David Searcy
“My working methods, I suspect, are too peculiar and old-fashioned to be instructive. Nevertheless, I don’t make outlines. I don’t do drafts—or not intentionally—not as such.
Writers Recommend
In this online exclusive we ask authors to share books, art, music, writing prompts, films—anything and everything—that has inspired them in their writing. We see this as a place for writers to turn to for ideas that will help feed their creative process.
Paul Lisicky
“Music was my first love, and it’s still the source for me even though I haven’t touched a piano or guitar in years. It continues to teach me about phrasing, pitch, shifts in rhythm, shifts in tonal register—all of the qualities I value in writing.
Asali Solomon
“I write in periods of forty-five minutes using my cell phone timer, and take fifteen-minute breaks between each session. I repeat this until I’m done for the day.
Vanessa Blakeslee
“When I was in the thick of writing my novel, Juventud, I took dance classes two or three times a week. This provided obvious physical benefits,
Lincoln Michel
“When in doubt, go further, deeper, weirder. Take the elements that make your story unique and double down on them. There's a tendency in writing classes and craft essays to suggest that writers work on their weaknesses and round out their skills.
J. Ryan Stradal
“Like most writers, I prefer to write in silence, but I’m not always free to enable it. Sometimes circumstances pull you on the road, out of the house
Tracy O’Neill
“Often when two of my characters are in a room together, they’ll reach a point at which neither wants to converse with the other anymore. They’ve talked and talked, and though they can’t advance the dialogue, they are forced to remain in the same space. Maybe it’s a home or a job or an airplane.
Camille Rankine
“I write best from a place of stillness and quiet. I also live in New York City, a place known for neither of those things. That means I tend do a lot of writing in the middle of the night. It’s the closest thing to silence I can find in the city. The rest of the time, I collect.
Marsha de la O
“Begin with bleakness. Bring yourself to the bare room.
Helen Phillips
“The solution to being stuck almost always lies outside the writing itself. Creativity arises from playfulness, not from relentless concentration. It’s more powerful to look at a problem askance than head-on.