Epiphany

1.24.24

Epiphany is a religious day of celebration commemorating the visit by the Three Wise Men to the baby Jesus with their gifts, observed in January. Originating from the Greek word meaning “manifestation,” in a work of literature, an epiphany generally consists of a different sort of appearance—a moment that seems to suddenly illuminate the truth, one that oftentimes changes the course of a character’s life. Write a scene in a new or ongoing short story in which your main character experiences such a dawning realization. What is the catalyst for this discovery? How does this newfound insight transform their subsequent actions or interactions with another character or a future decision?

Seasonal Sounds

1.23.24

Do you recall cold, quiet nights with the muffled silence of snow and the whisper of the wind, or the banging clang of heating pipes and the constant drumming of a heavy rainstorm rumbling in the winter? Depending on one’s locale, the sounds of the season can present a range of tones, from the euphonic to the cacophonic, from peaceful and calming to abrasive and exasperating. Write a poem that captures the sonic spectrum of your surroundings at this time of year, perhaps experimenting with punctuation, various line lengths and spacing, and onomatopoeia to reflect all the textures of your auditory experience.

Upcoming Contest Deadlines

While you’re hibernating through subzero temperatures, why not try your luck with over a dozen contests offering publication, money, travel, and even mentorship? Prizes include $5,000 and publication in Chautauqua for a work of fiction or nonfiction by an emerging writer who displays “daring formal and aesthetic innovations,” fellowships of up to $2,000 to support feminist fiction writers, and $1,500 along with a virtual five-month mentorship program for emerging poets, fiction writers, and creative nonfiction writers “from communities that are traditionally underrepresented in the publishing world.” Stay warm, folks, and send out your work!

Arts + Literature Laboratory
Edna Meudt Poetry Book Award
 
A prize of $1,000 will be given annually for a poetry collection published in the previous year by a writer who is a resident of Wisconsin (or who previously resided in Wisconsin for at least five years). The winner will also receive a five-day stay at Shake Rag Alley Center for the Arts in Mineral Point, Wisconsin. Gabrielle Bates will judge. Entry fee: $30.

Arts + Literature Laboratory
Edna Ferber Fiction Book Award
 
A prize of $1,000 will be given annually for a book of fiction published in the previous year by a writer who is a resident of Wisconsin (or who previously resided in Wisconsin for at least five years). The winner will also receive a five-day stay at Shake Rag Alley Center for the Arts in Mineral Point, Wisconsin. Alison Stine will judge. Entry fee: $30.

Arts + Literature Laboratory
Norbert Blei/August Derleth Nonfiction Book Award

A prize of $1,000 will be given annually for a book of nonfiction (including creative nonfiction) published in the previous year by a writer who is a resident of Wisconsin (or who previously resided in Wisconsin for at least five years). The winner will also receive a five-day stay at Shake Rag Alley Center for the Arts in Mineral Point, Wisconsin. Sonya Huber will judge. Entry fee: $30.

Black Lawrence Press
Big Moose Prize

A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. The contest is open to traditional novels as well as “novels-in-stories, novels-in-poems, and other hybrid forms that contain within them the spirit of a novel.” The editors will judge. Entry fee: $28.

Chautauqua Institution
Chautauqua Janus Prize
 
A prize of $5,000 and publication in Chautauqua is given annually for a single work of fiction or nonfiction by an emerging writer displaying “daring formal and aesthetic innovations that upset and reorder readers’ imaginations.” The winner also receives a $2,000 travel and lodging stipend to give a lecture at the Chautauqua Institution in summer 2024. Writers who have not published a book of over 15,000 words in any prose genre are eligible. Submissions may consist of unpublished work or work published no earlier than April 2023. Jimin Han will judge. Entry fee: $20.

Ghost Story
Screw Turn Flash Fiction Competition
 
A prize of $1,000 and publication on the Ghost Story website and in the 21st Century Ghost Stories anthology is given biannually for a work of flash fiction with a supernatural or magical realist theme. The editors will judge. Entry fee: $15.

Inlandia Institute
Eliud Martínez Prize

A prize of $1,000 and publication by Inlandia Books is given annually for a book of fiction or creative nonfiction by a writer who identifies as Hispanic, Latino/a/e/x, or Chicana/o/e/x. Manuscripts must be written primarily in English. Fee waivers are available upon request. Entry fee: $15.

Iowa Review
Iowa Review Awards

Three prizes of $1,500 each and publication in Iowa Review are given annually for works of poetry, fiction, and creative nonfiction. All entries are considered for publication. Entry fee: $20.

Money for Women/Barbara Deming Memorial Fund
Individual Artist Grants for Women
 
Grants of up to $2,000 each are given in alternating years to feminist poets, fiction writers, and nonfiction writers who are citizens of the United States or Canada. This year grants will be awarded to fiction writers. English translations of works originally written in another language are accepted. A limited number of fee waivers are available upon request. Entry fee: $25.

New Millennium Writings
New Millennium Writing Awards
 
Four prizes of $1,000 each and publication in New Millennium Writings in print and online are given biannually for a single poem, a short story, a work of flash fiction, and a work of creative nonfiction. Previously unpublished works or works that have either appeared in a journal with a circulation under 5,000 or have been published only online are eligible. The editors will judge. Entry fee: $20.

PEN America
Emerging Voices Fellowship
 
Twelve fellowships of $1,500 each and participation in a virtual five-month mentorship program, which includes one-on-one mentorship with an established writer; introductions to editors, agents, and publishers; a professional headshot; and a one-year PEN America membership, are given annually to emerging poets, fiction writers, and creative nonfiction writers “from communities that are traditionally underrepresented in the publishing world.” Fellows also participate in workshops on editing, marketing, and building a professional platform. Writers who have not yet published a book and who do not hold an advanced degree in creative writing are eligible. Entry fee: $25. 

Poetry Northwest
James Welch Prize for Indigenous Poets
 
Two prizes of $1,000 each and publication in Poetry Northwest are given annually for a single poem by an Indigenous poet. The winners also receive an all-expenses-paid trip to read with the judge at Poets House in New York City in the fall. Writers who have published no more than one full-length book and who are community-recognized members of tribal nations within the United States and its territories are eligible. A Native poet of national prominence will judge. All entries are considered for publication. Entry fee: None.

Regal House Publishing
Terry J. Cox Poetry Award
 
A prize of $1,000 and publication by Regal House Publishing is given annually for a poetry collection. John Warner Smith will judge. Entry fee: $25. 

Schaffner Press
Nicholas Schaffner Award for Music in Literature
 
A prize of $1,000 and publication by Schaffner Press is given annually for a poetry collection, a novel, a story collection, an essay collection, or a memoir that “deals in some way with the subject of music and its influence.” English translations of works originally written in another language with the author’s permission are accepted. Entry fee: $25.

Stanford Libraries
William Saroyan International Prize for Writing
 
Two prizes of $5,000 each are given biennially for books of fiction and nonfiction published in the previous two years. The awards, cosponsored by the Stanford Libraries and the William Saroyan Foundation, are “intended to encourage new or emerging writers and honor the Saroyan legacy of originality, vitality, and stylistic innovation.” Writers who have published up to three books are eligible. Entry fee: $50.

swamp pink
Writing Prizes
 
Three prizes of $2,000 each and publication in swamp pink are given annually for a single poem, a short story, and an essay. All entries are considered for publication. Entry fee: $15.

WOMR/WFMR Community Radio
Joe Gouveia Outermost Poetry Contest
 
A prize of $1,000 is given annually for a single poem. Marge Piercy will judge. Entry fee: $15.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Smoky Eyes

1.18.24

Journalist Zahra Hankir’s book, Eyeliner: A Cultural History (Penguin Books, 2023), traces the lineage of eye makeup from its ancient Egyptian origins to contemporary times, zigzagging across a wide-ranging swath of globalism, fashion, and celebrity—from Nefertiti to Amy Winehouse—while relating the implications of the cosmetic accessory to themes of feminine performance and Orientalism. Choose an accessory or stylistic embellishment that has played some role in your own life, or perhaps one that is culturally pervasive or resonant. Consider your relationship to this seemingly frivolous item and write a personal essay about its relevance and connection to your identity. How might you connect the dots to larger social issues and historic moments in time?

Metamorphosis

1.17.24

Twentieth-century artist Isamu Noguchi worked across many disciplines—costume and stage design, landscape architecture, drawing, ceramics, and furniture—and is renowned for his wide-ranging and experimental sculptures. Noguchi was influenced by many subjects from Greek mythology, Biblical figures, ancient architecture and archaeology, natural phenomena, artists and musicians, and animals and plants. One of his sculptures titled “Gregory” is named after the protagonist of Franz Kafka’s Metamorphosis, who shape-shifts into a giant insect. Browse through Noguchi’s online catalogue raisonné to find a sculpture that catches your eye and write a story inspired by the artwork. Feel free to go beyond a literal interpretation, perhaps using the piece’s title as a launchpad for a surrealist or Kafkaesque tale.

Future Food

1.16.24

What’s going to be popular in 2024? Trend forecasters are busy making predictions for the fads of the near future, from what we’ll wear to what we’ll eat. The Food Network predicts the rise in popularity of white chocolate, the expansion of boba tea flavors in desserts, and sake becoming the “it” drink, while Food & Wine magazine reports on fashionable food brand-related merch, ruffle-edged Cresto di Gallo as the “pasta shape of the year,” herbal liqueurs, and sweet and sour as the reigning flavor. Write a poem about a past, current, or future food trend. Are you on board or skeptical? Have fun with food vocabulary and play around with sounds and rhythms that match your selection.

Deadline Approaches for the Andrés Montoya Poetry Prize

Emerging Latinx poets: Start the new year off ambitiously by submitting to the biennial Andrés Montoya Poetry Prize, administered by the Huizache Literary Initiative at University of California in Davis, by February 16! The winning poet receives $1,000, publication by University of Nevada Press as part of its New Oeste Series, and an invitation to give a reading with the contest judge at UC Davis.

Using only the online submission system, submit 48 to 100 pages of poetry. Latinx poets residing in the United States who have neither published, nor have committed to publish, a full-length collection are eligible. Juan Felipe Herrera will judge. There is no entry fee.

Established in 2004 by Letras Latinas at the University of Notre Dame’s Institute for Latino Studies “at a time when publishing opportunities for Latinx poets were few,” the Andrés Montoya Poetry Prize has given exposure to poets with a wide variety of backgrounds and aesthetic approaches throughout its 20-year trajectory. When he first conceived of the prize, founder Francisco Aragón drew inspiration from Montoya’s The Iceworker Sings and Other Poems (Bilingual Press, 1999), a collection of urban elegies, prayers, and letters that touch on the poet’s experience as an ice plant worker and address the precarious conditions of a modern world divided by race and class. Most recently, Jordan Pérez won the prize for Santa Tarantula (University of Notre Dame Press, 2024), selected by Alexandra Lytton Regalado and Sheila Maldonado for the ways in which the poet “assembles her poems as shadowboxes, curious collections of the natural world, bible stories, and family memories” that account for “the everyday of a Latinx life in the South.”

As We (Don’t) Know It

1.11.24

In Rumaan Alam’s 2020 novel, Leave the World Behind, which was recently adapted into a feature film, two families are stuck in a home in rural Long Island during a sudden and unexplainable time of apocalypse. Amid the chaos caused by large-scale blackouts, technology on the fritz, animals running amok, characters suddenly falling ill, and the possibility of terrorist attacks, the most terrifying thing seems to be the unknowability of what and who might be besieging their lives and the world as they know it. Write an essay about your fears of the unknown. What do you find terrifying and, on the flip side, what provides you a sense of reassurance and comfort? Reflect on the delicate balance of how you navigate the world as you know—and don’t know—it.

Phone It In

1.10.24

In a recent New York Times article, technology reporter Kashmir Hill wrote about spending the month of December on a break from her smartphone by switching to a flip phone. The decision stemmed from the realization of her phone addiction, mindlessly spending hours of screen time on it and checking it over a hundred times a day. With time away from her smartphone, Hill noted improved sleep, better communication with her friends and husband, more books read, more time spent outdoors, less stress, and more enjoyment in the moment. Write a short story in which your characters are affected by their phone usage. How do their habits and addictions reveal truths about their personalities and interactions with other characters? How might you incorporate technology like text messaging, social media, photography, and smartphone apps creatively in your prose or formatting?

Underreported

Every year, Project Censored, an anti-censorship and media literacy advocacy organization, releases their State of the Free Press yearbook, highlighting the past year’s most significant independent journalism. This year’s book, published in December by Seven Stories Press, emphasizes the dangers of corporate media and the shuttering of community newspapers, which leave many communities without a reliable source of local information. Do some digging online or at a local library for a news story in your city from the past year, perhaps something that didn’t make national news. Write a poem inspired by your experience of zeroing in on the value of something small, ordinary, and regionally specific.

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