In the past fifteen years or so, dozens of lighthouses no longer needed by the United States Coast Guard have been auctioned off to the public. Buyers have found a variety of new uses for their lighthouses, such as converting them into hotels or vacation homes, or even a concert venue. Write a short story in which your main character comes into possession of a decommissioned lighthouse. Where is it located and how does she decide to make use of it? Does it end up being a blessing or a burden? How can you play with the metaphorical potential of the lighthouse in an unexpected way?
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
The campus novel is a work of fiction that revolves primarily around an academic campus, most often a college or university. Some fall into the category of coming-of-age stories, such as Jeffrey Eugenides’s The Marriage Plot and Elif Batuman’s The Idiot, while others are more focused on faculty, such as Mary McCarthy’s The Groves of Academe and Philip Roth’s The Human Stain. Campus novels offer the opportunity to explore characters within the hierarchical structures and pressurized environment of a closed educational system and the contrasting perspectives of teachers and students because of differences in age, power, class, and social and cultural values. Write a short story that focuses on students and/or teachers in a high school or college setting, perhaps integrating elements of comedy and satire like Kingsley Amis’s Lucky Jim and Jane Smiley’s Moo, science fiction like Jonathan Lethem’s As She Climbed Across the Table, murder mystery like Donna Tartt’s The Secret History, sports like Chad Harbach’s The Art of Fielding, or supernatural Gothic horror like Joyce Carol Oates’s The Accursed.
In “How Deep This Grief: Wrestling With Writing as Therapy” in the September/October issue of Poets & Writers Magazine, Ian Stansel recounts not being able to write about his sister after her death, but realizing that he could write for her and try to write a book that she would love. Part of Stansel’s writing practice involves choosing someone he knows, often a family member, to stand in as the “ideal reader” that he keeps in mind while working on specific projects. Write a short story and use someone you know as an imagined ideal reader. Does having one specific person as your imagined reader inspire you to draw certain ideas, motifs, traits, or themes to the surface?
Total eclipses throughout history have been the cause and inspiration for countless tales of strange or mysterious occurrences, including odd behavior exhibited by confused animals: birds flying erratically, spiders destroying their webs, frogs and crickets chirping, whales breaching, and bats appearing. Write a short story that takes place over the duration of a total solar eclipse, in which an animal’s reaction to the sudden darkness is the catalyst for an unexpected turn of events.
The Atlas Pursuit is David Wise’s debut novel in which a fictionalized version of actress Patricia Neal hires a private detective to help her unravel a mystery. The novel uses true details from Neal’s life, including the fact that she was once married to author Roald Dahl, who was a British pilot and spy during World War II. In order to solve riddles and unlock chapters of the interactive digital book, readers can use online research supplemented by visits to public New York City landmarks connected to Neal and Dahl’s lives. Think of several public landmarks located in your city, and integrate them as clues or red herrings in a short mystery story. How does zeroing in on the small, specific details of familiar landmarks imbue your story with a layer of suspense or tension?
Though many of us look forward to the higher temperatures and longer daylight hours of summer, studies show that particularly hot and humid days often coincide with higher incidences and expressions of anger, frustration, and irritation. Many elements may factor into this correlation, including people spending more time outside in crowds, an influx of adolescents and tourists during the summertime, increased heart rates because of the heat, and discomfort from dehydration and lack of sleep. A feeling of helplessness or lack of control over the weather may also contribute to snappish behavior. Write a short story in which your main character struggles to keep calm on one of the hottest days of the year. What is the catalyst that drives your character to lose patience or keep cool?
“And for me, while fiction is necessary, I prefer it to be timeless rather than timely,” says Arundhati Roy in “Worth the Wait,” Renee H. Shea’s profile of the author in the July/August issue of Poets & Writers Magazine. This week, try out an exercise to make your own fiction more timeless. Search through your writing for an excerpt in a short story that includes markers of a contemporary setting, perhaps in its mention of modern objects, technology, or usage of slang. Then revise that section of the story by transforming the contemporary elements into description or dialogue that incorporates more timeless language.
According to the residents of La Unión, a small farming community in rural Honduras, at least once a year the skies rain fish, a phenomenon explained by locals with a variety of scientific, religious, and superstitious theories and legends. Locally regarded as a miracle, the day after a spectacular and torrential storm, the ground is covered with hundreds of small, silver-colored fish. Write a short story that takes place in a setting where a similarly surprising and perhaps inexplicable phenomenon exists year after year. Does your main character fall on the side of science or superstition? Does she respond with skepticism, wonder, or indifference? How does this experience affect her life?
“But now I think I hate those fairy tales.... Not really the tales, but how they end. Three words that ruin everything. ‘Happily ever after,’” says an old man in Victor LaValle’s new novel, The Changeling (Spiegel & Grau, 2017). Write a short story that revolves around this notion that the phrase “happily ever after” can involve something more complex, or even ruinous, than what’s seen at first glance. You might choose to write a continuation from the established ending of a well-known fairy tale, or concoct a brand new story in which the idea of a happy ending is just the start to ruinous consequences.
July 2 is the anniversary of the vanishing of Amelia Earhart during her 1937 quest to be the first female pilot to fly around the world. Earlier this month, the History Channel revealed a photo found in the National Archives that some have speculated shows Earhart and her navigator on a dock in the Marshall Islands sometime before 1943, adding to the list of theories, conspiracies, possibilities, and probabilities that have long surrounded her disappearance. Write a short story that imagines the sudden unearthing of another piece of this puzzle, perhaps putting a fantastic, outlandish, or eerie twist on Earhart’s disappearance. Who discovers this potential evidence? What unexpected direction does this lend to Earhart’s story?
In the 1982 comedy film Fast Times at Ridgemont High—based on Cameron Crowe’s 1981 nonfiction book of the same name—several of the main characters are depicted working summer jobs at various fast food joints in a Southern California mall. Write a short story that revolves around a high school student’s first summer job. What kind of unfamiliar characters or unexpected situations does she encounter? Does her inexperience lead to humorous or embarrassing misunderstandings? Use this new working experience and environment to explore a transformation in your character.
Our willingness to forgive can be challenged by hurt feelings, guilt, and sometimes, our egos. It is not an easy task but in writing, we can explore different perspectives and outcomes. Write a story in which a character is trying to forgive someone. What are the circumstances that bring your character to this point of forgiveness? Is there an expectation that this act of forgiving will change their relationship for the better? To hear stories of people struggling to forgive others and themselves, listen to this episode of NPR’s TED Radio Hour.
Throughout his life, Henry James maintained friendships with and was influenced by painters such as John Singer Sargent and James McNeill Whistler. In his 1884 essay, “The Art of Fiction,” he wrote: “The analogy between the art of the painter and the art of the novelist is, so far as I am able to see, complete. Their inspiration is the same.... They may learn from each other, they may explain and sustain each other. Their cause is the same, and the honour of one is the honour of another.” Write a short story that pays homage to a painting you particularly like. Perhaps there is a scene depicted or a statement made that sparks a narrative. Imagine the inspiration or cause for the painting, and then experiment with mirroring that to drive the writing forward.
Beneath the streets of San Francisco lay the remains of dozens of old ships left over from the Gold Rush in the mid-1800s. The ships transported prospectors hurrying to California, but eventually most were abandoned and buried under landfill as the city grew. Write a short story in which something monumental, such as abandoned vessels, secret documents, or mysterious remains, lies beneath the streets of the city. Which character becomes privy to this once hidden information? How can you be experimental or playful with the evocative image of a city built on top of layers of history?
The life-size blue whale model displayed at the American Museum of Natural History in New York City—nearly one hundred feet long and over twenty thousand pounds—recently had its annual cleaning. Write a short story with a scene in the museum during this two-day long process, perhaps describing some of the images taken of the huge animal model being vacuumed by the exhibition maintenance manager in a cherry picker. Does this scene act as a backdrop to the main drama of the story, or have metaphorical significance? Are your characters directly impacted or involved with the unusual cleaning process?
One of the elements that makes David Lynch’s TV show Twin Peaks, which returns with a third season this spring, so unusual is its dreamlike combination of melodrama, horror, humor, and cast of idiosyncratic characters. Its surrealism is emphasized by the repeated appearance of mundane yet mysterious visuals—cherry pie, coffee, logs, and owls—which take on motif-like significance in the series. In literature, authors such as Haruki Murakami and Roberto Bolaño have also mixed the odd with the everyday to similar hallucinatory effect in their books. Jot down a list of objects that have had some sort of resonance in your life, even if they may seem like unexceptional items. Write a short story in which you insert these images throughout the text. Is there an intuitive dream logic that can help guide their placement? Do they have metaphorical potential?
In Fijian legend, a young girl falls in love with a boy from a neighboring village to the disapproval of her parents, and her tears of despair transform into red and white flowers. The hanging clusters of the elusive tagimoucia blossoms—only found regularly on one specific mountain ridge on the island of Taveuni—are the subject of a number of local Taveuni stories, several of which involve young women whose tears turn into the petals of the flower. Write a short story that revolves around an imaginary legend or folk tale about local flora. How does the story gain significance as it’s transmitted among peers and between generations? What sort of unexpected ramifications does the legend have on your characters? Who falls under its spell, and who remains immune to its powers?
The Met Gala is an annual fundraiser held in May to celebrate the opening of the Costume Institute’s fashion exhibit. The Gala is known for the elaborate attire of its guests, like the 2017 looks from pop icons Rihanna and Zendaya. Write a story that includes a scene in which a character briefly wears an elaborate outfit or costume. How might the clothing change the way they understand themselves? How might it change the way other characters view them?
One of the oldest trees in the United States—a white oak in a church cemetery in New Jersey estimated to be six hundred years old—was cut down last month after it began failing and was ultimately declared dead. According to local stories, George Washington and the Marquis de Lafayette met and picnicked under the tree during the American Revolution. Write a short story that revolves around a series of imagined encounters that took place under this tree. You might experiment by combining fictional moments with historical events, or write from the point of view of the tree to provide a fresh perspective.
What kind of secret should be taken to the grave? How might a secret act as proof of intimacy? For the debut of Sophie Calle’s most recent art installation, the artist spent two afternoons receiving and transcribing visitors’ secrets, and then depositing them into a monumental obelisk installed in Brooklyn’s historic Green-Wood Cemetery. In Calle’s instructive text about the project, she writes of one previously divulged secret, “At the very moment he was depriving me of his love, this man offered me, through his confession, the ultimate proof of our intimacy.” Write a short story in which you imagine the ending to that story. What is the secret that this man confesses to Calle as they are breaking up? Why does he share it with her in their last moments together?
Can you write a story with a hook, chapters with twists and turns, pages that end on cliffhangers? In the May/June issue of Poets & Writers Magazine, Jonathan Vatner’s article “Serial Fiction for the Digital Age” reports on Radish, a serial-reading mobile app in which writers release fiction installments chapter by chapter for readers to download. Over the course of several weeks, try your hand at writing a long-form story in one-thousand-word segments made for serial reading. How do you manipulate the tone, imagery, and structure of each segment’s ending so that it both concludes the standalone chapter and entices the reader to continue wondering what comes next?
For many species of animals, spring is not only a time of birth and renewal, but also a time of migration. Write a story in which a character witnesses a strange animal migration. Perhaps your character is also in transition—moving towards or away from someone or something. How does this experience affect the story’s plot? For inspiration, read and watch videos about unusual animal migrations in Smithsonian Magazine.
Do we sleep to dream, or to forget? Earlier this year, scientists on two separate research teams published findings that we may sleep in order to forget, essentially paring back the synaptic connections that are formed over the course of a day’s worth of learning, and storing the important information. Write a short story inspired by these discoveries, perhaps imagining a society that has created a technology that can control this nighttime streamlining, or a character who attempts to manipulate this pruning process for her own advantage.
In classic Greek tragedies, the term hamartia, first described in Aristotle’s Poetics, refers to a fatal flaw in the main character of the drama, which causes a chain of events to unfold: a reversal of fortune from good to bad, and the eventual downfall of the character. One traditional example of such a flaw is hubris, an overblown ego and lack of humility. Write a short story in which your protagonist suffers from an unfortunate degree of hubris. Does overconfident pride blind the character to the consequences of that individual’s actions? Does arrogance lead the protagonist toward one big mistake, or several small errors that lead inevitably to tragic misfortune?
NPR’s Tiny Desk Contest had over six thousand entries this year, and was unanimously won by hip-hop and R&B band Tank and the Bangas. One of the techniques the band incorporates is a kind of lyric dialogue between Tarriona “Tank” Ball and Anjelika “Jelly” Joseph who share singing roles, much like two best friends finishing each other’s sentences. Work on a piece of dialogue between two characters who interrupt each other, or riff off of a stream of consciousness flow in conversation. How might you use this technique to build tension in a story?