“For me, giving language to something, finding a name for it, enacts a kind of metabolic process.” —Cintia Santana, author of The Disordered Alphabet

When I wrote my debut story collection, Good Women, I had moments where I ran into walls of uncertainty and froze. At these roadblocks, perfectionism began to guide me rather than intuition or craft. I balked. I felt pressure to search for...”

The author of Wine People offers an exercise in getting to know your characters.

When I start editing a poetry or story collection, I’m immediately curious about energy and momentum. How is this writer using their unique style and craft to propel me through their manuscript? What holds me close to the page and makes me eager to...”

Random House executive editor and vice president Jamia Wilson talks about her passion for publishing as a craft, how being a writer informs her work as an editor, and the importance of keeping an expansive interest in books.

In defiance of Amazon’s dominance in the bookselling market, Bookshop has launched an imprint that will release its inaugural title this fall. Bookshop will also introduce its own e-reading platform, supporting independent bookstores. 

Led by a board of distinguished authors in collaboration with three nonprofit organizations, a new yearlong fellowship supporting system-impacted writers promises to provide resources and funding to share their stories.

A look at three new anthologies, including Leaning Toward Light: Poems for Gardens & the Hands That Tend Them and Never Whistle at Night: An Indigenous Dark Fiction Anthology.

Dedicated to finding the voices and stories audiences most need to hear, Book*hug Press reads beyond borders as a Canadian press with international influences, representationally and aesthetically.