participants at both penitentiaries wrote from the very depths of their souls. Their stories brought to light experiences most could never imagine surviving, and exposed truths about how people are led to incarceration and kept captive with draconian sentencing.

Some of the participants have life without parole sentences. One student went into the prison system at eighteen, three days following his high school graduation. He’s been incarcerated for two decades, and in those years has developed a friendship with his victim’s wife—a friendship she initiated. He writes: “She saw beyond the cold written record of my past into the present, to the core of who I really am.”

Another participant was sixteen months away from her release from prison when she was given a life sentence for a domestic violence charge. Many of the women express that they were put in prison for defending themselves against abusive men. I don’t ask, but if they share about their case in our writing workshops, I lovingly listen. Anna, a workshop participant, writes: “WOMAN. To be strong yet assumed weak, to work and love harder, yet be given less—less pay, less honor, less respect—for our weakness is our strength, our tears our freedom, to feel, to be: humanity in a world of insanity.”

One of our students grew up in a home where both his parents were drug users and dealers. The house was always getting shot up. His diaper was perpetually full. He grew to become what he knew and, while addicted to drugs, murdered someone over a twenty-dollar debt. He is one of the greatest keepers of peace I’ve ever known and a passionate advocate for helping others to transform and heal despite unthinkable intergenerational trauma. He often recites Shakespeare by heart.

Another student played one of the most stunning reggae songs on the guitar that I’ve ever heard called “Beautiful Day.” How, in there, does a human being author that song? He also eloquently writes: “Prison beds are expanding instead of consciousness.... You’ll see one electric fence with prisoners on both sides of it, society is on lockdown and they don’t even know it, out of necessity prisoners become poets.”

We culminated the workshops with powerful readings described in a student’s letter this way: “Soon, the room was bristling with hope and with stories of our children, our mothers, our wives, our communities, even our freedom. And when we returned to the dark confines of our cells, we brought with us a deeper, brighter, lingering purpose in our lives.”

We laughed. We cried. We read. We talked. We listened. We loved, all in the spirit of one of our writer’s words: “By finding the courage to speak up!”

With support from Poets & Writers, and in partnership with Unlock Tomorrow and Tia Chucha’s Centro Cultural and Bookstore, the Roots & Wings Project will hold a second series of workshops this fall at the California Institution for Women.

Support for this event was provided, in part, by Poets & Writers, thanks to a gift from Diana Raab. Additional support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency, and by the Friends of Poets & Writers.

Photo: Jesse Bliss (Credit: Angela L. Torres).

Handwritten Notes

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Can you remember the last time you handwrote a lengthy text? The Magic of Handwriting, an exhibit currently on view at the Morgan Library in New York City, showcases a collection of handwritten documents and autographs acquired by Brazilian author and publisher Pedro Corrêa do Lago. The exhibition includes intimate inscriptions by Jorge Luis Borges, Antoine de Saint-Exupéry, Emily Dickinson, Allen Ginsberg, Marcel Proust, and Oscar Wilde, among others. Write a personal essay about how your own handwriting has changed from childhood, through adolescence and adulthood. What memories are brought to mind when looking at your old handwriting? Perhaps try handwriting the first draft of your essay to help connect back into this practice.

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