“When we name things simply, with words preceding their meaning, a cosmic narration takes place. Does the discovery of origins remove the dust?” writes painter and poet Etel Adnan in Shifting the Silence (Nightboat Books, 2020). “It reminds me of a childhood of emptiness which seems to have taken me near the beginning of space and time.” Following her thoughts as they “drip, not unlike the faucet,” Adnan demonstrates the power in trusting clear language, without ornament, and in doing so she offers a testament to poetry as a space built by the self for illumination and inwardness. Spend some time in a space where you can observe nature and take note of your surroundings. With Adnan’s words in mind, write a poem that considers what you see without concentrating on its meaning, when you “remove the dust.” How does this exercise strip the poem’s voice to its essential parts?
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