In Sam Raimi’s latest horror film Send Help, a woman who is constantly underappreciated and passed over for a promotion by her lousy boss finds herself suddenly trapped on a deserted island with him. In this new environment, the tables have turned. Injured in the catastrophic plane crash that landed them on this island, he is now dependent on her canny survival skills, a dependence she finds herself more than eager to exploit. Write a short story in which, due to an unexpected event, a role reversal occurs between two main characters. What were the original power dynamics between the characters? Are there benefits and disadvantages for both characters when the tables are turned? In Raimi’s film, the characters occupy a gray area as sympathetic characters—see if you can play with drawing out moral or emotional ambiguities with the characters in your own story.
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
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In a 1981 interview published in the Paris Review, Gabriel García Márquez tells Peter Stone how his grandmother inspired the narrative voice in his novel One Hundred Years of Solitude, which tells the multi-generational story of the Buendía family and presents its fantastical elements with utter naturalness. Márquez wanted to write the novel’s magical narratives “with the same expression with which my grandmother told them: with a brick face.” Write a short story that incorporates mystical or supernatural elements while maintaining a tone based in reality, in which these elements are considered commonplace. What themes and truths about your characters are easier to express in this imagined world? As you write, consider what Márquez says about storytelling: “A novelist can do anything he wants so long as he makes people believe it.”
This week compose a short story arising out of a two-part exercise that illuminates a new side of the old “show, don’t tell” strategy. First, imagine that your main character has just experienced a significant change in their life, maybe something unexpected or even shocking: a sudden relationship breakup, news about a family member’s health getting worse, winning the lottery, or running into a long-lost love. Then write a short story that takes place the day after this revelation as they go about their day—whether looking out a window on a bus commute, walking in the neighborhood, or preparing a meal—but refrain from mentioning anything about what happened the day before. Instead, focus on how your character’s observations and feelings about their immediate surroundings might be colored by their current state of mind.
As recent studies reveal the dangers of social media addiction, particularly with younger people, there has been an increase in bans on cell phones in high schools around the nation and worldwide, which in turn has prompted debate about the limits of restrictions, parental concerns, and the effectiveness of bans when many teenagers often resort to using burner phones. This week, write a short story that revolves around a recently imposed ban on cell phones at a high school and the ripple effects. When a formerly used mode of communication is disrupted, what kind of miscommunications might occur? Explore various characters’ viewpoints, including students, teachers, administration, parents, and groups of teen friends. Are there potential upsides? You might even find yourself incorporating elements of a comedy of errors or a mystery.
In “What Scientists Learned By Eavesdropping on Thousands of People,” an essay recently published in the New Yorker, Shayla Love reports that people are speaking fewer and fewer words, citing a study published earlier this year that found, on average, people speak about three hundred fewer words a day than in years past. Write a short story set in the near future in which people rarely speak aloud to one another. Consider which thoughts or emotions become difficult or impossible to express when spoken language becomes a rarity. How do those lost conversations affect your characters and reshape societal values? Has verbal communication been supplanted by another kind of discourse?
Haunted houses are often depicted as decrepit manses with crumbling Victorian architecture, sitting on top of hills, surrounded by creepy dark woods, isolated from civilization. The house in Brenda Iijima’s second novel, Shelter Is Necessary for Existence (Two Dollar Radio, 2026), is set instead in a densely populated, affluent brownstone neighborhood in Brooklyn, New York, and is haunted by the ghosts of previous tenants and psychogeographical history, as well as its new owners’ preoccupations and paranoias. Write a story set in a haunted home located in a neighborhood that doesn’t lend itself to conventional spooky tropes. Start with a scene of exploration or discovery of something that formerly went unnoticed, in or around the home. How might gentrification, exploitation, or constant construction contribute to a sense of dread as elements of psychological horror seep into your story?
In The Invite, a recent film directed by Olivia Wilde with a screenplay by Rashida Jones and Will McCormack, an unhappily married couple invite their upstairs neighbors over to their apartment for dinner and the evening leads to unexpected revelations after a risqué proposition. Taking inspiration from the contained setting of an apartment and the ripe ingredients for drama and comedy of mysterious neighbors and an awkward proposal, write a short story in which members of a household—a couple, multi-generational family members, or housemates—invite neighbors they don’t really know over for a gathering and a surprising idea or proposition is brought up. How does this closed space open up a multitude of possibilities in terms of what might go wrong or right, and how the characters end up learning from one another?
A plane delay, whether of fifteen minutes or five hours, can set off an unexpected series of consequences as travelers often have plans with people awaiting them upon arrival at the other end. It may involve gatherings with family and friends, business meetings, vacation activities, restaurant reservations, show tickets, or connecting flights to catch. This week, write a short story that launches with a character experiencing a short or long flight delay, unfurling a chain reaction that affects an important relationship in their life. You might choose to stay with one character throughout the entirety of the story or cobble together a narrative that weaves together the stories of multiple characters affected by the fallout of the same delayed flight. How do differing characters’ responses reveal something about their personality and priorities?
In the film Obsession, directed by Curry Barker, protagonist and hopeless romantic Bear finds a supernatural toy that grants his wish for his friend Nikki to fall madly in love with him. The consequences of his wish are soon revealed when Nikki becomes terrifyingly attached and devoted to him, and it becomes harder to decipher her true self. Write a short story from the point of view of someone under a love spell. Show the process of your character transforming as they grow deeper in their fixation. You might explore the darker facets of this obsession and loss of autonomy through an internal monologue. How can you incorporate glimpses of reality within a story told behind rose-tinted glasses?
Sophie Kemp’s absurdist novel Paradise Logic (Simon & Schuster, 2025) follows a young woman who seeks everlasting devotion from her boyfriend and embarks on a mission to become the best girlfriend of all time. In an interview published in Columbia University’s the Blue and White, Kemp talks about drawing inspiration from one of Nobel Prize–winning author Kazuo Ishiguro’s books. “The Remains of the Day is about a guy who wants to be the greatest butler of all time,” she says. “And I was like, oh, it’s going to be like that.” Write a short story in which your main character is trying to become the absolute best in their field or pursuit. What insights can this monomania give to your character’s psychology? Is the grandiose fixation noble, deluded, ill-fated, successful, or perhaps somewhere in-between?
In the animated Pixar film Hoppers, directed by Daniel Chong, college student and nature lover Mabel Tanaka transfers her consciousness into a robotic beaver to uncover mysteries within the animal kingdom. With the ability to understand and communicate with animals, she discovers the realities of the food chain and learns about the interconnectedness of natural ecosystems, and what happens when that delicate balance is disrupted. Write a short story that revolves around an unexpected incident or occurrence that presents your main character with a newfound realization about how the human world is inextricably connected to the nonhuman animal kingdom. You might incorporate a sci-fi element that allows your protagonist profound insight into how animals think and relate to one another, and to human beings.
Scientific studies on vision have demonstrated that rates of myopia, or shortsightedness, have been rising, to the extent that within the next twenty-five years, half of the population of the world will be myopic. While there are genetic reasons for this, a recent article published in BBC Science Focus magazine reports that environmental factors are playing a part, including people spending less time outdoors in the sun with diverse, visually rich stimulation, and more time indoors staring at screens and digital devices close-up and surrounded by “straight lines and monochrome walls.” Write a short story that takes place somewhere along this spectrum of technology affecting human evolution. Are there characteristics besides eyesight that are worsening?
The comedy horror television series Widow’s Bay begins with the mayor of a small New England island town attempting to boost tourism and presenting the locale in a positive light to a visiting reporter of a major newspaper outlet. Despite the mayor’s efforts to detract attention from the town’s history of unusual occurrences, corroborating local residents’ warnings that the island is cursed and haunted, an arrival of thick fog brings present danger and terror that cannot be ignored. Write a short story that revolves around a group of people whose competing interests are illuminated when an outsider enters the picture. First, spend some time establishing the nuances of your characters’ relationships: Are there rivalries or unresolved conflicts from the past? How does the outsider create a disruption in your characters’ routines and expectations?
As climate collapse transforms our experiences of the natural world, researchers are sounding the alarm that smells and scents will become extinct alongside changes in plant biodioversity, weather-related phenomena, and the evolution of the world’s landscapes of man-made structures. According to a recent article in Smithsonian magazine, scientists warn that not only will the changing climate have a reduced “scentscape,” but that human beings may gradually experience diminished abilities to smell, due to the harmful effects of pollution. Write a short story that takes place in a universe where smells have largely disappeared from everyday life. What sort of adaptations have been created to compensate for this sensory loss? Will memories, which are strongly associated with smell, function in different ways?
At the start of Deborah Levy’s My Year in Paris With Gertrude Stein, a hybrid-genre book merging biography with fiction, published by Farrar, Straus and Giroux in June, the first-person narrator finds a silver lining to her friend’s cat going missing, noting that the drama “was a relief from writing my essay on Gertrude Stein, about whom I knew too much and nothing at all.” The narrator goes on to express her frustration while studying who Stein was as a writer and a person. “Sometimes, when I read her baffling and beguiling writing I wanted to smack it in the chops,” writes Levy. Select a writer or artist whose personality, mythology, and life story pique your interest, and write a short story that revolves around a character who is working on a project about your chosen person. Consider how the subject’s real biography might play with parallels in your fictionalized character’s life and world.
Kane Parsons’s debut horror film Backrooms revolves around the discovery of a labyrinthine parallel universe of mysteriously empty rooms and hallways which are entered through the basement of a furniture store. The concept originates from “Backrooms” website threads in which users post and contribute writing—essentially cocreating fictional horror accounts akin to urban legends—about an otherworldly dimension that exists in a liminal space, inspired by a photo depicting several empty rooms tinged in fluorescent yellowish lighting. This week, think of a space that feels mundane or familiar to you, such as a furniture store, the corridors of an expansive hotel, or a school basement. Then write a short story inspired by the image of the space when it’s devoid of any activity. Consider the lighting, furnishings, and sounds that accompany the space and what might enhance a menacing or unsettling scene.
“I learned that Lucky Charms cereal is, like, seventy-five percent sugar, bananas are poisonous to monkeys, and you should rinse Popsicles before eating them to avoid losing taste buds. I learned that you can kind of just say ‘slay’ whenever, as filler, that you can address both your girls and your dad as ‘bro,’” writes Anna Wiener in “The Life and Times of an American Tween,” a recent New Yorker piece about a San Francisco twelve-year-old and her friends that expands into larger ideas around being a twenty-first century tween. Write a short story in which one of your main characters is a teenager. Draw from your own experiences as a teen, as well as your knowledge of Gen Alpha, to round this character out with age-specific habits, emotional turmoil, energy, and outlook. Consider how the character’s use of slang conveys a phase of in-betweenness, intense observation, and playacting in this preadult window of their life.
Choose an ordinary setting for a new story: a laundromat, a corner store, a waiting room, a kitchen table. Treat this place not just as background, but as an active force in the lives of your characters. Think about how your characters encounter and become one with this space. How are the lighting choices, particular sounds, and the rhythm of people and objects a factor in shaping the emotions of those who inhabit them? What hidden meaning emerges when you linger on what first seems mundane?
A study published last year in the scientific journal Proceedings of the National Academy of Sciences presented surprising findings about a population of dark-eyed juncos living in Los Angeles. The normally forest-dwelling sparrows whose physical traits had diverged from their wilder counterparts to suit their urban lifestyle, had beaks that reverted to their wildland shapes during pandemic lockdown restrictions when their immediate environments had fewer humans in them. Think about the environmental shifts that transpired in the early 2020s due to the pandemic and write a short story that revolves around a physical adaptation or transformation that occurred naturally over the course of those years due to changed habits. Experiment with incorporating elements of science fiction, humor, and surrealism into your story. Who takes notice of these changes?
Jacaranda trees, whose abundant violet-colored flowers dominate the streets of Los Angeles from late spring through early summer, have bloomed about a month earlier this year due to an unexpected heat wave in March. The trees have filled the city with large swaths of purple, both on the tree canopies and sprinkling carpets of blooms when they fall. Think of a sign in your local environment that annually signals a change from spring to summer and write a story that takes place against the backdrop of this seasonal indicator occurring earlier than usual. Experiment with how this subtle or explicit phenomenon in the natural environment can be expressed through various sensory details. How does this occurrence create a sense of tension in relation to the plot arc and character development of your narrative? Do your characters take notice of this anomaly or is it simply playing out in the background?
Recently, the New Yorker published an article by Julian Lucas about the devastation experienced when losing digital data and the experts who are able to repair and recover data for victims. Steve Burgess, a “data-recovery pioneer,” talks about how the value of a person’s data is dependent on whether or not they have it. “Once they have it, it really wasn’t worth anything,” he says. “But, if they don’t have it, it’s worth an arm and a leg and their children.” Write a short story that launches from the starting point of a character experiencing an unfortunate mishap with their phone or computer, resulting in the loss of irreplaceable photos, texts, audio files, writing, and contact information. Were the lost items something that they took for granted before? What is your character willing to do to retrieve the data?
Early last year, a group of three thousand people across the United States were surveyed for a study published by Brigham Young University’s Wheatley Institute which found that nearly one out of five adults had chatted with an AI romantic partner. Considering this growing trend, write a short story that revolves around the unexpected consequences that arise when a character develops a romantic relationship with an AI-generated companion. Is there an inciting incident that prompts your character to turn to technology for comfort? Does anyone else know about this new love interest or is the relationship kept a secret? Aside from possible elements of sci-fi dystopia or tropes from mystery and thriller genres, consider incorporating some unexpected humor and satire into your story.
In Sarah Wang’s debut novel, New Skin (Little, Brown, 2026), a young woman named Linli Feng is drawn back to her hometown to tend to her mother in the aftermath of her latest string of disastrous plastic surgeries. Through the eyes of Linli, the environment around her reflects components of her own reality, full of signs of destruction and disrepair, including grass that is “as brown and dry as any in Los Angeles,” a fruitless fig tree that has been damaged after her mother backs her car into it, and a thicket of bougainvillea with “deep magenta bracts” dying and falling to her feet. Write a short story in which the setting displays characteristics that reveal both the mindset of your main character and themes you wish to interrogate in your narrative. How might elements that may conventionally be seen as positive or beautiful take on hints of menace or darkness through the story’s landscape?
Stories that revolve around a love triangle often presume the presence of would-be binaries: a hero and a villain, the righteous and the evil, the good and the bad. But what happens when the roles are blurred and no one is out to hurt the other? In Ida Lupino’s 1953 drama The Bigamist and the recent dark comedy television series DTF St. Louis, the focus is on the humanity of all three characters within their marriages and the ambiguity of their actions. Taking a cue from the sympathetic nature of these characters, write a short story that involves a love triangle that is similarly even-keeled. How can you experiment with point of view, humor, or dramatic circumstances to create a narrative in which all members of the triangle are imbued with equally powerful traits of complexity and pathos?
In much of her work, scholar and author of the award-winning book Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals (Norton, 2019), Saidiya Hartman writes about the silences, gaps, and omissions present in conventional institutional archives that leave out the voices and lives of marginalized people. In her 2008 essay “Venus in Two Acts,” published in Small Axe: A Caribbean Journal of Criticism, she coined the term “critical fabulation” to describe a research method that combines archival research, critical theory, and storytelling to redresses and reimagine these historical biases. Write a short story that echoes this idea, beginning the process by considering what old textbooks have gotten wrong. What history would you like to retell? How can your story reimagine not only what happened long ago but also imagine a different present?