In a recent New York Times profile by Penelope Green, author Anne Lamott says, “I don’t write stuff I don’t think is universal, if I write about my butt or my body or my, you know, challenges with self-esteem or my raging ego, I know it’s universal.” Jot down a list of personality traits, idiosyncratic beliefs or opinions, or past situations that seem extremely specific to you alone. Upon deeper reflection, is there a possible overlap between any of these topics and circumstances others may be familiar with? Select one of these items and write a personal essay that extends this seemingly personal concern into the realm of the universal.
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
“Graffiti Palace was the amazing confluence of three worlds that crashed together: The Odyssey, graffiti, and the Watts riots,” writes A. G. Lombardo in “5 Over 50” in the November/December issue of Poets & Writers Magazine. Lombardo describes the circumstances in his life, such as his job as a high school English teacher, that combined to form “this strange brew of ideas” around which his debut novel revolves. Write a short story that combines several elements of your life, perhaps including hobbies or passions, political events of national importance, and favorite works of art or entertainment. How can you crash these disparate interests together to form a cohesive narrative arc?
The headless chicken monster: the stuff of nightmares or a real scientific oddity? It’s actually the nickname for a deep-sea swimming cucumber recently captured on camera for the first time in the Southern Ocean between Australia and Antarctica, and caught on film only once before in the Gulf of Mexico. Write a poem inspired by this reddish-pink finned creature, taking inspiration from its scientific name Enypniastes eximia, and its other nicknames, such as the headless chicken fish, the Spanish dancer, and the swimming sea cucumber. Take a look at photos and videos to see this unusual creature’s bulbous, transparent body and webbed, veil-like appendages and tentacles moving across the ocean floor.
“Boredom becomes a seeking state. What you’re doing now is not satisfying. So you’re seeking, you’re engaged,” says psychologist Heather Lench in an article for Wired about the connection between boredom and creativity. Do you remember the last time you allowed yourself to truly do nothing to the point that you felt bored? Write a personal essay about a time when you had nothing to do and how that inspired you to create something. This could be a childhood memory of inventing a new reality or a more recent experience when you allowed yourself time away from distraction and wrote a new piece. Use this essay to reflect on how silence and inactivity have played a role in your creativity.
This week, create your own cinematic adaptation. Select a movie or an episode from a television series in a language you are unfamiliar with, but do not turn on any subtitles. Instead, pay close attention to the body language, vocal intonations, and facial expressions of the characters in order to uncover, and invent, your own narrative. Don’t be concerned with accuracy; allow uncertainty to make way for creativity. Then, write a short story based on your interpretation of the events. How will you choose to describe the body language and atmosphere in a scene? What dialogue will you create for the characters?
Struggling to stay motivated? Researchers at the University of Chicago Booth School of Business recently found that people having trouble achieving their goals benefit from the very act of giving advice to others. This week, try offering some advice to someone in a poem. Write a list of suggestions for handling a challenge, perhaps something you know very little about to add some levity. It can be specific, like what to do when your car breaks down on the side of the highway during a thunderstorm, or something more general like how to resolve an argument. Using an idea from your list, write a humorous poem addressed to someone who may or may not appreciate your guidance.
“Where would we be without the women who plant their feet, who set their chins, who step forward and never fear the dark?” asks Laird Hunt in his Literary Hub essay “In Gratitude for the Fierce Women of the World.” Hunt describes his high school girlfriend and his grandmother, who both served as fierce female inspiration for him and his novels which center on women who “are making their own story, their own names, their own games.” Write a personal essay about a woman who has had a powerful presence in your life, who inspired you to persevere, to overcome obstacles, to not back down.
In her New York Times essay “The Ghost Story Persists in American Literature. Why?,” Parul Sehgal writes about how ghost stories throughout American literature have functioned as social critique, manifestations of protest and redress that reveal “cultural fears and fantasies,” and which understand “how strenuously we run from the past, but always expect it to catch up with us.” Write a story that uses a dark or troubling part of history as the impetus for an appearance of a ghostly presence. How does the ghost serve “as a vessel for collective terror and guilt, for the unspeakable” in your story?
Construction workers renovating a building in Valdosta, Georgia, last week discovered approximately one thousand teeth buried in a wall on the second floor. Historical researchers attribute the discovery, and the teeth found in walls in two other cities in Georgia, to the spaces having been occupied by dentists in the early 1900s. Write a poem inspired by the imagery, secrets, and possibilities evoked by these bizarre findings. How do the buildings and architecture that surround us hold and reveal local history? Have there been situations in your life when a buried past became uncovered in mysterious or revelatory ways?
In the chapter titled “The One Where Two Women Got Married” in the nostalgic retrospective I’ll Be There For You: The One About Friends (Hanover Square Press, 2018), journalist Kelsey Miller writes about the prevalence of homophobic jokes and the depiction of the lesbian couple in the television show Friends. Looking back twenty years later, Miller explores the ways in which the series was a product of its time. Choose a television series that aired ten or twenty years ago that you used to watch, and find a clip or episode to view. Write a personal essay about how your perception of the show has changed with hindsight. Consider what your own opinions of the show were when you watched it the first time around, and then examine how your perspective might have evolved over the years with the culture.
Have you ever found yourself peering over a nearby stranger’s shoulder to see what’s on the phone’s screen? In a recent study, researchers at the Ludwig Maximilian University of Munich analyzed findings from a survey and found that “shoulder surfing was mostly casual and opportunistic” and was “most common among strangers, in public transport, during commuting times, and involved a smartphone in almost all cases.” Write a short story in which your protagonist peeks over the shoulder of a bystander and catches a glimpse of something unexpected on the person’s phone. Is it something vaguely suspicious that captures your main character’s imagination or is it something downright implicating?
“I always feel that I’ve seen a thing after I’ve described it….when I’ve written a thorough physical description of something, then I feel like I’ve seen it and I’ll remember it,” says Barbara Kingsolver in “A Talk in the Woods,” her conversation with Richard Powers in the November/December issue of Poets & Writers Magazine. Choose an object that you have never really given much thought to, but that you see frequently in your home or on your commute, perhaps a houseplant or a mailbox or a street sign. Spend some time intensely observing it, and then jot down a thorough physical description. Afterwards, write a poem about the object. How did your perception of it change, in your mind’s eye, after going through the exercise of articulating it in language?
“As a nonfiction writer I tend to write about things when I am still in the midst of them, when I am too close to the subject matter and there is no possible resolution to the thing I am writing about,” writes Steph Auteri in “Writing Partners: Working Together Through Writing and Life” in the November/December issue of Poets & Writers Magazine. What issues or conflicts are you in the midst of struggling with right now? Begin an essay about a subject that you are dealing with at the moment, writing down all the raw emotions without self-editing. Perhaps in a few weeks or months, you can revisit the piece and decide whether to continue working on it from more of a distance.
Ligaya Mishan’s essay “In Literature, Who Decides When Homage Becomes Theft?” in the New York Times Style Magazine examines instances in which the authors of historical and contemporary literature have been accused of plagiarism or cultural appropriation, and questions the imbalance in response and criticism. Explore your thoughts on the boundaries of theft and homage with your own project. Write a short story that pays tribute to one of your favorite authors and offers a new perspective, such as how Kamel Daoud’s novel, The Meursault Investigation (Other Press, 2015), reimagines Albert Camus’s The Stranger or Preti Taneja’s novel, We That Are Young (Knopf, 2018), sets King Lear in contemporary India.
“My process of growing up and becoming has been figuring out that a lot of what I’ve been told is wrong,” says Morgan Parker in an interview with Joshua Wolf Shenk at the Believer on the subject of facts and truth and the literary imagination. “If you have a blank canvas, it’s about the kind of audacity to tell stories for yourself. Poetry is storytelling, in this particular way.” Think of something that you were told when you were growing up that has turned out to be wrong in one way or another. Write a twofold poem that first works to question what you’ve been told, and then moves on to tell a new truth.
Think about a place that has served as a sanctuary to you as a writer, whether in the past or present. Perhaps it is somewhere you’ve visited only once, somewhere you return to every year, or somewhere in-between. It could even be a writing retreat or residency. Write an essay about what makes this space so inspiring to you as a writer. Describe the setting using all the senses: You might include a favorite soft-cushioned chair, the aroma of fresh flowers, the colors of the walls, a favorite snack, or the sound of pen to paper. What are the elements that help motivate you to write in this place?
In an interview with Louisiana Channel, Zadie Smith talks about her interest in the way many young authors portray emotional distress or anger in their novels. The characters, often women, will “pinch a bit of their skin until it bleeds” or “hold their jaw” or perform some other quiet act of defiance, rather than letting their feelings surface. “The idea of verbalizing an emotion is quite distant. And the body is treated like this strange thing you have to drag around after you’ve finished your text messages and e-mails and your virtual life,” says Smith. Write a scene in which your protagonist is faced with an immediate conflict involving a partner, family member, friend, boss, or stranger. Instead of silently raging, find a way to describe these emotions that allows your character to engage fully and vocally in the moment.
“It’s my lunch hour, so I go / for a walk among the hum-colored / cabs,” writes Frank O’Hara in his poem “A Step Away From Them.” So often, we miss out on the potential for inspiration from our daily routines, passing muses on morning commutes, lunch breaks, or evening strolls. This week, read O’Hara’s poem and then go out into your neighborhood with no set destination, carrying a notepad with you. Observe and write down everything and everyone you see: invent background narratives, involve your senses, and record sounds and overheard phrases. At home, write a poem that starts with the time of day (“It’s eight in the morning,” or “It’s my lunch hour,” or “It’s midnight”) and take the reader through the streets with you.
This past August, a couple browsing through a Florida Goodwill store’s secondhand goods found a baseball mitt that was lost by their son forty years earlier when the family lived in their hometown in Ohio. Think of the various belongings you lost as a child. Is there one item in particular whose loss hit you the hardest, or that you find yourself thinking about often? Write a personal essay about several long-lost objects, drawing upon your memories and what the object’s importance expresses about your values. If the objects were to turn up now, would they still hold meaning for you?
The song “Emmenez-moi” by French Armenian singer Charles Aznavour, who died this week at the age of ninety-four, is played repeatedly in the soundtrack to the 2005 French Canadian coming-of-age film C.R.A.Z.Y. directed by Jean-Marc Vallée. Throughout the film, Aznavour’s songs are sung by the protagonist’s father, who is a big fan of the singer. Write a short story in which a song of your choosing appears over and over. What is the significance behind the musician or the song’s lyrics to the themes or plot of your story?
The National Cowboy Poetry Gathering has been convening in Elko, Nevada for over thirty years to highlight the “cowboy way” of life, with activities such as poetry and yodeling and sing-alongs, musical performances, dancing, and recounting tall tales and folklore. Many poems and songs that are performed describe the everyday work of ranchers, herders, and rodeo cowboys, and the wide, open spaces of the rural West landscape. Taking a cue from these themes of cowboy verse, write a poem that celebrates the simple pleasures of a work day, focusing on something mundane that brings joy, perhaps finding a way to incorporate the natural environment. Listen to a cowboy song for additional inspiration.
Labor Day, a holiday honoring the American labor and trade union movements celebrated on the first Monday in September, is the marker of the unofficial end of summer. Oldfangled fashion etiquette dictates that it also marks the annual cutoff point for wearing certain items of clothing such as white shoes or white pants, along with patterns and materials including seersucker, eyelet, patchwork madras, linen, and canvas. Write a personal essay about a seasonal item that you’re either reluctant to let go of at the end of summer or eager to dig out from the depths of your closet storage for the beginning of fall. Explore how the seasonal clothing you wear is associated with the climate and traditions of your particular geographic region, as well as the emotional ties and memories linked to this annual transition.
The first authorized prequel to the novel Dracula, written by Bram Stoker’s great-grandnephew Dacre Stoker and coauthor J. D. Barker, will be published in October by G. P. Putnam’s Sons. Titled Dracul, the book is based on an earlier, unedited draft of the Dracula manuscript, as well as on family legends and Bram Stoker’s journals, and focuses on events in the author’s youth that may have led him to write Dracula. Choose a classic horror story and write a short story that acts as a prequel to the main events in the original work. You may consider an element of structure or style to carry over, such as the use of the epistolary form in the prequel Dracul that is also prevalent in the original Dracula. Aside from setting the action of your story earlier than that of the original, how else might you create a sense of anticipation or homage?
Here’s a strange question that might get some ideas flowing: Where do spiders and stars overlap? Jumping spiders, whose eyes have tubelike structures akin to Galileo’s telescope, have retinas that can swivel so the arachnids are able to look in different directions without moving their heads. Despite being only a few millimeters long, the spiders have eyes that are capable of discerning the moon, according to calculations by scientists. Use the notion of moon-gazing spiders as a launchpad for a poem that draws together two unlikely objects—a celestial body and an earthly body. You might also find inspiration in John Donne’s “The Flea” or Marilyn Nelson’s “Crows,” which incongruously pair the examination of metaphysical subject matter with a mundane physical creature.
“And it seemed as though in a little while the solution would be found, and then a new and glorious life would begin; and it was clear to both of them that they still had a long, long road before them, and that the most complicated and difficult part of it was only just beginning.” In “The Chekhov Sentence That Contains Almost All of Life” published in the Atlantic, Gary Shteyngart talks to Joe Fassler about this last line of Anton Chekhov’s 1899 short story “The Lady With the Dog,” and explains why he believes it expresses a universal truth about all human relationships. Find a favorite final sentence from a prose piece you have long appreciated and write a personal essay about why you find it particularly resonant. How has your reading of it evolved over the years, and what memories surface upon its recollection?