In First Reformed, the 2017 drama film written and directed by Paul Schrader, a tormented minister leading a small congregation in upstate New York finds his mental, physical, and spiritual states unraveling after a situation with a young couple seeking his guidance leads to a shockingly terrible turn of events. Throughout the turmoil, Reverend Ernst Toller continues a project to record onto paper all of his daily activities and unfiltered thoughts for a year with the intention of destroying the journal once he’s done. Write a short story in which your main character is experiencing a particularly tumultuous phase of upheaval and decides to maintain a daily routine of writing in a diary. Incorporate snippets and excerpts from the diary entries to illuminate the character’s biases and singular perspective, lead the reader to conclusions about your character, or shed light on their preoccupations as they navigate a difficult time.
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
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In many holiday movies and holiday-themed episodes of popular TV series, a clashing of traditions stands as a focal point: the combination of Christmas and Hanukkah in The O.C.’s “Chrismukkah” episodes; the tension between older and younger generations in Home for the Holidays; attending extravagant and polished parties while withholding truths in Metropolitan and Happiest Season; and the uncomfortableness of houseguests in The Family Stone and Happy Christmas. Write a short story in which these differences come to a head because of a newly enmeshed relationship, whether that be between housemates, a romantic couple, in-laws, or different sides of the family. How do your characters’ personalities reveal themselves over the course of the narrative? Consider the ways you might craft the story to demonstrate how multiple layers of power dynamics operate in both blatant and subtle ways.
How long would it take you to memorize more than a hundred square miles of city streets? London’s black cab drivers are trained to rely on memory and not GPS technology by studying and passing a series of exams, a process called “The Knowledge,” which can take someone three years or more to receive an official license. Potential drivers must memorize over twenty thousand street names, countless landmarks, and various routes. Write a short story that revolves around a character who must take on and pass an extraordinarily difficult exam of some sort. What significance—whether professional, financial, psychological, or spiritual—would passing the test hold? Consider the various tonalities you wish to strike within the story: hopefulness, despair, suspense, ambiguity, or celebratory happiness.
In Shirley Jackson’s short story “The Tooth,” a woman’s bus ride to the dentist dissolves into a haze of pain, exhaustion, and an uncanny encounter with a stranger. Write about an ordinary trip on a bus, train, or rideshare that is unsettled by your character’s physical state, whether they’re experiencing hunger, sleeplessness, or an illness. Let the journey shift gradually into unease, or perhaps, an altered sense of connection with others. Focus on moments where tension arises from vulnerability and misconnection, and consider how travel reshapes your character’s sense of self and destination.
“The dry, undramatic accent of the Midwest had her longing for the slow, thick drip of Southern speech,” writes Brian Gresko in “Singing the Sublime: A Profile of Donika Kelly,” published in the November/December issue of Poets & Writers Magazine, about how Kelly “leans into the soundscape of her youth, bringing her family forward as characters and voices within her poems” in her new collection, The Natural Order of Things (Graywolf Press, 2025). Taking inspiration from Kelly’s journey back to her youth, think about the voices and language of a time or place from your past that you long to hear again. Write a short story that incorporates these voices—the diction, syntax, cadence, and grammar—into the world of your narrative. Where does your character encounter this soundscape? Is it spoken by a stranger in passing or by someone who becomes an important part of the plot?
Justine Triet’s 2023 drama film Anatomy of a Fall chronicles the aftermath of a mysterious death as the protagonist’s husband falls from the window of their Alpine chalet’s attic. Their eleven-year-old visually impaired son finds his father dead from the fall. Amid questions of the possibility of an accident or a suicide attempt, the protagonist is indicted on charges of homicide and a trial follows. Throughout the film, it is never made clear what exactly happened. Instead, the narrative meditates on themes of biases inherent in individual subjectivity. “Sometimes a couple is kind of a chaos and everybody is lost,” says the main character. Write a story that revolves around the chaos caused by the unknowability of a dramatic situation. Perhaps it’s a classic case of he-said-she-said or an incident with no direct witnesses and only bits and pieces overseen or overheard. How do your characters deal with the fallout of never knowing what truly transpired?
A human skull, eleven boxes full of used corks, a reel of an old cycling race, an eighteenth-century textbook—these are some of the real items discovered in attics from an article published in the Guardian. What’s hidden in your home? Write a short story that revolves around a character who has just moved into a new place, or is exploring a previously unexamined part of their home, and makes a startling discovery in an attic, basement, shed, or crawl space. Does your character attempt to formulate a story around the findings or locate the original owners of the home? Is there a creative, monetary, or emotional value to be found in the object?
Character names in stories do more than identify—they can resonate, offer foreshadowing, and sometimes mislead. The name Hester traces its origins to the ancient Greek language, where it acquired the meaning of “star,” and in Hawthorne’s novel The Scarlet Letter, Hester Prynne shines bright with strength and resilience amid public shaming and condemnation. The cold-hearted Ebenezer Scrooge of Dicken’s A Christmas Carol became so well-known that his name is synonymous for someone who is a miser and uncharitable. Remus Lupin of the Harry Potter series takes his name from the Latin word “lupus” meaning “wolf,” a nod to his werewolf heritage. Write a story in which you name a character with intention. Let the name echo inner conflict, irony, or destiny.
“I arrived in the middle of the night to save you from the terrible smoke, I had a dream about you and so I decided to come and see you, I arrived just in time,” writes Ariana Harwicz in Unfit (New Directions, 2025), translated from the Spanish by Jessie Mendez Sayer. In the novel an Argentine migrant worker laboring as a grape picker in southern France is thrown into a tailspin after losing custody of her two young sons; she sets fire to her in-laws’ farmhouse, kidnaps her children, and embarks on a manic road trip. The terrifying and darkly humorous first-person narration is filled with contradictions and falsehoods and comma-filled run-on sentences, structured in frenzied, rambling paragraphs that mirror the protagonist’s delusionary state of mind. Write a story that plays with narrative voice in a similar way, aligning the mindset of your protagonist with a frenetic style of storytelling. Are there moments of levity that can provide a reprieve from the pacing?
A single father living quietly with his daughter in a small mountain village in Japan finds his day-to-day routine and peaceful, self-sufficient existence disrupted by real estate developers in Ryusuke Hamaguchi’s 2023 film Evil Does Not Exist. The collaborative systems of care and mutual exchange that characterize the villagers’ way of life clash with the corporation’s focus on capitalist profit, and the delicate balance of nature and civilization is called into question. This week write a short story that revolves around the disturbance of a balance between nature and culture. You might find it helpful to begin by brainstorming specific areas in your chosen setting where the natural environment and human-made spaces depend on each other or have had to adjust to make way for the other. What are the ramifications of a disruption to this balance?
Known for his postmodern satirical novels filled with secret conspiracies and government plots, Thomas Pynchon’s new novel, Shadow Ticket, out this week from Penguin Press, begins in Depression-era Milwaukee and follows a private detective whose search of a runaway cheese heiress gets him entangled with the Chicago mafia, the Bureau of Investigation, British intelligence, Nazism, and international capitalist conspiracies. This week write a short story that makes use of a current event that might seem absurd or stranger than fiction, spinning off from the actual details of the real event into something weirder. How can you inject humor into a story that gestures to real concerns about paranoia and dysfunctional politics?
In Vaim (Transit Books, 2025) by Nobel Prize–winning author Jon Fosse, translated from the Norwegian by Damion Searls, one might search for certainty and stability in vain as the fishing village from which the novel gets its title is not a place in the real world, and perhaps not even a real place within the world of the book. Ania Szremski, senior editor of 4Columns, describes the novel as a “a book of amphibolous belief” with a protagonist who “wavers between ‘yes’ and ‘no.’” Write a short story that revolves around a character who inhabits a place that may or may not really exist. In Fosse’s book, the protagonist’s motorboat grounds the reader while the use of shifting points of view and lack of punctuation can be unsettling. How do you inject your own story with both stabilizing and destabilizing elements to create tension and momentum?
As reported in a recent piece in Smithsonian magazine written by Erin Donaghue, there is a small residential neighborhood in northwestern New York State with a population of about 300 inhabitants of which about forty are psychic mediums. Every summer, thousands flock to the hamlet of Lily Dale to engage in the practices of spiritualism, a philosophy and religion that believes that the living can communicate with the dead. This week write a short story in which one of your characters encounters a medium and attempts to establish a connection with someone in their life who has died. You might choose to include multiple voices or perspectives, or imbue your narrative with a tone of mystery, horror, tragedy, or comedy. Are the medium’s capabilities genuine or fraudulent, or perhaps somewhere in-between? What is revealed about your protagonist’s relationship with the person they’re trying to contact?
If practice makes perfect, what do we do with the imperfections of being out of practice? This week write a short story that revolves around a character who finds themselves unexpectedly back in the mode of performing a skill they once did well, but have now grown rusty after years of unuse. It might be a creative practice—playing an instrument, dancing, photography, writing, or painting—or perhaps it’s a job-related task—writing a report, managing a team, or speaking in front of a large audience. Consider anything learned that one might fall out of practice with, such as a language, camping, or even dating. How does your character adjust to revisiting an old skill? Does everything come flooding back or is there a steep learning curve?
In her 1955 book The Edge of the Sea, marine biologist Rachel Carson explores the ecology of the Atlantic seashore. “When we go down to the low-tide line, we enter a world that is as old as the earth itself,” she writes, “the primeval meeting place of the elements of earth and water, a place of compromise and conflict and eternal change.” Write a short story that uses a shoreline as its setting. Consider the ways in which this meeting place of earth and water is a place where one might encounter change, conflict, and compromise. What sorts of sights specific to this merging of earth and water are observed, and how can you connect them to the major and minor conflicts in your narrative? Does your story conclude with the implication of further “eternal change,” or do you lead your characters to a seeming point of resolution?
A career criminal, a florist owner, an aquarium tour guide, and a prison drama teacher. The characters in the 2022 French comedic heist movie The Innocent hold an array of colorful jobs, which provide intriguing imagery and set pieces, and assist in placing the characters in specific circumstances with rippling effects. This week write a short story that makes use of multiple unconventional jobs, as you define them. Choose a few that seem wildly different from what you know and are evocative to you personally. How do the tasks of these odd jobs circumscribe your characters’ actions and ways of problem-solving? Incorporate elements of comedy and action into your narrative to create a funny, fast-paced story.
“Sometimes she sat at the foot of the illness and asked it questions. Had it stolen her old mind and given her a new one? Had she been able to start over from scratch, a chance afforded to very few people?” Patricia Lockwood’s second novel, Will There Ever Be Another You, forthcoming in September from Riverhead Books, chronicles a young woman’s hallucinatory descent as she navigates a loss of self during a global pandemic. Think back to the first years of the COVID-19 pandemic and consider the ways in which the rapidly changing world reconfigured your idea of self and your mindset as you dealt with social distancing and lockdown, sickness and death. Write a short story encapsulating a character’s loss of self during a period of social upheaval that catalyzes a gradual distancing from known reality. Whether your character sees this as a chance to start over or a moment to stand their ground, what do these actions reveal about their personality?
In Taylor Jenkins Reid’s novel The Seven Husbands of Evelyn Hugo (Atria Books, 2017), Hollywood icon Evelyn Hugo is hailed for her beauty, glamour, and sensational public life, and after announcing to auction her famous gowns to raise money for a breast cancer charity in honor of her late daughter, she grants a last interview to unknown journalist Monique Grant. During their conversations, Evelyn reveals the sides of herself often kept from the public—her relationship with her dutiful daughter, her heartbreaks, and her one true love—and the two connect in an unexpected way. Craft a scene in which the protagonist of your story hides behind a persona. When the facade falters, what is shown to be concealed?
Last month, new research published in the Review of English Studies presented findings from a pair of scholars that solved a centuries-old mystery in Geoffrey Chaucer’s writings. A typo was discovered in a transcription of a twelfth-century sermon referencing a long-lost, and once popular, poem “The Tale of Wade” in which the word “wolves” was mistakenly written as “elves” and “sea snakes” written as “sprites.” In Chaucer’s Troilus and Criseyde and The Canterbury Tales, he referenced the poem and this same bumbled transcription appeared through the centuries, perplexing scholars as to why Chaucer would include mythical creatures in his stories of courtship with knights and ladies. Write a short story in which a typographical mistake results in a cascade of consequences for those who interpret the language in unexpected ways. Is the mistake eventually rectified or does the story conclude without anyone knowing?
The Last Showgirl is a 2024 drama film directed by Gia Coppola starring Pamela Anderson as a veteran Vegas dancer in her fifties who finds herself becoming obsolete as the revue she has headlined for three decades prepares to close. As Shelly considers other job prospects and a lifetime invested in and shaped by outmoded notions of femininity, eroticism, and glamour, she is faced with confronting the people in her life: the stage manager who remains at the venue producing a new show, her estranged daughter, and an old friend who works as a cocktail waitress and has alcohol and gambling addictions. Write a short story in which your main character is confronted with the harsh realities of social expectations as they age, particularly those around gender, beauty, and worth. What are their personal values around these concepts and how do they navigate the resulting tensions?
Hanya Yanagihara’s 2015 novel, A Little Life, centers on the complex relationships between four college friends: Jude, Willem, JB, and Malcolm. JB, a painter, begins a new series of portraits based on his friends, working from memory. When he paints Jude, his enigmatic friend with whom he’s grown distant, he claims it’s a tribute. However, the portrait depicts Jude mid-stumble, highlighting the distinctive walk caused by his lifelong injuries and trauma, and the image is widely seen as exploitative by their friends. This moment marks a betrayal and demonstrates how attempting to capture another person’s essence, even someone you love, can sometimes be dangerous. Write a story about a narrator trying to understand someone they were once close with, perhaps a sibling, friend, or lover. What image do they want to believe? What truths remain unseen?
Literature has a long history of narratives that are built around fictionalized letters and correspondence—Choderlos de Laclos’s Dangerous Liaisons and Johann Wolfgang von Goethe’s The Sorrows of Young Werther from the eighteenth century, Mary Shelley’s Frankenstein and Bram Stoker’s Dracula in the nineteenth century, and more contemporary novels such as Stephen King’s Carrie, David Mitchell’s Cloud Atlas, and Jennifer Egan’s A Visit From the Goon Squad. This week compose an epistolary short story incorporating letters, postcards, e-mails, texts, social media posts, news articles, receipts, and other tidbits of written documents. How do these disparate elements work together to create a story that has to be puzzled together?
In the 2014 Swedish film Force Majeure directed by Ruben Östlund, a family on a ski vacation in the French Alps has a scare when a controlled avalanche threatens the lodge where they are staying and the father runs away from the oncoming snow, leaving behind his wife and two young children. All remain safe but the event causes tension in their marriage. Over dinner with friends, they discuss how in moments of crisis one would hope to do the heroic thing, but one never really knows until something actually happens. Write a short story that begins with an intense and startling event and build your story around each character’s response. What sorts of personality traits are revealed in the aftermath? You might play around with incorporating different characters’ perspectives or versions of what happened to provide tension.
Neuroplasticity refers to the ability of the brain to adapt, grow, and evolve throughout our lives by forming new neural connections. But what about actual plastics in the brain? While past studies have presented findings that our bodies are increasingly becoming filled with microplastics, more recent research has shown that a significant amount of these plastics are accumulating in the brain—possibly an average of an entire spoon’s worth. This week write a short story that postulates on the effects of this biological issue. The premise may lend itself naturally to a dystopian, apocalyptic story of sci-fi horror, but are there other elements and genres that you can experiment with, such as satire, romance, or mystery?
Written and directed by Celine Song, Materialists is a film about a matchmaker at a high-end agency in New York City and her own trials of love. She interviews and maneuvers her clients who have very specific demands for their potential dating partners, testing the mechanics of worth and value, and seeing people through the lens of market capitalism. Characters are bluntly forthcoming about age preferences and job salaries, an honesty that may seem surprising when considered against old-fashioned social norms which deem it vulgar to talk about money. Write a story in which one of your characters is uncommonly direct about financial matters—whether about having a lot or a little, or how much they spend, earn, and save. How does bringing money into the picture illuminate issues of class between your characters?