In this week’s Craft Capsule essay, Julia Sanches discusses using Google Maps as a resource while translating books set in places far from her home in Providence, and how this research has opened up her exploration. “Working on these translations hasn’t exactly given me wings, as the cliché goes, though it has forced me to navigate the geographical makeup of real places I’d never laid eyes on before, whose streets I’d never felt beneath my feet,” she writes. This week, use Google Maps to explore a city or place you’re never physically visited, perhaps the setting from one of your favorite books. Write down details from your research as a starting point for a short story.
The Time Is Now
The Time Is Now offers a weekly writing prompt (we’ll post a poetry prompt on Tuesdays, a fiction prompt on Wednesdays, and a creative nonfiction prompt on Thursdays) to help you stay committed to your writing practice throughout the year. We also offer a selection of books on writing—both the newly published and the classics—that we recommend you check out for inspiration, plus advice and insight on the writing process from the authors profiled in Poets & Writers Magazine. And don’t miss Writers Recommend, which includes books, art, music, writing prompts, films—anything and everything—that has inspired other authors in their writing.
“Now you’re fourteen, standing in awesome slacks and looking at an ungainly body in the mirror,” writes Lana Bastašić in “Bread,” a short story translated from the Serbo-Croatian by Celia Hawkesworth and published in Freeman’s issue on change. “In the mirror is a mutilated body, and inside that body is you.” The story follows a fourteen-year-old girl going through puberty and engages the reader through a second-person perspective in which the “you” makes the awkwardness of the prepubescent body more visceral. This week, write a story from the perspective of an adolescent in the second person. How will you build intimacy in this voice? What are some thoughts only the speaker knows?
“Growing up / we ate turkey cutlets sauteed in lemon / and butter, butter and cheese on green noodles, / butter melting in small pools in the hearts / of Yorkshire puddings, butter better / than gravy,” writes Elizabeth Alexander in her timeless poem “Butter,” in which she depicts her family’s love for butter and the childhood memories attached to these meals. Write a story centered around a family dinner in which a significant conversation occurs. Savor the description of what is eaten and said between forkfuls.
“One night, while watching a friend’s dog, a thunderstorm came rolling over the city. He felt the change in the atmosphere; his tongue flopped out, eyes bulging,” writes Christopher Gonzalez in his Craft Capsule essay “Pet Sitting.” “With a belly brimming with bourbon, I Googled how to help a dog in crisis.” In the essay, Gonzalez recounts pet-sitting for friends and using the experience as inspiration for his short story “What You Missed While I Was Watching Your Cat.” Write a story in which the protagonist is watching a friend’s pet and things go horribly awry. What questions can you ask, as Gonzalez does, to help drive the narrative forward?
Day of the Dead is a two-day holiday that originated in Mexico, in which loved ones who have died are honored and celebrated. Consisting of a variety of traditions, including making ofrendas (altars with offerings for the deceased) and decorating the home with marigolds and skulls, this holiday allows for a time for the living and the dead to reunite through food, music, and dance. Write a story in which a character mourns and celebrates a loved one on Day of the Dead. Describe why their relationship is special and what memories bring them together.
Jezebel’s annual Scary Story contest invites readers to submit true, terrifying tales, some of which are animated into short films. With titles such as “Look at Me,” “911 Calling,” and “Keeping a Secret,” the red-and-black stark videos are perfect to watch as Halloween approaches, if you’re looking for some haunting inspiration. Check out some of the videos and try your hand at writing a scary story based on a real-life experience. Consider how to sustain suspense and incite fear in your readers.
In an interview on Literary Hub, Ruth Ozeki talks about a transformative experience she had in college with a professor teaching Old English: “She asked us to go around the room and introduce ourselves. When my turn came, I said my name and she repeated it. ‘Ruth.’ Her voice was deep and husky, like gravel and honey.” Ozeki goes on to mention that the professor taught her about poetry and German film, among other things, and at the end of the semester told her, “You will be fine. You are going to be a writer.” Write a story about a character whose life is changed by the words of a teacher. How will you show the protagonist's transformation through the care of a generous mentor?
The winter holidays have served as inspiration for writers across the ages, yielding stories such as “A Christmas Tree and a Wedding” by Fyodor Dostoevsky, “One Christmas Eve” by Langston Hughes, and “Santa’s Children” by Italo Calvino. In Calvino’s story a father of three children is ordered by the company that employs him to dress up as Santa Claus and deliver gifts to a town of citizens unimpressed by his costume. The satirical story concludes in a critique of the materialistic nature of the holiday, as the company’s president and head of the “Society for the Implementation of Christmas Consumption” boosts a campaign to push for “the Destructive Gift,” such as matches and hammers. Write a story set during holiday festivities in which something unexpected occurs. Perhaps you might lean into elements of satire or the surreal to explore new dimensions of this familiar territory.
In an article for the Guardian, children’s book author Piers Torday writes about a recent study in the journal People and Nature conducted by the German Centre for Integrative Biodiversity Research which concluded that “animals are being written out of novels at a similar rate to their extinction in the real world.” Torday notes that although there are plenty of animals in children’s literature, there is a shortage of them in novels and concludes that, “perhaps it is time for fiction authors to educate ourselves, and learn how to radically and authentically represent the non-human voice on the page.” This week, write a story with a non-human protagonist. How will you render their voice urgently real?
In an interview for the VS podcast with hosts Franny Choi and Danez Smith, poet Cyrée Jarelle Johnson discusses the appeal of poetic forms and his relationship to breaking them. “If the form is broken, it’s broken for a reason,” says Johnson. Write a short story in which the form of a traditional narrative is somehow broken. Whether by choosing an unexpected point of view, or by defying the conventions of a particular character’s archetype, challenge the expectations of the reader and break the form, as Johnson says, “for a reason.”
A rare townhouse in New York City’s Greenwich Village that was once the home of several artists in its storied history, including poet Edna St. Vincent Millay, cartoonist William Steig and his wife’s sister, anthropologist Margaret Mead, was recently featured in the New York Post. Often called the narrowest home in the city because it is less than ten feet wide, the space was originally an alleyway to a brewery in the 1840s. Write a story inspired by an historic piece of real estate in which your protagonist lives in the former home of a famous figure. How does this history influence your protagonist?
“He said he wanted to set me on fire like a cigarette—he inhaled me with vigor, indulgence, and did so really, really carelessly,” writes Brontez Purnell in his short story “The Boyfriends,” in which titled sections include “Boyfriend 2.0 / The Firefighter,” “Boyfriend #33 / The Hairdresser,” and “Boyfriend #77 / The Chef.” The story, which is featured in Purnell’s collection 100 Boyfriends (MCD x FSG Originals, 2021), consists of quick scenes that have brief conclusions and convincing details, altogether creating a feeling for a particular time in the speaker’s life. Write a story consisting of brief scenes that recount time spent with either one or several lovers. What do these scenes reveal about your protagonist?
“[Amy] Winehouse is so much more than the sum of her parts, isn’t she? The tower of hair. The broad wings of eyeliner. The coldness beneath the boldness, the shyness beneath the highness,” says Diane Seuss in an interview with Tony Leuzzi for the Brooklyn Rail discussing the title of her latest collection, frank: sonnets (Graywolf Press, 2021), a reference to three things: Frank O’Hara; the synonym for honest and direct; and Winehouse’s first album, Frank. Write a story in which the protagonist is based on a legendary singer. Use song lyrics as well as their biography as inspiration for a way to begin the story.
“I’ve been pregnant. I’ve had sex with a man / who’s had sex with men. I can’t sleep,” writes Nicole Sealey in her poem “Medical History,” selected by Reginald Dwayne Betts to be published in the New York Times Magazine. In the poem, Sealey lists the speaker’s and their family’s medical history, creating a startling portrait of genealogy and the anxieties surrounding mortality that come with it. “Uncle Ken, wise as he was, was hit / by a car as if to disprove whatever theory / toward which I write. And, I understand, / the stars in the sky are already dead.” Write a short story in which the protagonist contends with their medical history. How does this fixation on their health affect the way they move through the world?
“Consider this: I’ve spent nine months cradled in my mother’s body,” writes Nawaaz Ahmed in his debut novel, Radiant Fugitives, published earlier this month by Counterpoint. “My world was small and safe and familiar, interrupted only occasionally by light and sounds from the outside. And even those arrived muted by my mother’s flesh and bone, the light tinted by her blood.” The novel, a saga involving an immigrant family’s secrets and betrayals, begins from the point of view of the protagonist’s child at the moment of his birth, infusing the novel’s prelude with disorienting descriptions recounting the experience of first encountering the world. Write a story that begins through the eyes of a newborn. Consider the reason for this beginning and try, as Ahmed does, to suffuse the scene with sensual imagery.
“My story starts decades before my birth. In my father’s earliest memory, he is four years old, shooting a toy gun at nearby birds as he skips to the town square,” writes Qian Julie Wang in Beautiful Country, her memoir about coming of age as an undocumented child in New York City’s Chinatown in the 1990s, published in September by Doubleday. Wang begins by telling the story of her family decades before, during China’s Cultural Revolution, shedding light on the lives her parents led as professors before working in sweatshops and sushi factories in America and relying on their young daughter for help with their daily lives. Write a series of character studies about your protagonist and their parents. Consider how a drastic change in culture can shift the roles in a family. How does this inform the reasons for your character’s actions as well as their values and preoccupations?
This past Sunday marked the end of the 2020 summer Olympic Games in Tokyo, an international, multi-sport event that celebrates the tenacity of the human body and the achievements of athletes at the top of their field. Historically the Olympics have also caused controversy, such as holding the 1936 Berlin Games amid the rise of Nazism, the 1968 Mexico City Games preceding the Tlatelolco Massacre, and the 2008 Beijing Games in which migrant workers were denied proper wages and protections during construction. Write a story that takes place during the Olympic Games in which a dramatic event separate from the athletic competition occurs. For more on controversial Olympic incidents, read this list curated by Teen Vogue.
In a profile of Alexandra Kleeman for the New York Times, she discusses her relationship to the speculative and the setting of a post-apocalyptic California in her latest novel, Something New Under the Sun, out this week from Hogarth. In the novel, only the wealthy have access to temperature-controlled interiors and real water. “Things that we’ve always needed, like land, a place to live, resources, become privatized and turned into possessions, when they weren’t to start with,” says Kleeman. Write a story with a speculative setting in which a necessary resource is privatized. Ask yourself “what if” when considering this altered version of reality.
In an interview for the Creative Independent, Jackie Ess discusses how an Instagram account with nature photos started by her partner inspired the titular character of her debut novel, Darryl (Clash Books, 2021). “I started a Twitter account for Darryl,” she says. “I would do these little monologues as Darryl, and I think you see that the chapters are a little bit like Twitter threads.” This week, write a story with a protagonist inspired by a social media presence. Whether it be an influencer or somebody’s dad, how will their virtual mask fold into the conflict of the story?
The first chapter of Jennifer Egan’s Pulitzer Prize–winning novel, A Visit From the Goon Squad (Knopf, 2010), titled “Found Objects,” first published in 2007 in the New Yorker, explores the perspective of a woman reckoning with a dangerous habit of stealing from others while at a session with her therapist. The conversation between Sasha and her therapist creates moments to weave in and out of the present and past. Throughout the chapter, Sasha lies to her therapist, to others, and to herself, as she struggles to figure out the reason for her addiction. Inspired by Egan, write a story set during a therapy session. What is the protagonist contending with, and how does the setting allow for the story to weave in and out of the present?
“The forgetting of Afro-Chinese histories, and furthermore of Afro-Chinese women, is an example of what it means to be beyond the interest or comprehension of coloniality,” writes Tao Leigh Goffe in an excerpt from The Other Windrush: Legacies of Indenture in Britain’s Caribbean Empire (Pluto Press, 2021) published in gal-dem. Goffe discovers photographs of a previously unknown relative, her great aunt Hyacinth Lee who migrated to the U.K. from Jamaica, and traces her story. Write a story from the perspective of a family member, real or imagined, who you feel has been lost to history or whose story is still untold. Are there mysterious family photographs you’ve seen that might tell a story?
In this week’s installment of Ten Questions, author Pajtim Statovci and translator David Hackston discuss the writing of Bolla (Pantheon, 2021), a novel with an unlikely love story set in Kosovo between two young men at the outbreak of a war. The novel’s title comes from the name of a demonic serpent that remains in a dark cave hidden from humans except for one day every year when it transforms into a dragon and is released, wreaking havoc and destruction. Through this legend, Statovci gives the love story a shape, as their conflict is refracted through the metamorphosis of this mythical dragon. Think of a fable from your childhood and consider ways you could use it as inspiration for your own story—as a template for your plotline, as a metaphor for your character’s conflict, or as a way to build the story’s setting.
In an article for Literary Hub, Angela Rose Brussel documents the protests of the summer of 2020, among which included protesters gathering and camping out for a month in front of City Hall in New York City in an effort to change the city’s budget. She describes how the demonstrations slowly became less about complaints, and more about celebration: “The summer of 2020 was a fusion of the two, making manifest not only the direct politics of rage, but of joy.” This week, inspired by the article and its photographs, write a story in which protests take place and infuse not only rage, but hope and joy into your characters.
“My first book was a memoir, so I wanted to write my second book about something outside myself completely—something universal. What was more universal than loneliness?” writes Kristen Radtke in “The Loneliness Project: My Journey Through American Loneliness,” an essay featured in the July/August issue of Poets & Writers Magazine. In the essay, Radtke talks about the process and challenges in writing her graphic nonfiction book Seek You: A Journey Through American Loneliness, forthcoming from Pantheon in July. Write a story in which a protagonist grapples with loneliness. How will you communicate this universal feeling in a specific way?
In Joss Lake’s debut novel, Future Feeling, published in June by Soft Skull Press, the absurd meets the epic in the story of Penfield R. Henderson, a former dog walker obsessed with the social media presence of Aiden Chase, a fellow trans man and influencer documenting his transition into picture-perfect masculinity. After resentfully attempting to hex Aiden, Penfield instead curses another young trans man named Blithe to “the Shadowlands,” an emotional landscape through which “every trans person must journey to achieve true self-actualization.” What follows is the journey Penfield and Aiden take to save Blithe and the lessons the three learn about the power of human connection and choosing your family. Taking inspiration from Lake’s epic tale, write a story that establishes how three strangers meet to achieve a common goal. How can you challenge yourself to imagine a plot that, like a puzzle, positions these three characters to save one another?