In an interview with Alison Bechdel by June Thomas for Slate, the author and cartoonist discusses the process behind her latest graphic memoir, The Secret to Superhuman Strength (Houghton Mifflin Harcourt, 2021). “This book was set up in such a way that it had to end at the end of my 59th year, because each chapter is about a decade of my life, beginning with my birth in 1960,” says Bechdel. “I didn’t actually get to the end of the drawing until November, until the throes of the election. I felt like I can’t end the book until I know what happens.” Inspired by Bechdel’s book, write an essay in which each section focuses on a decade or stretch of time in your life. How will the historic events of that period inform your point of view?

Want to know what’s happening in the New Orleans literary scene? A good way to learn more about how to support the writers and the work Poets & Writers’ United States of Writing initiative is doing in the city is to follow the Poets & Writers’ New Orleans Twitter feed. There, you can:

1. Learn more about the writers in New Orleans. Often I tweet or retweet about upcoming events happening in the city featuring emerging and established writers, some of whom have received funding from the Readings & Workshops program.

2. Stay in the literary loop. Organizations and writers both inside and outside of New Orleans often ask me to share opportunities such as jobs, internships, and submission calls for publications.

3. Follow the conversation. What topics are writers talking about? What are literary organizations and publications sharing? You can find out how broad the community is, the latest news, and how to connect by checking out our feed.

Lastly, a big congrats to the seven New Orleans writers who received United States of Writing Project Grants from our second round! A special shout-out to Ayo Fayemi-Robinson who was awarded a grant for her project “The Black Pages,” the first session of which will take place Wednesday, May 26 at 5:00 PM CT.

“We'll walk down the history of African American poetics,” wrote Fayemi-Robinson describing her project, “and address why sound has always mattered and how it is that our poetics never left the stage. What we celebrate is not a return, but a resonance.” The event will include a presentation and Q&A led by Dr. Jerry W. Ward, Jr. Be sure to check out the Literary Events Calendar for more information on this and other upcoming projects!

If you have any questions or want to reach out, you can always contact me directly via e-mail at NOLA@pw.org. 

Forrest Gander’s poem “Pastoral,” published last month in the Academy of American Poets’ Poem-a-Day, begins with a scene of a couple gazing out a window that is interrupted by a stanza with a parenthetical meditation on the act of looking before the last lines complete the description of the scenery outside. The middle stanza in parentheses questions the language used in the first stanza’s description and moves away from the physical into the interiority of the speaker’s mind. Inspired by the poem’s form, write a poem about the act of looking. How can you subvert the expectations of the reader by leaving the scene to go into the interior of your mind?

The ninety-third Academy Awards, also known as the Oscars, took place in Los Angeles this past Sunday, a celebration of the artistic and technical merits of this past year’s films. Known for its many snubs, scandals, and dramatic speeches, the annual awards ceremony is viewed by millions of people around the world and often features some of the most iconic pop culture moments in history. Write an essay that features an iconic moment from an awards ceremony that has stayed with you. What was happening in your life during that time, and what relationship do you have to that pop culture memory?

“How can I repackage the initial premise of a joke in more colorful wrapping and offer it up to the reader as something brand-new?” writes Kristen Arnett in her first Craft Capsule essay on humor in fiction. In the essay she remembers a scene in Rebecca Dinerstein Knight’s novel Hex (Viking, 2020), in which the unexpected delivery of a mattress alters the activities of a dinner party. Arnett reflects on the use of the mattress in the scene and concludes that “when considering how humor can sit inside fiction, perhaps imagine it as the same strange and unexpected body wearing different disguises to a costume event.” Write a story in which an unexpected object inserts mischief and humor into the otherwise mundane lives of the protagonists.

Hey mi gente, I hope that you are well and reaching all your goals or if you have stumbled along the way, I wish you the strength to get back up. My last blog post was the last interview for the COVID Vivid series, in which I asked Houston writers what they’ve been doing since the pandemic started. I want to send a major thank you to everyone that participated in the series and shared their very personal experiences. I hope everybody who reads this blog has been able to benefit from these entries.

I will be switching gears as my time as literary outreach coordinator draws to a close. I’ll be focusing these last few posts highlighting all the ways that the literary experience in Houston points to the future. There are so many brilliant opportunities happening it’s hard to count. Each of these last posts will focus in on one or two (or three) things happening in the city.

While discussing the need to highlight major happenings in poetry during the month of April with Readings & Workshops program coordinator Ricardo Hernandez, I was reminded about what makes Houston such a brilliant place. I mentioned that I wondered why the Houston Poetry Fest happens in October when National Poetry Month is in April, and of course it should have made sense to me already—the Houston Poetry Fest predates National Poetry Month by a decade.

Established in 1985, the festival is held at our University of Houston-Downtown campus and is free and open to the public. There are readings and panels, and off-site events throughout the city to attend. Sadly, the festival had to be canceled last year due to the pandemic, but we hope to celebrate this October, which would mark the annual event’s thirty-sixth anniversary.

Continuing this celebratory vibe, I’d like to send congrats to Adriana Salazar who received a United States of Writing Project Grant from Poets & Writers for her upcoming workshop series. Salazar’s “Examining Oneself Through Self Portraits” will look at the building blocks of identity, examining the self both as a collective and as individuals using self-portraits to create new works. The three-part virtual workshop series will be in collaboration with fellow grantee Omer Ahmed and starts in May so keep an eye out in the Literary Events Calendar for more details.

Last but not least, major shout-out to the fifth and newest Houston poet laureate, Emanuelee “Outspoken” Bean! Bean’s two-year term began this month and runs through April 2023. As poet laureate, he will work closely with the Houston Public Library and the Mayor’s Office of Cultural Affairs to implement his community outreach project “Space City Mixtape,” an album of twenty-track spoken word and creative audio experiences by Houstonians. He will also conduct eight workshops in Houston’s public libraries, and create videos and poems to share on social media. Looking forward to seeing his work and events in the city.

“In times of crisis, we must all decide again and again whom we love,” writes Frank O’Hara in his poem “To the Film Industry in Crisis,” in which the Beat poet writes an ode to his favorite movie stars and the magic of movies. Listing thirty actors from the Golden Age of Hollywood in relationship to one another, O’Hara describes, with humor, their personalities and appeal on the movie screen. “Mae West in a furry sled, / her bordello radiance and bland remarks, Rudolph Valentino of the moon, / its crushing passions, and moonlike, too, the gentle Norma Shearer,” he writes. Write an ode to your favorite movie or movie star. How can you employ techniques often seen on the screen through the language of the poem?