Man Repeller is a lifestyle website that “explores the expansive constellation of things women care about” with “the conviction that an interest in fashion doesn’t minimize one’s intellect.” Drawing inspiration from their Outfit Anatomy series, where staff members answer questions about how and why they chose their ensemble on a given day, write a personal essay about what you’re wearing for the day. Study each article of clothing, as well as any accessories, and revisit the myriad of thoughts you had in the process of getting dressed. What do these items communicate about you, and what do they hide? Do your clothes reveal a deeper emotional state?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
French photographer Thomas Jorion spent a decade taking shots of abandoned eighteenth- and nineteenth-century Italian mansions for his series Veduta. “At first I photographed them to keep a trace of the places before they disappeared,” says Jorion in an interview for My Modern Met. “And then I realized that there was a beauty, an aesthetic, that emerges with shapes, colors, and lights. I do not necessarily look for abandonment, but rather the patina of time.” Write a short story in which your main character encounters a now forgotten, but once majestic, building. Explore the feelings that are stirred as a result of encountering this crumbling beauty. Is there a certain, sustained charm to be found in this remnant of the past, or is it overshadowed by the ephemeral aspect of this man-made structure?
Honey Boy, a semiautobiographical film written by and starring Shia LaBeouf, offers an honest and complex portrait of his childhood and relationship with his father. LaBeouf plays a version of his father in this drama, delving into the character’s particular psychology, speech, and mannerisms. Write a persona poem in which you take on the identity of a family member. Step inside this person’s skin and consider what thoughts occupy their mind, what tone and vernacular they might possess on the page. As an additional step, try including pieces of dialogue you can recall having with this person.
“I really like the idea of continuing. I don’t like the idea of a dance starting and just being really short,” says choreographer Molissa Fenley in a 2018 interview for BOMB when asked about the heavy dose of endurance required for her pieces. “I find, physically, that the metabolic change that takes place in moving for a long time is really interesting. It opens your brain in different ways.” Write an essay where you consider a time when you continued onward with an act, whether physical, mental, or emotional, to the point of exhilaration or exhaustion. How did pushing onward for an extreme amount of time affect you? Score out the experience from beginning to eventual end.
In anticipation of Zadie Smith’s first short story collection, Grand Union (Penguin Press, 2019), an interview with the author was published in September in Marie Claire. When asked about whether living in the United States and England affects her writing, Smith responded, “I think of myself as somebody not at home, I suppose. Not at home anywhere, not at home ever. But I think of that as a definition of a writer: somebody not at home, not comfortable in themselves in their supposed lives.” Write the opening line of a short story from the perspective of a character who is experiencing a feeling of not belonging. How do you convey this sentiment in one sentence? If this first sentence inspires more, continue on with the story.
In the New York Times Anatomy of a Scene video series, a director talks through one scene of their film and speaks to all the behind-the-camera action, planning, and unexpected occurrences that allowed for this sequence to take shape. Write a voice-driven poem where you narrate a scene from any film that moves you emotionally and creatively. Perhaps this scene is connected to a memory or experience of your own, or you notice something subtle in an actor’s performance. What is brimming beneath the surface of this visual? What can you share about this moment in the film that another viewer may not catch?
After the death of a close relative, Itaru Sasaki installed a phone booth in his backyard garden in the coastal town of Otsuchi, a glass enclosure where he could speak into a disconnected rotary phone as a way of processing his grief. After the 2011 tsunami in Japan, Sasaki opened his kaze no denwa, roughly translated into “wind phone,” to other community members mourning loved ones. Write a personal essay in the form of a letter or communication to someone no longer in your life. What would you choose to share about your own life and current updates? What feelings, emotions, or sentiments would you want to reiterate to the other person, whether for the hundredth time or for the first time?
In the December 2019 issue of National Geographic magazine, photographer Corey Arnold writes about an expedition last winter to change the batteries in the radio collar of a black bear in Utah’s Bryce Canyon National Park that he assumed would be hibernating. The bear turned out to be awake, which made the adventure more adventurous than expected. Write a short story in which your main character is operating under the assumption that an upcoming activity will be safe, but at a crucial moment discovers that danger is lurking. How do you ramp up the sense of anxiety and tension? Does your protagonist respond calmly or with panic when confronted with a sudden terror?
“Often discussions of persona poetry focus on its potential for cultivating empathy, inhabiting another’s perspective, but I have always felt that, inevitably, one circles back upon oneself,” writes Jennifer S. Cheng in Literary Hub about her second collection, Moon: Letters, Maps, Poems (Tarpaulin Sky Press, 2018). “Persona poetry is often compared to wearing a mask, but to me it is like speaking into a shell.” In her book, Cheng writes a series of persona poems in the voice of Chang’E, the woman who floats up to the moon in Chinese folktales. Think of a mythical figure or other fictionalized character who resonates with you, and write a short series of poems that explores this person’s inner self. Allow your own voice to intermingle and draw you toward imagining where your identities might overlap.
“We need to grab the words that have possibility in them and begin using them anew,” writes John Freeman in the prologue to Dictionary of the Undoing (MCD x FSG Originals, 2019). Freeman selects terms from A to Z, from “Agitate,” “Body,” “Citizen,” and “Decency” all the way to “You” and “Zygote,” and writes entries that reclaim, redefine, and expand the definitions of the words to “build a lexicon of engagement and meaning.” Write a lyric essay that borrows this idea, selecting words related to current events of particular importance to you and providing personalized definitions in the form of brief exploratory passages. Reflect on your own experiences, the community around you, and what the future may hold.
If you’re looking for a change in perspective, why not try from the mind of a tiny animal? In a New York Times By the Book interview, when asked what subjects she wants more authors to write about, actor and writer Phoebe Waller-Bridge says, “I wish more people would write from the point of view of tiny, witty animals.” Write a story from a diminutive, bright critter’s point of view. Consider whether this animal observes a larger story enacted by human beings, or if the story’s universe is comprised solely of tiny animals. Try incorporating humor in the voice of this quick-witted creature while still retaining its animal-like nature in unexpected ways.
“Take notes regularly. This will sharpen both your powers of observation and your expressive ability,” writes Lydia Davis in “Thirty Recommendations for Good Writing Habits” in Essays One (Farrar, Straus and Giroux, 2019). This week jot down several lists of different types of observations, such as your feelings, the weather, and your own reactions to the mundane behavior of others as you go about your day. Pay special attention to the facial expressions and small habits or routine movements of people you notice on your commute or while running errands. Write a poem inspired by one or two of these small observations.
This autumn, as you travel to see family, engage in outdoor activities, or plan gifts and meals, pay special attention to the sounds of the season. In “Seeking Silence on a California Road Trip,” National Geographic Traveler editor in chief George W. Stone writes about tracking the sounds he encounters on a summer journey made by airplanes, birds and insects, air conditioners, sand dunes, and crashing waves. “I set out on a 500-mile sound quest that took me from the drumbeat of civilization to nearly noiseless realms. I did not turn on the radio, though occasionally I sang a song that came to mind. I barely spoke; instead I tried to hear whatever came my way.” Jot down notes as you go about your day, then write a personal essay that explores the season’s soundscape. What harmonies do you find between the moments of sound—or noise—and silence?
The manipulation of memory has been a point of inspiration for a number of literary works, resulting in iconic fictional elements such as the memory implants in Philip K. Dick’s 1966 story “We Can Remember It for You Wholesale,” the mind-wiping in Robert Ludlum’s novel The Bourne Identity (Bantam, 1980), and the memory downloads and uploads in George Saunders’s 1992 story “Offloading for Mrs. Schwartz.” In Yoko Ogawa’s The Memory Police (Pantheon, 2019), translated from the Japanese by Stephen Snyder, the authoritarian government of an unnamed island eradicates commonplace objects—hats, ribbons, birds, roses—and subsequently attempts to erase all memories associated with the objects. Write a short story that imagines a world in which memories can be manipulated by choice or by force, by individuals or by powerful governments. What are the rules? How are the emotional trajectories of your characters disrupted when certain memories are altered?
“I received a sign in my dream that you would vanish from me,” Naja Marie Aidt writes in When Death Takes Something From You Give It Back (Coffee House Press, 2019). “But images and signs cannot be interpreted before they’re played out in concrete events. You only understand them in retrospect.” In her memoir, translated from the Danish by Denise Newman, Aidt explores the dreams she had about her son, which in hindsight seem portentous of his accidental death in 2015. Think about dreams you’ve had in the past that still linger, or search through old writing to dig up images that are repeated. Write a poem that attempts to find meaning or a connection within these visual artifacts. How can you interpret their significance now?
Earlier this month, art critic Jason Farago wrote a New York Times article advocating for the removal and relocation of the Mona Lisa painting from its place in the Louvre Museum in Paris. Farago argues that the overwhelming popularity and crowding make for untenable viewing conditions, and that the painting itself is perhaps not worth the trouble. Write a personal essay that explores a piece of art—a book, painting, song, film, or live performance—you’ve experienced that left you with a feeling of disappointment. Describe the encounter, and then use the experience as an opportunity to reflect on a comparable work of art that’s underappreciated and deserves more widespread acclaim. How does your emotional response to the artwork affect your preferences?
Herb strewer, runemaster, toad doctor, bobbin boy. These are all occupations listed on a Wikipedia list of obsolete occupations—job positions that existed in the past that were rendered obsolete at some point because of technological advances and other sociocultural changes. Write a story that revolves around a character working a job that seems to be outdated or on the brink of obsolescence. How can you revitalize the job and its value in your story? Considering the rapid transformations brought about by technology in current times, what are the larger implications?
At JSTOR Daily, a recent story reports on the crowdsourced online slang dictionary Urban Dictionary from a linguistic perspective, noting its inclusion of both niche joke word usage and its usefulness as an archive of social meanings for words such as “like” and “eh.” This week write a poem that incorporates some of your favorite slang or informal vernacular phrases. You might decide to allow this diction to pull your poem towards one tonal direction, or to offset its informality with more conventional elements of meter.
“I had to write the book for two reasons. The first one was gratitude for all that kept me alive and made life worth living, and the second was vengeance against all that diminishes life,” writes Anne Boyer in an interview about her memoir, The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care (Farrar, Straus and Giroux, 2019), for the Poetry Foundation’s Harriet blog. Think of an urgent issue in your own life which has provoked in you both feelings of gratitude and vengeance. Write a personal essay that expresses both of these important emotional states. How do you give voice to these feelings in a complex and productive or healing way?
Queering the Map is an online interactive mapping project where users can post queer stories, memories, and anecdotes that are geolocated on a browsable world map. In Condé Nast Traveler, Melissa Kravitz writes, “Rather than centering the stories around a building or historical monument, it adds a bench carved with the initials of a couple on the west coast, the spot where a person came out to themselves, or the site where a fundraising group collected money for AIDS victims to the collective queer history.” Write a scene in a story that establishes the setting by noting a memory that is attached to a mundane item or physical structure. How does this infusion of a backstory inform the relationships that your character develops?
Is there something in the way you move? A study published last month in the Journal of Applied Physiology presented findings that people have unique movement patterns like fingerprints, ways of walking specific to each individual due to distinct muscular contractions. This week observe the idiosyncratic motions of someone close to you, whose gait you can detect from afar or out of the corner of your eye. Write a poem that attempts to capture this person’s particular way of moving. Utilize sound, rhythm, and spacing in your lines to depict these recognizable footsteps.
“We deserve to have our wrongdoing represented as much as our heroism, because when we refuse wrongdoing as a possibility for a group of people, we refuse their humanity,” writes Carmen Maria Machado in her new memoir, In the Dream House (Graywolf Press, 2019), about the need to acknowledge the queer community as human beings who are multifaceted and morally complex. Think of someone who at some point has occupied a heroic role in your life and write an essay that attempts to represent all the dimensions of this person. What possibilities are you allowing for when you articulate a person’s flaws or mistakes instead of simply presenting the best version?
“I wanted to write a story and fit it all on a menu and call it ‘Myself as a Menu,’ writes Lynne Tillman in Frieze about a story she wrote for Wallpaper magazine in 1975. “This way I would have a structure and humorously author ‘a self’ as an assortment of so-called ‘choices’, while representing a text as arbitrary, like a menu of disparate dishes and tastes.” Write a story inspired by this menu form, perhaps using a real restaurant menu as a template or launchpad. Create a persona by choosing certain “courses” or “sides” to further elaborate on your character’s personality.
Last month poetry scholars from Keele University opened up a “Poetry Pharmacy” in a Victorian shop in a small town in England. Visitors can participate in poetry classes, specialist day retreats, and consultations and prescriptions for poetry, which all focus on providing mental health support for the local community and emphasize the therapeutic benefits of poetry. “We believe that poetry can do so much to match or alter a mood, to assist in so many ways with good mental health,” says Deborah Alma, the pharmacy’s designated “Emergency Poet.” This week write a poem with an intentional mood in mind, one that is designed to match a bright or pensive mood, or combat and soothe a conflicted one.
Do you believe in ghosts? Browse through the New York Times’ list of haunted hotels and National Geographic’s photo gallery of cemeteries with “views to die for” and think back to a hotel stay or cemetery visit from your own past that might have been tinged with something eerie in the air. Write an essay that centers on this haunting experience. What kind of decorative adornments, distinctive architecture, or imposing weather might have contributed to the mood? Was the tone of the visit tempered by more practical considerations and activities, or did you deliberately revel in the phantasmic atmosphere?
A marine heat wave known as a blob has recently been detected in the Pacific Ocean around Hawaii, similar to the hot spot discovered several years ago that led to massive amounts of coral reef bleaching. In other blob news, a unicellular organism, also known as a blob, has just gone on display at the Paris Zoological Park. The bright yellow slime mold can move an inch and a half per hour, is comprised of 720 sexes, is capable of solving problems, and can split itself into multiple parts and fuse back together. Write a short story in which a blob of your own making appears. Does it bring foreboding, mayhem, or wondrous joy?
Several years ago, New York Public Library staff discovered a box filled with file cards of written questions submitted to librarians from the 1940s to 1980s, many of which have been collected in the book Peculiar Questions and Practical Answers: A Little Book of Whimsy and Wisdom From the Files of the New York Public Library (St. Martin’s Griffin, 2019). Questions include: “What does it mean when you’re being chased by an elephant?” and “Can you give me the name of a book that dramatizes bedbugs?” and “What time does a bluebird sing?” Write a poem inspired by one of these curiously strange questions. Does your poem provide a practical answer, or avoid one altogether leading instead to more imaginative questions?
Last week Science journal published a study with the DNA analyses of graves and found objects from prehistoric German households that demonstrates wealth disparities in inhabitants not previously seen. The findings include indications that under the same roof, there were family members who passed down inherited wealth, unrelated individuals not buried with wealth, and nonlocal women who maintained or married into wealth. Consider the beloved and functional items in your home and write a personal essay that examines how these objects express social complexity or class status. How might you be remembered based on your possessions?
Earlier this month the transcription of a long-lost chapter from The Tale of Genji was found in a storeroom in the Tokyo home of a descendant of a feudal lord. Often called the world’s first novel, the eleventh-century masterpiece written by Murasaki Shikibu recounts the love life of a fictional prince named Genji. In the recently discovered chapter, the prince meets his future wife, Murasaki, who shares the same name as the book’s author. Write a new chapter from a story or novel you know well. What occurs in this portion of the story that might fill in some gaps or offer a new discovery? How does it fit in with, or transform, the meaning of the original text?
What is documentary poetry? In “Where Poetry Meets Journalism” in the November/December issue of Poets & Writers Magazine, documentary poetry, also known as docupoetry, is described as “socially engaged poetry that often uses nonliterary texts—news reports, legal documents, and transcribed oral histories.” Select a piece of journalism that particularly catches your eye or imagination, and then search for nonliterary texts around the same topic or theme. Write a docupoem that chronicles a story or experience by combining these found texts with your own observations and language.
“John Bonham was the coolest member of Led Zeppelin and getting hit in the auricle region with a wrench thrown by his apparition would be a damn honor,” writes Timothy Cahill in “Five Things I’d Rather Get Hit With Than Have to Hear Led Zeppelin’s ‘All My Love’” on McSweeney’s Internet Tendency. Think of a song that’s gotten stuck in your head, an especially irritating earworm that was just the wrong thing at the wrong time. Write a humorous personal essay about the song and the havoc it wreaked on your life, perhaps using satire or exaggeration for comedic purposes. Does the song have a pop cultural context? Was there a time when you enjoyed it? If so, what changed your outlook?
“I try to produce work to help somebody know something of a world they don’t know,” says Reginald Dwayne Betts, author of Felon (Norton, 2019), in “Name a Song,” a conversation with Mahogany L. Browne in the November/December issue of Poets & Writers Magazine. This week, think of the various worlds that you’re privy to, perhaps through your geographical location, cultural background, work history, hobbies and passions, or life experiences. Write a short story inspired by an expansion and fictionalizing of one of these worlds, providing a glimpse of a world you know well.
A recent study published in Open Science reveals that the songs of male humpback whales are informed by the exchanges they have with each other during their travels. In this way their vocalizations denote their migratory route. Throughout the day, jot down bits and pieces of conversation you’ve either partaken in or overheard, song lyrics you have in your head, and any phrases or words that strike you. Use these bits of language to compose a poem that will then become your travel song, a way of detailing the encounters you’ve had throughout your daily voyage. Where have you been and what have you heard?
“At almost one o’clock I entered the lobby of the building where I worked and turned toward the escalators, carrying a black Penguin paperback and a small white CVS bag, its receipt stapled over the top.” The entirety of Nicholson Baker’s debut novel, Mezzanine (Weidenfeld & Nicolson, 1986), takes place during a ride up an office escalator during a lunch break. Baker inserts extensive footnotes on ordinary phenomena such as shoelaces, milk cartons, perforated paper, plastic straws, paper towel dispensers, and the contents of his lunch into the story. Write a personal essay that uses footnotes to delve into the details of an hour in your daily routine. Incorporate minutiae about your physical movements and observations of mundane objects to express the significance of your everyday experience.
Can’t fall asleep? Would it help if a voice soothed you with murmured reassurances and flattering serenades? A recent New York Times article featured the creator of DennisASMR, a YouTube channel in the growing genre known as A.S.M.R. (Autonomous Sensory Meridian Response) boyfriend role-play. The teenager who lives with his parents in Savannah, Georgia creates eerie scenarios of one-sided conversations that are watched by millions of viewers. Write a short story that imagines the lives of characters viewing these videos. Why do they look to these videos for comfort? How does this role-play help or hinder their lives?
Last year a British ultramarathoner competing in northwest Canada donated his frostbitten amputated toes to a Yukon hotel bar. Renowned for serving the Sourtoe Cocktail, a shot of whiskey with a mummified human toe dropped inside (the toe is not swallowed, but must touch the drinker’s lips in order to join the club and receive a certificate), the bar depends on donated digits. Write a poem inspired by emotional and visceral responses to this unusual cocktail and ritual. Explore the possible themes of human connection, extreme adventure, sacrifice and generosity, and horror with humor.
In a recent interview for BOMB Magazine, poets Prageeta Sharma and James Thomas Stevens visit the New Mexico Museum of Art in Santa Fe and discuss topics ranging from Native American artists to identity, community, and appropriation. Throughout the interview the paintings and artworks viewed at the museum are brought into their conversation, propelling them to go in new directions or to speak more deeply on a subject. This week take a walk somewhere scenic—perhaps in a park, natural environment, or art museum—and write a short lyric essay that ties together issues already on your mind with ones that come up as you explore and carefully observe your surroundings.
“Sometimes the narrator tries to steer her thoughts in directions she prefers, or recoils from certain darker avenues of thought, but she can’t keep it up for long,” writes Lucy Ellmann in a Washington Post interview about her new novel, Ducks, Newburyport (Biblioasis, 2019), which is comprised of a single sentence that extends over a thousand pages. Write a short story that is entirely contained within one sentence. Allow for detours and interruptions—tidbits of song lyrics, physical sensations, flashbacks—to flow and come out. How do all the thoughts and distractions combine to form a bigger picture or statement?
“When you get into the occult community and the literature, it’s not just about ‘talking’ to or ‘communing’ or ‘feeling’ spirits. It’s also at the other extreme, evocation,” writes Katy Bohinc in “Poetry as Magic” in the Poetry Foundation’s Harriet blog. “Evocation is the practice of calling a spirit into a room, getting its signature on a piece of paper, interpreting its messages as divination, and then sending the spirit into the world to do your bidding.” Have you ever felt yourself in the presence of a spirit, or seen evidence of one? Write a poem that revolves around a real or imagined evocation of a spirit. What do you ask of this spirit?
The abacus: a time-tested tool or outdated artifact? A recent New York Times article showcased an annual abacus tournament in Kyoto with competitors ranging in age from eight to sixty-nine years old. Children across Japan were taught proficiency in using the tool for calculations until the early 1970s, but since then instruction has been cut down to a couple of hours of basic use during elementary school, though advocates are pushing for reinstatement. Think of an object, tool, or method that you currently use that might be considered old-fashioned. Write an essay that reflects on why you continue to use this method. What are its drawbacks and advantages?
A study published last week in the journal Science detailed findings that the North American bird population has dropped by three billion since 1970, a decline of twenty-nine percent in less than fifty years. Write a story that revolves around how an imminent extinction of all birds affects one specific character. Is there a moment of realization when this decimation impacts your character’s life? How does the disappearance of these creatures change the human relationships in your story?
The “Don’t have a bookmark?” meme began as a brand marketing tool on Twitter showing photos of objects—including Chex Mix, Oreo cookies and milk, and Vitaminwater—poured into the pages of books to use as bookmarks, which quickly ignited a storm of retorts. In one response, a librarian posted a photo depicting a soft taco that had actually been flattened into the pages of an edition of Edward Lear’s 1871 book, Nonsense Songs and Stories, found at her library in Indiana. This week write a poem inspired by this literal mash-up of food and words. How can you play with diction, line breaks, spacing, and typography to express humor, dissonance, and a mix of themes?
The summer season is always ripe for trends that pair with warm weather like beaded necklaces, tie-dye T-shirts, and the bright orange Aperol Spritz cocktail. Some might revel in what’s in vogue, and others might scoff at the buzz. Now that the fall equinox is just around the corner, reflect on what’s been all the rage and pen a humorous essay declaring a controversial opinion about something trivial but trendy. Consider the reasons behind the proliferation of the fad of your choosing—Cronuts, standing desks, axe throwing bars—and then discuss why you find the craze overrated, absurd, or downright dangerous while interjecting personal history and experiences.
“It was like a plot from one of her own novels: On the evening of Dec. 4, Agatha Christie, carrying nothing but an attaché case, kissed her daughter good night and sped away from the home in England that she shared with her husband, Col. Archibald Christie.” In the New York Times, Tina Jordan writes about mystery author Agatha Christie’s unexplained eleven-day disappearance in the winter of 1926. Jordan’s article unfolds through a series of excerpts and news clippings detailing the incident. This week write a short story that similarly uses fragments from news reports or photographs to slowly reveal information over a period of time.
“I focused on myself all this time because that’s what I thought poetry was—personal narrative,” says poet Jake Skeets in an interview about his debut collection, Eyes Bottle Dark With a Mouthful of Flowers (Milkweed Editions, 2019), in the September/October issue of Poets & Writers Magazine. It was during his time with mentors at Santa Fe’s Institute for American Indian Arts that Sheets began to see the intersections between his personal life and broader explorations of the New Mexico reservation where he grew up. Jot down a short list of seemingly disparate topics you’ve written about in different pieces or projects, and write a poem that combines two or more of these themes. Consider both the natural intersections you land on initially, and perhaps some distant connections that require more of an imaginative stretch.
In Marguerite Duras’s 1985 essay, “Reading on the Train,” from the collection Me & Other Writing (Dorothy, a publishing project, 2019), translated from the French by Olivia Baes and Emma Ramadan, Duras writes about reading the first half of Leo Tolstoy’s War and Peace while on a train and feeling that in speeding through the story, she’d sacrificed a more intense, less narrative-driven understanding of the book. “I had realized that day and forever after that a book was contained between two layers superimposed with writing, the legible layer that I had read that day as I traveled and the other, inaccessible.” Write an essay about a beloved piece of literature in which you discuss both the legible layer and attempt to decipher or articulate a deeper resonance of the writing. What can you glimpse—in the story and in yourself—when you delve beyond the literal reading?
“When you’re in boarding school you imagine how grand and fine the world is, and when you leave you’d sometimes like to hear the sound of the school bell again.” In Fleur Jaeggy’s 1989 novel, Sweet Days of Discipline, translated from the Italian by Tim Parks and recently rereleased by New Directions, the adult narrator recounts her experiences as a fourteen-year-old boarding school student in postwar Switzerland, a time of conflicting desires and emotions, repetitive routines, and confusing power dynamics. Write a story that takes place in a school, inspired by memories of your own school days. Aside from the knowledge gained from textbooks, what were some of the lessons you learned about relationships and social dynamics? You might choose to integrate narration from an older, more removed character with scenes from an adolescent’s perspective.
In “Sisters,” from Brian Evenson’s story collection Song for the Unraveling of the World (Coffee House Press, 2019), the narrator recounts her sister’s observations of an unfamiliar holiday: Halloween. “The carving of pumpkins into the shapes of those rejected by both heaven and hell, the donning of costumes (by which she meant a sort of substitute skin affixed over the real skin, though in this locale they used an artificial rather than, as we were prone to do, an actual skin), and the ‘doorstep challenge.’” For the family of ghosts new to the neighborhood, the contemporary customs of scary costumes and trick-or-treating are defamiliarized, and the reader is presented with parallels between humans wearing costumes—“artificial” skins—and the ghosts’ tendency to inhabit real human bodies, or “actual” skin. Write a poem in the first person that explores the idea of slipping into another’s skin. Invoke both horror and humor as you consider what might become unfamiliar once you experience the world through someone else’s eyes.
“I saw the book as another kind of house. How did I want the reader to pass through it? What room would they enter first, and how should that room feel?” writes Sarah M. Broom about the structure of her debut memoir, The Yellow House (Grove Press, 2019), in “The New Nonfiction 2019” in the September/October issue of Poets & Writers Magazine. Write a memoiristic piece, or revisit one already in progress, and work on constructing it like a house that the reader must pass through. Plan out the points of entry and exit, and organize different sections or vignettes to be experienced as rooms visited one after another.
How does the atmosphere of a cathedral change when a carnival slide is installed inside of it? A recent New York Times article reported that in an attempt to engage people into visiting and attending their services, a number of ancient churches and cathedrals in England have incorporated installations such as a four-story-tall winding carnival slide, a space-themed exhibit with a reproduction of the moon’s surface, and a mini golf course. Write a story that takes place in a cathedral that has incorporated some untraditional elements. Does the incongruity offer a different perspective of the space? Are the new features considered a disruption or are they welcomed?