Written and directed by Celine Song, Materialists is a film about a matchmaker at a high-end agency in New York City and her own trials of love. She interviews and maneuvers her clients who have very specific demands for their potential dating partners, testing the mechanics of worth and value, and seeing people through the lens of market capitalism. Characters are bluntly forthcoming about age preferences and job salaries, an honesty that may seem surprising when considered against old-fashioned social norms which deem it vulgar to talk about money. Write a story in which one of your characters is uncommonly direct about financial matters—whether about having a lot or a little, or how much they spend, earn, and save. How does bringing money into the picture illuminate issues of class between your characters?