“I want to make a praise of sleep. Not as a practitioner…but as a reader,” writes Anne Carson in her essay “Every Exit Is an Entrance (A Praise of Sleep),” which appears in her book Decreation: Poetry, Essays, Opera (Knopf, 2005). With careful research and introspection, Carson writes about all the ways writers discuss sleep in their work, uncovering her own fraught relationship to it along the way. The essay combines the forms of literary criticism and personal essay—offering close readings of the works of Virginia Woolf, John Keats, Elizabeth Bishop, and others, while burrowing deeper into emotions. Inspired by Carson’s mixing of forms, choose a topic that eludes you—perhaps dreams, fashion, or love—and write a personal essay that uses research to gain a deeper understanding of it. What will you praise?

Summer vacations and travel often provide adventure, conflict, and reflection whether in real life or in a fictional story. In Valeria Luiselli’s novel Lost Children Archive (Knopf, 2019), a family sets off on a road trip from New York to Arizona in the heat of the summer and tensions rise as they collide with news of an immigration crisis on the southwestern border of the country. In Alejandro Varela’s short story “The Caretakers,” the protagonist rides the subway in New York City on a balmy day after visiting his aunt in the hospital and reflects on family, friendships, and race. Write a short story with a pivotal scene set in a moving vehicle on a hot day. How will your story use travel as a theme?

Independence Day, colloquially known as the Fourth of July in the United States, is the annual celebration of nationhood commemorating the passage of the Declaration of Independence in 1776. For centuries, poets have offered deeply personal perspectives on what it means to celebrate their country, including Alicia Ostriker in her poem “The History of America,” in which she writes: “Murdering the buffalo, driving the laggard regiments, / The caring was a necessary myth…” and Naomi Shihab Nye in her poem “No Explosions,” in which she writes: “To enjoy / fireworks / you would have / to have lived / a different kind / of life.” This week write a poem reflecting on your relationship to nationhood. What contradictory feelings surface when you consider your citizenship? For further inspiration, check out the Poetry Foundation’s selection of poems for the Fourth of July.

Are you looking for a home for your debut poetry collection? Try submitting to the Marystina Santiestevan First Book Prize from Conduit Books & Ephemera, which offers a prize of $1,500, publication, and 30 author copies of the book for the winning author.

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Submit a manuscript of 48 to 90 pages with a $25 entry fee by July 7. Bob Hicok will judge. Visit the website for complete guidelines.

Conduit Books & Ephemera was founded in 2018 in celebration of the twenty-fifth anniversary of Conduit, a biannual literary journal of poetry and prose. Hicok sponsored the inaugural Marystina Santiestevan First Book Prize, named after his grandmother-in-law, “a great supporter of young poets.” The annual prize goes to a poet writing in English who has yet to publish a full-length poetry collection. Those who submit are advised to familiarize themselves with Conduit, a magazine “which champions originality, intelligence, irreverence, and humanity.” The press also offers the Minds on Fire Open Book Prize, open to any poet writing in English and judged by Conduit’s editorial board. Submissions for the Minds on Fire prize open August 1.

“Crushes map life over with meaning and joy, and I’d always choose heartbreak over boredom,” writes Alexandra Molotkow in “Crush Fatigue,” an essay published in Real Life magazine, in which she discusses the effects amorous crushes have had on her life and psyche. The essay focuses on the word limerence, meaning the “condition of cognitive obsession,” and uses psychoanalytic theory to offer an understanding of the power of infatuations. Think back to your last crush and catalog the symptoms you remember experiencing. Write an essay that looks back on this time from a distance and consider what you’ve learned from your limerence. Would you be willing to fall deep into infatuation again?

In Nicole Krauss’s short story “Seeing Ershadi,” published in the New Yorker in 2018, a ballet dancer becomes obsessed with the actor Homayoun Ershadi, who plays Mr. Badii in the iconic Iranian film Taste of Cherry directed by Abbas Kiarostami. The story takes a turn when the protagonist travels to Japan with her dance company and sees Ershadi in a crowd, then follows him believing she must save the actor from the suicide he commits in the film. With a vividly convincing narrative voice, Krauss’s story embodies the impact great art can have, how a performance can haunt a viewer into seeing their life in a new light. This week, try writing a story that captures the relationship between a viewer and a work of art. What haunts your protagonist into reassessing something in their life?

In his fourth poetry collection, Chariot (Wave Books, 2023), Timothy Donnelly uses form to contain the expansiveness of philosophical and artistic inquiry. Each poem is confined to twenty lines and uses long, syntactically complex sentences to connect seemingly disparate things: from the Milky Way to the polluted green color of the Gowanus Canal in Brooklyn, New York, and the blue of periwinkles and rainclouds to the ordinariness of a Staples office supply store. Inspired by Donnelly’s use of form and connection, flip through a few books from your shelves and write down all the nouns you encounter. Then write a twenty-line poem that attempts to connect these words as seamlessly as possible using your unique perspective.

Now that summer has officially begun, the heat is on: Get your entries ready for contests with a deadline of June 30! Prizes include $130,000 Canadian (approximately $96,732) for a published poetry collection, $15,000 and publication for a story collection, €3,000 (approximately $3,217) for a short story, and other generous awards. All contests have a cash prize of $1,000 or more, and two have no entry fee. Why not throw your hat in the ring?

Anthology Magazine
Poetry Competition
A prize of €1,000 (approximately $1,072) and publication in, plus a subscription to, Anthology Magazine will be given annually for a single poem. Rachael Hegarty will judge. Entry fee: €12 (approximately $13) by June 30, or €18 (approximately $19) thereafter, until October 31. 

Barrow Street Press
Book Prize
A prize of $1,500 and publication by Barrow Street Press is given annually for a poetry collection. Nathalie Handal will judge. Entry fee: $25 ($28 for electronic submissions).

Bauhan Publishing
May Sarton New Hampshire Poetry Prize
A prize of $1,000, publication by Bauhan Publishing, and 50 author copies is given annually for a poetry collection. Brad Crenshaw will judge. Entry fee: $30. 

Cider Press Review
Editors’ Prize Book Award
A prize of $1,000, publication by Cider Press Review, and 25 author copies is given annually for a poetry collection. Entry fee: $26.

Griffin Trust for Excellence in Poetry
Griffin Poetry Prize
A prize of $130,000 Canadian (approximately $96,732) is given annually for a poetry collection written or translated into English by a living poet or translator from anywhere in the world and published during the previous year. Finalists receive $10,000 Canadian (approximately $7,441) each for their participation in the shortlisted authors event to be held in Toronto in June. Publishers may submit four copies of a book published between January 1 and June 30 by June 30. Entry fee: None.

Lascaux Review
Prize in Flash Fiction
A prize of $1,000 and publication in Lascaux Review online and in print is given annually for a work of flash fiction. Previously published stories are eligible. Entry fee: $15.

Los Angeles Review
Literary Awards
Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. M. Soledad Caballero will judge in poetry, Carlos Allende will judge in fiction, John Weir will judge in flash fiction, and Chelsey Clammer will judge in creative nonfiction. Entry fee: $20.

Omnidawn Publishing
Chapbook Contest
A prize of $1,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a poetry chapbook. Brody Parrish Craig will judge. Entry fee: $30.

Poetry London
Poetry London Prize
A first-place prize of £5,000 (approximately $6,044), a second-place prize of £2,000 (approximately $2,417), and a third-place prize of £1,000 (approximately $1,209) are given annually for a single poem. The winners will also receive publication in the Autumn Issue of Poetry London and an invitation to read at the issue’s launch, held at the Southbank Centre in London. Rachel Long will judge. Entry fee: $12. 

The Moth
International Short Story Prize
A prize of €3,000 (approximately $3,217) is given annually for a short story. A prize of a weeklong retreat at Circle of Misse in Missé, France, with an open-ended travel stipend, and a prize of €1,000 (approximately $1,072) are also given. The winners will be published in the Irish Times. Ottessa Moshfegh will judge. Entry fee: €15 (approximately $16).

University of Pittsburgh Press
Drue Heinz Literature Prize
A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Entry fee: None.

University of North Texas Press
Katherine Anne Porter Prize
A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Entry fee: $25.

Winning Writers
North Street Book Prize
A grand prize of $10,000 and eight additional prizes of $1,000 each are given annually for self-published and hybrid-published books (works published by presses that coordinate all aspects of book publication in exchange for a fee) of poetry, fiction, genre fiction, creative nonfiction, children’s literature, middle grade books, graphic narrative, and art books. Each of the winners will also receive publication of an excerpt on the Winning Writers website; a marketing consultation with author and publishing consultant Carolyn Howard-Johnson; $300 in credit at BookBaby, a distributor for self-published authors; three months of Plus service from Book Award Pro (plus $500 in account credit for the grand prize winner), a literary award database and submission platform; and free advertising in the Winning Writers e-mail newsletter. Ellen LaFleche and Jendi Reiter will judge. Entry fee: $75.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

In the foreword to Once a City Said: A Louisville Poets Anthology, published by Sarabande Books this week, editor Joy Priest recounts driving from Provincetown, Massachusetts, to Houston at the height of the pandemic in the summer of 2020. At one point she stops in Richmond, Virginia, and drives down Monument Avenue with “its parade of Confederate statues lining the street’s median,” and later, in Louisville, Kentucky, notes how “the streets were filled with smoke, flash-bangs, and tear gas, not just over the murder of George Floyd but also over the murder of one of our own by Louisville police: Breonna Taylor.” Write an essay structured around a road trip in which the places you visit are central to the essay’s subject. Consider the history of the places you have visited as well as the encounters you have had there.

Sandy and Danny’s summer nights in Grease, Tony and Maria on a fire escape in West Side Story, Joe and Princess Anne’s single day together in Roman Holiday—the summer romance is a common trope in film and literature for good reason. In an article for the online therapy company Talkspace, therapist Cynthia V. Catchings notes that summer is a time “to escape from routine and open up to new people and experiences.” A welcome uptick in the production of serotonin due to the increase in sunlight, the relaxed school and work schedules, and the ubiquity of breezy summer clothing all account for feeling good and at ease. Inspired by fun summer flings, write a short story in which two characters experience a whirlwind affair. Play with the conventions of this trope and try upending the expectations associated with a romantic story.