In a series of poems titled “American Sonnet for My Past and Future Assassin,” Terrance Hayes seemingly addresses an abstraction: How can one have both a past and future assassin? Would this assassin be a person, or would it be a system, a history, a feeling? Hayes embraces the ambiguity, and writes his poems as if he were speaking to an individual: “I lock you in an American sonnet that is part prison, / Part panic closet, a little room in a house set aflame.” Is there a force in your own life that is asking to be addressed? Try writing your own sonnet that confronts this force—however abstract—and speaks to it as if it were a person.
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