In the New York Times Magazine’s Letter of Recommendation series, writers focus their essays around mundane objects and activities that they personally cherish but feel are underappreciated by society as a whole: Aleksandar Hemon recommends skiing, Meghan Daum recommends the Thomas Guide to Los Angeles, Joshua Cohen recommends alternative search engines, Sheila Heti recommends sick days, Jia Tolentino recommends Cracker Barrel restaurants, Sarah Manguso recommends acupuncture, and Karl Ove Knausgaard recommends chewing gum. Write a letter of recommendation for an item, experience, or habit that others don’t seem to especially value, but which you enjoy immensely. Present your encounters and memories to advocate for the subject.
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
Plant blindness is a term used by botanists and horticulturists to describe contemporary humanity’s general inability to see the plants and trees in our daily environments as more than just decorative background. Many gardening and plant experts and enthusiasts encourage educational courses or casual tree identification walks as activities that can begin influencing the way the majority of people view and value plants. Write a short story in which a character who once had plant blindness develops a new awareness of greenery. What moment or situation provokes the change? Does the change manifest itself in dramatic and monumental ways, or in more subtle shifts of behavior and beliefs?
“Well, I only write about cute boys and snowy streets, so my poems are always in tune with each other. Seriously, though, I find myself returning to the same subjects. I try to vary my approach to these subjects,” poet Chen Chen says in an interview in the Adroit Journal. Select a poem you’ve written in the past and write a new poem that returns to the same subject from a different angle. Has your perspective become more nuanced over time? How does altering your point of view, verse form, or language provide your topic with a refreshed perspective?
Earlier this year scientists published a study in the journal Nature detailing the first time genes with serious disease-causing mutations have been successfully edited in human embryos to produce healthy mutation-free embryos. Write a personal essay about the moral and ethical implications of gene-editing science as it continues to progress. In a hypothetical time when these advances might be a part of routine medical procedures, what decisions would you make for yourself and your family and loved ones? Read National Geographic’s “5 Reasons Gene Editing Is Both Terrific and Terrifying” for more insight.
In the past fifteen years or so, dozens of lighthouses no longer needed by the United States Coast Guard have been auctioned off to the public. Buyers have found a variety of new uses for their lighthouses, such as converting them into hotels or vacation homes, or even a concert venue. Write a short story in which your main character comes into possession of a decommissioned lighthouse. Where is it located and how does she decide to make use of it? Does it end up being a blessing or a burden? How can you play with the metaphorical potential of the lighthouse in an unexpected way?
“Part of the pleasure I take in being a writer and reader of poetry is this instant intimacy. By the first page, we’re practically what one would refer to as family—at this point, I’m comfortable in my nightclothes and headscarf.” In “Vagrant & Vulnerable,” Dawn Lundy Martin’s conversation with Nicole Sealey in the September/October issue of Poets & Writers Magazine, Sealey talks about feeling comfortable infusing her poems with a naked vulnerability and intimacy. What do you find yourself thinking about when the notion of outside criticism or judgment is not an issue? While envisioning your most comfortable clothing, an outfit you might wear at home with family, write a poem that embodies this level of immediate familiarity, delving into a tightly held or private subject perhaps only known by your closest loved ones.
Many people associate drinking apple cider with popular fall activities in the northern and eastern United States, such as apple picking and leaf peeping, but few likely know it is New Hampshire’s official beverage. The state approved the official designation in 2010 following a petition submitted by fourth-grade students. In fact, more than half the states in this country have official beverages, a trend started by Ohio, which made tomato juice its official beverage in 1965, and followed by Massachusetts (cranberry juice) and Florida (orange juice). Many other states (Wisconsin, New York, Vermont, and Oregon among them) selected milk. Write a personal essay or manifesto under the premise of petitioning for your own beverage of choice. Support your argument with personal memories, anecdotes, and research.
The campus novel is a work of fiction that revolves primarily around an academic campus, most often a college or university. Some fall into the category of coming-of-age stories, such as Jeffrey Eugenides’s The Marriage Plot and Elif Batuman’s The Idiot, while others are more focused on faculty, such as Mary McCarthy’s The Groves of Academe and Philip Roth’s The Human Stain. Campus novels offer the opportunity to explore characters within the hierarchical structures and pressurized environment of a closed educational system and the contrasting perspectives of teachers and students because of differences in age, power, class, and social and cultural values. Write a short story that focuses on students and/or teachers in a high school or college setting, perhaps integrating elements of comedy and satire like Kingsley Amis’s Lucky Jim and Jane Smiley’s Moo, science fiction like Jonathan Lethem’s As She Climbed Across the Table, murder mystery like Donna Tartt’s The Secret History, sports like Chad Harbach’s The Art of Fielding, or supernatural Gothic horror like Joyce Carol Oates’s The Accursed.
“Once upon a midnight dreary, while I pondered, weak and weary, / Over many a quaint and curious volume of forgotten lore— / While I nodded, nearly napping, suddenly there came a tapping…” First published almost two hundred years ago, Edgar Allan Poe’s narrative poem “The Raven” was itself partially inspired by the raven in Charles Dickens’s novel Barnaby Rudge and has gone on to spark numerous renditions, homages, and parodies. And the poem’s influence has extended far beyond literature, giving a name to an NFL team (Baltimore Ravens) and providing inspiration for a range of artists, from cartoonists (The Simpsons and Calvin and Hobbes) to musicians (Lou Reed and the Grateful Dead). Write a poem that takes its cue from an element of Poe’s verse that you are especially drawn toward. Consider its themes of loss and devotion; the extensive use of alliteration and rhyme; the “nevermore” refrain; classical, mythological, and biblical references; the question-and-answer sequencing; the symbolism of the raven; or the forebodingly dark atmosphere.
In a New York Times review of three recently reissued books by English-born artist and author Leonora Carrington, Parul Sehgal describes Carrington’s habit of writing in rudimentary Spanish or French, an example of exophony, the practice of writing in a language that is not the writer’s native tongue. Sehgal also recounts Samuel Beckett, who after adopting French, stated in a letter: “More and more my own language appears to me like a veil that must be torn apart in order to get at the things (or the Nothingness) behind it.” Write a short essay about a particularly resonant memory. Then try rewriting the same memory either in another language, even if you only have a basic knowledge of it, or in a style of English that has been “torn apart” and defamiliarized. Do you find this practice freeing or limiting? Which elements of the memory and your storytelling are drastically altered, and what remains consistent throughout both versions?
In “How Deep This Grief: Wrestling With Writing as Therapy” in the September/October issue of Poets & Writers Magazine, Ian Stansel recounts not being able to write about his sister after her death, but realizing that he could write for her and try to write a book that she would love. Part of Stansel’s writing practice involves choosing someone he knows, often a family member, to stand in as the “ideal reader” that he keeps in mind while working on specific projects. Write a short story and use someone you know as an imagined ideal reader. Does having one specific person as your imagined reader inspire you to draw certain ideas, motifs, traits, or themes to the surface?
Bright blue hot springs ringed by yellow and orange. Red canyons, green auroras, cloud-white ice caves, golden sand dunes. Browse through National Geographic’s slideshow of some of the most colorful places on earth, many of them naturally occurring, and take in the sights. Then, write a poem that incorporates a variety of colors, hues, and shades found in nature. Allow the images and colors to guide your poem’s thematic direction, perhaps toward an expansive meditation of the outdoors, or toward memories or associations with people in your life.
“First you live through the experience. Then you find out what it meant. Then you write.” Joyce Maynard’s essay “Patience and Memoir: The Time It Takes to Tell Your Story” in the September/October issue of Poets & Writers Magazine emphasizes the importance of the passage of time and reflection as a vital part of the process of memoir writing. Write a memoiristic essay about an event or situation from your distant past. Was this a subtle experience that became more significant with time or an experience that instantly changed your life? What had to happen before you could gain enough distance for insights to be revealed? How might the meaning of this experience potentially continue to evolve in the future?
Total eclipses throughout history have been the cause and inspiration for countless tales of strange or mysterious occurrences, including odd behavior exhibited by confused animals: birds flying erratically, spiders destroying their webs, frogs and crickets chirping, whales breaching, and bats appearing. Write a short story that takes place over the duration of a total solar eclipse, in which an animal’s reaction to the sudden darkness is the catalyst for an unexpected turn of events.
Swamp soccer, air guitar, wife carrying, mosquito killing, and ant-nest sitting are all examples of the unusual competitive championships that have become increasingly popular in Finland in the last couple of decades. Write a poem inspired by the imagery you envision for one of these wacky sporting events, based on their name. How can you play with sound, syntax, and vocabulary to convey humor, joy, triumph, loss, and perseverance with an irreverent spirit?
In a new program that debuted earlier this month, the majority of employees at a technology company in Wisconsin agreed to have microchips implanted into their hands, which allow them to swipe into the office building and purchase food at the cafeteria. Many of the employees see the program as an opportunity to participate in cutting-edge technology that they believe will be standard protocol in the near future. Given the choice, would you opt in or opt out? Write a personal essay about your perspective on this issue, perhaps exploring how your opinion about the incorporation of technology into everyday life may have changed over the years, and your feelings about the prospect of integrating technology into your body.
The Atlas Pursuit is David Wise’s debut novel in which a fictionalized version of actress Patricia Neal hires a private detective to help her unravel a mystery. The novel uses true details from Neal’s life, including the fact that she was once married to author Roald Dahl, who was a British pilot and spy during World War II. In order to solve riddles and unlock chapters of the interactive digital book, readers can use online research supplemented by visits to public New York City landmarks connected to Neal and Dahl’s lives. Think of several public landmarks located in your city, and integrate them as clues or red herrings in a short mystery story. How does zeroing in on the small, specific details of familiar landmarks imbue your story with a layer of suspense or tension?
“As much as we might have enjoyed reading (and writing) poetry when we were children, in school we are taught that poetry is inherently ‘difficult,’ and that by its very nature it somehow makes meaning by hiding meaning,” writes Matthew Zapruder in the New York Times essay “Understanding Poetry Is More Straightforward Than You Think.” In “To Vibrebrate: In Defense of Strangeness,” a response to Zapruder's piece on the Poetry Foundation’s Harriet blog, Johannes Göransson counters: “Not all poems prioritize everyday language. Some poems value arguments and narrative above the experience of language. Sometimes poems have mystical meanings.... The idea that poetry—or language in general—is ever ‘straightforward’ seems impossible to my immigrant ears and eyes.” Taking inspiration from the issues being argued, choose a theme or subject and then write two versions of the poem: one that uses more literal or straightforward language, and one that approaches your subject from a more oblique or mystical angle.
”I live in and think about cities a lot. When I think about intersectionality, I always see a literal intersection,” Rebecca Solnit said in a recent interview in the Nation. “Let’s hang out on the corner. Let’s meet at the intersection.” Intersectionality describes the interconnectedness of social categories, which may overlap to create systems of advantage and disadvantage. Jot down some notes on two or more social identities with which you identify, perhaps related to race, class, gender, religion, or age. Envision these categories meeting at a literal intersection or city street corner. Write a personal essay inspired by this image. Consider each category and how those categories interact and build on one another when they meet. Draw on memories and experiences you’ve had that exemplify or magnify your reality within these identities.
Though many of us look forward to the higher temperatures and longer daylight hours of summer, studies show that particularly hot and humid days often coincide with higher incidences and expressions of anger, frustration, and irritation. Many elements may factor into this correlation, including people spending more time outside in crowds, an influx of adolescents and tourists during the summertime, increased heart rates because of the heat, and discomfort from dehydration and lack of sleep. A feeling of helplessness or lack of control over the weather may also contribute to snappish behavior. Write a short story in which your main character struggles to keep calm on one of the hottest days of the year. What is the catalyst that drives your character to lose patience or keep cool?
“Generally I think that when you’re talking about the music of a country, you’re talking more or less about the soundtrack of a country, the soundtrack by which people’s lives are lived,” poet Tyehimba Jess said in a recent interview with the New School’s Wynne Kontos. “What’s interesting to me is to hear about the lives of the people who have created that soundtrack.” Jess’s Pulitzer Prize–winning collection, Olio (Wave Books, 2016), covers an array of nineteenth- and twentieth-century African American musicians and performers, presenting a multiplicity of voices and histories through a collage of verse, song, and narrative. What musicians are part of the soundtrack of your life? Choose several musicians or bands integral to your soundtrack, and write poems that reflect on the lives of these musicians, combining research and imagination in a song of your own.
In times of conflict, we often experience an instinct for self-preservation. Last month, a truck transporting thousands of hagfish in Oregon was involved in a collision that resulted in the eel-like creatures spilling out and releasing massive amounts of slimy mucus onto the highway and cars. In their natural deep-sea habitat, one of the functions of the slime-spewing is as a defense mechanism, clogging the gills of attacking predators. Think of a time when you’ve responded in a stressful situation with a defense mechanism of your own. Write an essay about the encounter, exploring your emotional responses and aspects of your personal history that may have contributed to your instinctive reaction.
“And for me, while fiction is necessary, I prefer it to be timeless rather than timely,” says Arundhati Roy in “Worth the Wait,” Renee H. Shea’s profile of the author in the July/August issue of Poets & Writers Magazine. This week, try out an exercise to make your own fiction more timeless. Search through your writing for an excerpt in a short story that includes markers of a contemporary setting, perhaps in its mention of modern objects, technology, or usage of slang. Then revise that section of the story by transforming the contemporary elements into description or dialogue that incorporates more timeless language.
Watermelon, Mississippi Mud Pie, Red Velvet, Pumpkin Spice, Firework. The original Oreo with its classic pairing of chocolate cookie and white cream filling might remain unchanged, but over the years the Nabisco company has released limited edition flavors to the delight of some fans and the confusion or disapproval of others. Write a poem dedicated to a beloved snack from your childhood, exploring how it has changed or remained the same throughout the years. Consider the effect that consistency has on your life, even in the form of a favorite snack.
“To stand in this library again is a profound experience, a return to a wellspring of story and encouragement, here where many of the librarians knew me by name when I was a shy kid who’d walk home with a stack of seven books, one to devour each day before exchanging them for the next stack,” writes Rebecca Solnit in an essay about returning to her childhood public library, adapted for Literary Hub from a talk at Novato Public Library in California. Write an essay that reflects on your own experiences visiting libraries, whether long ago or more recently. Taking inspiration from Solnit’s essay, feel free to wander from metaphysical associations to books and reading, to personal memories tied to physical spaces, to the geographical and cultural history of the library’s locale.