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In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
“My reality consists of full-time work, parenting, family, friends, and a laptop full of clients. When to write? One shift I made was to identify my ‘golden hour,’ the most conducive time of day for creative risk-taking, making, and doing.
“Years ago, a friend told me that she thinks of writer’s block as ‘fallow time,’ the season the farmer leaves the field unsown so that crops can grow more productively (I’m a city girl; I had to look it up).
“At some point I realized that I’m incapable of writing poems unless someone forces me to do it. Revising is easier for me; it can happen even against my better judgment as soon as I open a document.
“In order to start writing, I need to put myself in a receptive state of mind, which isn’t easy when you’re busy: ‘Stop, look, and listen,’ as they used to tell school kids crossing the street.
“I find that I generate new material via a two-step process. In the morning, I will sit my butt in the chair as close to 9:00 AM as possible. I’ve even contemplated purchasing one of those old punch clocks. Showing up every day is key. I’ll usually bang away all morning.
“Though it may seem counterintuitive, I find that one way to keep from getting stuck or to find inspiration and new directions for my essays is to write with handcuffs on. Not real handcuffs. That would be weird.
“When I’m feeling dazed and spent, and perhaps even a bit self-pitying, I turn my attention to the gleeful nihilism of E. M. Cioran. Romanian by birth, and a philosopher who wrote in French by choice, Cioran’s short paragraphs
“I will try anything to break through my own perfectionism and dull literal-mindedness, my need to explain everything, my need to defend. I can be a very slow writer, prone to fidgetiness and second-guesses.
“When in doubt, channel your inner Fran Lebowitz. Obviously there’s a certain irony in suggesting that the cure for writer’s block is to channel the person who’s known for being among the most famously blocked writers of our time.
“Not long ago, I chanced on an interview with Raymond Carver in which this early hero of mine said: ‘I think it's important that a writer change...so when I finish a book, I don’t write anything for six months.’ The statement seemed casual enough, matter of fact—minimalist, even.
