In “Racial Markers and Being Marked” by Will Harris, a Craft Capsule essay published in September, he writes about racial markers in poetry and walking the fine line between rendering your own experience and risking fetishization. Harris presents Monica Youn’s poem “Study of Two Figures (Pasiphaë/Sado)” and discusses how she frames an argument about race through two mythical figures. Youn writes about her own experience as a poet while examining what it feels like to include her “Asianness” in the poem: “Revealing a racial marker in a poem is like revealing a gun in a story or like revealing a nipple in a dance.” Choose a myth you identify with and write a poem where a part of you is revealed through the story or characters of the tale.
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